Memoir Essays

The story of how two small children had to trek all alone across Manchuria in 1946.70 years

中学時代の同級生が自殺した。お別れ会のために帰郷した私は、7年ぶりに初恋の相手ナルヤに再会する。昔と変わらぬ笑顔を向けてくれる彼だったが、私は不倫の恋を経験し、夢に破れ仕事も辞めてしまっていた

Edited by Krishna Ramanujan and Guillermo Rodríguez, Journeys offers access to Ramanujan's personal diaries and journals, providing a window into his creative process. It will include literary entries from his travels, his thoughts on writing, poetry drafts, and dreams. His diaries and journals served as fertile ground where he planted the seeds for much of his published work....

10歳で建築家を志し、国内外で多数のプロジェクトをてがける今もっとも注目の建築家が建築知識満載で綴る10代へのメッセージ。建築家とは、そしてこれからの建築とは――。

Join former NBC newsman and Meet the Press moderator David Gregory as he probes various religious traditions to better understand his own faith and answer life's most important questions: Who do we want to be, and what do we believe?

Helen Garner visits the morgue, and goes cruising on a Russian ship. She sees women giving birth, and gets the sack for teaching her students about sex. She attends a school dance and a gun show. She writes about dreaming, about turning 50 and the storm caused by The First Stone. Her story on the murder of the two-year-old Daniel Valerio wins her a Walkley Award.

カジノで106億8000万円を失い、会長辞任、獄中へ。 そして懲役4年の刑期満了後に、再びカジノへ。リベンジの舞台は韓国ソウルの「WALKERHILL」 3000万円が9億円にまで増えるマジ

Finished writing your memoir? Get ready for EDITING, where your major work begins. This short guide covers everything you need to know to edit your book like a pro, and take your story and your writing from good to POWERFUL! POWER EDITING FOR MEMOIR WRITERS helps you look at every aspect of your writing—from your initial story concept, through the telling of your story, to how you craft your sentences. This short, concise, no-nonsense guide makes the editing process easy. It introduces you to a fantastically easy editing system, shows you how to use powerful word arrangements called “...

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

When Abbi Jacobson announced to friends and acquaintances that she planned to drive across the country alone, she was met with lots of questions and opinions: why wasn't she going with friends? Wouldn't it be incredibly lonely? The North route is better! Was it safe for a woman? The Southern route is the way to go! You should bring mace! And a common one...why? But Abbi had always found comfort in solitude and needed space to step back and hit the reset button.

Leaping from ballet to quiltmaking and from the The Nutcracker to an Annie-B Parson interview, Idiophone is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.

In April 1915 Dorothea Crewdson, a newly trained Red Cross nurse, and her best friend, Christie, received instructions to leave for Le Treport in Northern France. Filled with excitement at the prospect of her first paid job, Dorothea began writing a diary. 'Who knows how long we shall really be out here? Seems a good chance from all reports of the campaigns being ended before winter, but all is uncertain.'

Martin Luther King Jr. may be America's most revered political figure, commemorated in statues, celebrations, and street names around the world. But despite his stature, the significance of King's writings and political thought remains underappreciated. In To Shape a New World, Tommie Shelby and Brandon Terry state that the marginalization of King's ideas reflects a romantic consensus history that renders the civil rights movement inherently conservative - an effort not at radical reform but at "living up to" enduring ideals laid down by the nation's founders.

A powerful and provocative collection of essays that offers poignant reflections on living between society’s most charged, politicized, and intractably polar spaces - between Black and White, rich and poor, thin and fat.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

Soldier Keith Nightingale has conducted terrain walks in Normandy for over forty years with veterans, active-duty military, and local French civilians. Over the decades Nightingale conducted dozens of formal interviews and informal conversations with many of the principals of the day, including Generals Bradley, Collins, Gavin, Ridgway, and Hill. Added to this rare new primary material from the top brass are numerous conversations with lower-ranking vets who did the heavy lifting.

In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities. Through heartbreak, chronic pain, intimacy with death, becoming a beast, this is embodiment as a nonhuman: outside the boundaries imposed by expectations and legibility. This book is an account of the gruelling work of realignment and remaking necessary to carve out a future for oneself. The result is a black spirit memoir: a powerful, raw unfolding of identity.

First-hand reports of the most riveting anti-terror encounters in the wake of the 2016 surgical strikes, the men who hunted terrorists in a magical Kashmir forest where day turns to night, a pair of young Navy men who gave their all to save their entire submarine crew, the Air Force commando who wouldn't sleep until he had avenged his buddies, the tax babu who found his soul in a terrifying Special Forces assault on Pakistani terrorists, and many more. Their own stories, in their own words. Or of those who were with them in their final moments.

Centuries ago, sound theology and good fiction were friends and not strangers. Decades ago, authors strove not for self-expression and self-disclosure but for a mastery of craft and language and books that transformed the reader with wisdom and love. In more recent years, the old ideals have been exchanged for lesser ones. Few guides to writing, which tend to focus on mechanics, point of view, and plot, address the more important matters of meaning, depth, and heart. But it is the latter qualities that make a book a blessing and gift to both writer and reader.

At the heart of every essay in Elisabeth Sharp McKetta’s lively collection is the same question: How does one grow up without losing oneself? McKetta braids deceptively simple stories of her own life with the rich undercurrent of familiar childhood tales to reveal things personal, universal, and as close to the truth as possible.