Memoir Essays

“During one of the texting sessions that became our habit over the period I now think of as both late and early in our relationship, my mother revealed the existence of someone named Janis Jerome.” So begins Michelle Orange’s extraordinary inquiry into the meaning of maternal legacy - in her own family and across a century of seismic change. Jerome, she learns, is one of her mother’s many alter egos: the name used in a case study about her mother’s midlife choice to leave her husband and children to pursue career opportunities in a bigger city.

En el año 1974, la artista serbia Marina Abramovic colocó alrededor de su cuerpo setenta y dos objetos divididos en dos categorías: objetos de placer y objetos de dolor. Luego invitó al público a que los usase sobre sucuerpo, transformándose, de esta manera, en otro objeto más. El fin era observar el comportamiento humano ante la indefensión. Cuentan que Abramovic estuvo a punto de perder la vida. Al fin y al cabo, lo fácil siempre fue hacer daño. Al fin y al cabo, lo difícil siempre es amar.

Previously published as A Private War, Marie Brenner’s Richard Jewell tells a gripping true story of heroism and injustice. In the early morning hours of July 27, 1996, three pipe bombs exploded at the Summer Olympics in Atlanta, Georgia, killing one person and injuring 111 others. Hundreds more potential casualties were prevented by the vigilance and quick actions of security guard Richard Jewell, who uncovered the bombs and began evacuating the area. But no good deed goes unpunished. Investigators and journalists pursued Jewell as a potential suspect.

When Abbi Jacobson announced to friends and acquaintances that she planned to drive across the country alone, she was met with lots of questions and opinions: why wasn't she going with friends? Wouldn't it be incredibly lonely? The North route is better! Was it safe for a woman? The Southern route is the way to go! You should bring mace! And a common one...why? But Abbi had always found comfort in solitude and needed space to step back and hit the reset button.

Intimate and honest essays on motherhood, marriage, love, and acceptance. Brown White Black is a portrait of Nishta J. Mehra's family: her wife, who is White; her adopted child, Shiv, who is Black; and their experiences dealing with America's rigid ideas of race, gender, and sexuality. Her clear-eyed and incisive writing on her family's daily struggle to make space for themselves amid racial intolerance and stereotypes personalizes some of America's most fraught issues.

Author Lucy-Anne Holmes has spoken to women from around the globe, ranging in age from 19-75, as they reveal their innermost thoughts and feelings during sex. The result is an incredible compendium of true disclosures that are funny and sad, shocking and tender. Women on Top of the World will be a provocative collection of female voices. It promises to contribute to the changing way women are now talking about their sexuality, and their journeys toward self-discovery.

Lo poco que me es posible prometer aquí es que si mis crónicas se leen con buen ánimo y sin mala leche entonces el viaje será compartido y nadie se arrepentirá. "La gente no es mala si tiene espacio donde moverse", se escucha decir a un personaje en Hotel Savoy, la novela de Joseph Roth.

This hilarious, whip-smart collection of essays from a top writer and producer of Six Feet Under crisscrosses from the highly personal (conflating her own loss of virginity and the Kobe Bryant accusations), to the political (what she has in common with Monica and Chandra), to the outrageously Los Angelean (why women wear huge diamonds and what they must do to get them). Tiny Ladies in Shiny Pants is a genre-defying combination of personal essay and memoir, or a hilarious, unruly and unapologetic evaluation of society, religion, sex, love, and - best of all - Jill Soloway.

In this lyrical collection of personal essays, Lynne Golodner shares vivid visits to far-flung locations and insights on human nature, relationships and the journey to the self. Inviting the listener into her ten-year foray into the world of Orthodox Judaism—and her subsequent decision to leave the strictures of religion—Golodner writes about marriage and motherhood, divorce and single parenthood, and finding love again. She writes about the compelling ways nature calms her racing mind and invites listeners to experience and explore the living world as a grounding connection.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

Chapters from My Autobiography is a collection of twenty-five pieces of autobiographical work published by American author Mark Twain in the North American Review between September 1906 and December 1907. Rather than following the standard form of an autobiography, they comprise a typically Twain-esque collection of rambling anecdotes and ruminations.

自分のことが嫌いだったオンナ・青木さやかが、こじれた人生を一つ一つほどいていく。生きることの意味を追い求めるヒューマンストーリー。

In a volume he describes as "a series of covert and not-so-covert autobiographical pieces", Jonathan Lethem explores the nature of cultural obsession, in his case, with examples as diverse as western films, comic books, the music of Talking Heads and Pink Floyd, and the New York City subway. Along the way, he shows how each of these "voyages out from himself" have led him home, home to his father's life as a painter, and to the source of his beginnings as a writer.

This is a collection of short stories and essays on a variety of subjects from the scientific and technical to the humorous and childhood memories, from sasquatch and bigfoot to personal relationships. It is a volume of easy listening, sometimes humorous and sometimes poignant, but always worthwhile.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

In the tradition of memoirs such as Tobias Wolff's This Boy's Life and Ivan Doig's This House of Sky, these essays bring a storyteller's gifts to life's dramas, large and small. Following his award-winning turn on his hometown of Dodge City, Rebein takes us back to the high plains world where his family has farmed and ranched since the 1920s. It is a world populated by feedlot cowboys, stock-car drivers, and farm kids dreaming of basketball glory.

In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities. Through heartbreak, chronic pain, intimacy with death, becoming a beast, this is embodiment as a nonhuman: outside the boundaries imposed by expectations and legibility. This book is an account of the gruelling work of realignment and remaking necessary to carve out a future for oneself. The result is a black spirit memoir: a powerful, raw unfolding of identity.

Acclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

A personal story promising laughs, surprises, tears, and joy, and guaranteed to warm your heart! When a grandmother embarked on a two-week travel adventure to Italy with her eighteen-year-old twin granddaughters, Margie Miklas’s long-awaited dream became a reality. Excited to share her beloved Italia, she hoped to create a special experience they’d treasure for the rest of their lives.