Memoir Essays

The Unusual Billionaires tells the story of eight, truly outstanding companies which delivered 10 percent revenue growth over the last 10 years and 15 percent return on capital employed. In simple words, these companies defeated 5000 other public listed companies to deliver high growth while maintaining profitability year-on-year for the last decade. How did these companies do it? Why couldn’t this be reciprocated by other companies? What are they doing differently?

Funny, poignant and reflective, The Weight of a Cherry Blossom is a fable of rootlessness and belonging in the modern world. It is equal parts a story of urban loneliness and self-discovery and of the healing powers of kinship and love. Revisiting the awkwardness of adolescence and the chaos of growing up, it looks the foibles of adulthood irreverently in the eye.

In his debut essay collection, award-winning poet Jaswinder Bolina meditates on "how race," as he puts it, "becomes metaphysical": the cumulative toll of the microaggressions and macro-pressures lurking in the academic market, on the literary circuit, in the dating pool, and on the sidewalks of any given US city. Training a keenly thoughtful lens on questions that are never fully abstract, Of Color is a bold, expansive, and finally optimistic diagnosis of present-day America.

In his books I Can't Date Jesus and I Don't Want to Die Poor, Michael Arceneaux established himself as one of the most beloved and entertaining writers of his generation, touching upon such hot-button topics as race, class, sexuality, labor, debt, and, of course, paying homage to the power and wisdom of Beyoncé. In this collection, Arceneaux takes stock of how far he has traveled—and how much ground he still has to cover in this patriarchal, heteronormative society.

You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along. She has wonderful and tickling words of advice for those fast approaching 50.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

Jonathan Franzen's Freedom was the runaway most-discussed novel of 2010, an ambitious and searching engagement with life in America in the twenty-first century. In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him.

A powerful meditation on identity and belonging, Sejal Shah explores the tension of being both invisible and hyper-visible in a country that struggles with race. The daughter of immigrants from India and Kenya, Shah wrestles with her experiences growing up in—and returning to—western New York, an area of stark racial and socioeconomic segregation. Her work illuminates how we are all marked by family and place; by the limits of our bodies; by our losses and regrets; by who and what we love; by our ambivalences and our silences.

In sixteen essays published over the past decade, acclaimed novelist Elisa Albert considers everything from the creative process to reproductive justice, ambition to Ani DiFranco, Judaism to the ethos of punk, all in the midst of making a home in the strange city of Albany, New York.

Esmé Weijun Wang was officially diagnosed with schizoaffective disorder in 2013, although the hallucinations and psychotic episodes had started years before that. In the midst of a high functioning life at Yale, Stanford and the literary world, she would find herself floored by an overwhelming terror that 'spread like blood', or convinced that she was dead, or that her friends were robots, or spiders were eating holes in her brain.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

Acclaimed historian Stephen Ambrose begins his examination with a glance inward - he starts this book with his brothers, his first and forever friends, and the shared experiences that join them for a lifetime, overcoming distance and misunderstandings.

He next tells of Dwight D. Eisenhower, who had a golden gift for friendship and who shared a perfect trust with his younger brother, Milton, in spite of their apparently unequal stations....

Deborah Levy’s vital literary voice speaks about many things. On footwear: “It has always been very clear to me that people who wear shoes without socks are destined to become my friends and lovers.” On public parks: “A civic garden square gentles the pace of the city that surrounds it, holding a thought before it scrambles.” Levy shares with us her most tender thoughts as she traces and measures her life against the backdrop of different literary imaginations.

What made FDR a more successful leader during the Depression crisis than Hoover? Why was Eisenhower more effective as supreme commander during World War II than he was as president? Why was Grant one of the best presidents of his day, if not in all of American history? What drove Bobby Kennedy into the scrum of electoral politics? Find the surprising and revelatory answers to these questions and more in this collection of new essays by great historians.

La cocaina: la merce più usata, trafficata, desiderata del nostro tempo. Le infinite vie del narcotraffico, dal Messico alle spiagge di Miami, dalla Colombia alla Russia, dall'Africa alle strade di Milano, New York, Parigi. Il viaggio di un grande scrittore nei gironi infernali del mondo contemporaneo, dove la ferocia dilaga incontrastata ma i boss hanno imparato tutte le regole più sofisticate del business. Uno straordinario romanzo-verità.

Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they're old friends. Now she shares an even more intimate world with us - her own - in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics. Here you'll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick's Day, a hilariously unflinching account of her tiptoe into online dating.

Omnibus is an engrossing ride through Jo’s wacky world. There are articles and stories on ski jumps, drumming, music and dogs; even Mary Poppins gets a mention. There’s a friend lost, then found, then slowly lost again as his mind begins to crumble – thank goodness we shared some laughs in days gone by. There’s even a set of Antlers and my favourite aeroplane, the S71 Blackbird at the Imperial War Museum, Duxford, England. And then there’s the odd ride on a bus! No ordinary journey this. Many years ago, following some dire health issues, Jo and wife Jan discarded their long-term ...

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

Through personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the listener's conscience in this powerful, uninhibited feminist collection.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.