Memoir Essays

Building off her wildly popular viral essays “Losing My Ambition” and “The Mindfuck of Mid-Life,” Amil Niazi explores what life looks like “post-ambition.” With sly humor and a deep literary sensibility, she interrogates her own evolving ambitions, and how it intersects with adulthood, motherhood, age, identity, class, and race, and how it has shaped her and a generation of Millennials. And—most importantly—now that she is done with ambition: what happens next?

In the vein of The Bitch in the House, 15 powerful women offer captivating, intimate, and candid explorations about what it’s really like turning 40 - and life beyond.

Lizz Winstead, co-creator of The Daily Show and one of today's most hilarious comedians and insightful social critics, pens a brilliant account of how she discovered her comedic voice. In this collection of autobiographical essays, Winstead vividly recounts how she fought to find her own voice, both as a comedian and as a woman, and how humor became her most powerful weapon in confronting life's challenges.

In 1860, a sloop drifted into New York Harbor. Not a soul on board - just blood from cabin to deck. Looted coins led to Bowery thug Albert Hicks, the ax slayer who turned his shipmates into chum. His crimes were absolutely fiendish. His execution was pure ballyhoo. It drew nearly ten thousand bloodthirsty sightseers to the city - including the enterprising showman P. T. Barnum. Refreshments were served as the most notorious and unrepentant mass murderer of the era made history as one of America’s first celebrity killers.

New York Times essayist and author of We Learn Nothing, Tim Kreider trains his virtuoso writing and singular power of observation on his (often befuddling) relationships with women - romantic, platonic, and the murky in-between. He talks about his difficulty finding lasting love, and seeks to understand his commitment issues by tracking down the John Hopkins psychologist who tested him for a groundbreaking study on attachment when he was a toddler. He talks about his valued female friendships, one of which landed him on a circus train bound for Mexico.

White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates. Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, and more.

Entwined explores the fuzzy lines between friendship, romance, and family with various essay forms, including a play, an advice column, and a love letter. Rather than wallowing in the throes of jealousy, this collection celebrates the hard work, humor, and wisdom needed to create a love life that resists conventional narratives.

Sound interesting? Listen to Secret Societies and Subversive Movements and learn about the author's views on politics, history, and the occult.

After nearly drowning in Greece, Christine Stovell was determined never to get on a boat again. The sailing kind? Definitely not. Yet when she married a keen sailor and became joint owner of a vintage wooden yacht, she somehow managed to sail halfway round Britain, despite never finding her sea legs. Insightful, funny and raw, Christine’s story captures the joy, terror and wonder of a novice, seasick sailor out on the waves in a small wooden boat. Her adventures have taken her through sleepy backwaters and high seas, from Essex to west Wales and across to France. Along the way, she’s ...

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

Viewed as too libelous to print in England until 1968, the title essay in this collection reveals the abuse Orwell experienced as a child at an expensive and snobbish boarding school and offers insights into his lifelong concern for the oppressed. "Why I Write" describes Orwell's sense of political purpose, and the classic essay "Politics and the English Language" insists on clarity and precision in communication in order to avoid the Newspeak later described in 1984.

A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today.

Kareem Abdul-Jabbar’s deeply personal essay explores racial conflict through the prism of his childhood and the influence of his father, a police officer who walked the beat between two worlds.

“Giorgio’s compassion is memorable.” –KIRKUS REVIEW It wasn’t a typical response to depression. Reaching a new low in her life, Kathie Giorgio, a natural skeptic, decides to fight her sadness by publically posting one moment of happiness every day on Facebook. The response is overwhelming. People flock to her page to see each day’s new post. Soon, Kathie launches Today’s Moment Of Happiness Despite The News as her blog. She vows to continue this daily Today’s Moment for a year. And what a year! Her husband loses his job not once, but twice. Her autistic daughter is so ...

New York Times best-selling author Laura Lippman, a journalist for many years, collects here her recent essays exploring motherhood as an older mom, her life as a reader, her relationships with her parents, friendship, and other topics that will resonate with a large audience. Her voice is wry and relatable, her takes often surprising. Meet the woman behind the books....

Born and raised in New York to a food-phobic mother and food-fanatical father, Elissa was trained early on that fancy is always best. After a childhood spent dining everywhere from Le Pavillion to La Grenouille, she devoted her life to all things gastronomical, from the rare game birds she served at elaborate dinner parties in an apartment so tiny that guests couldn’t turn around to the eight timbale molds she bought while working at Dean & DeLuca, just so she could make tall food.

In these nine essays, Richard Russo provides insight into his life as a writer, teacher, friend, and reader. From a commencement speech he gave at Colby College, to the story of how an oddly placed toilet made him reevaluate the purpose of humor in art and life, to a comprehensive analysis of Mark Twain's value, to his harrowing journey accompanying a dear friend as she pursued gender-reassignment surgery, The Destiny Thief reflects the broad interests and experiences of one of America's most beloved authors.

Like so many American women, Shauna M. Ahern spent decades feeling not good enough about her body, about money, and about her worth in this culture. For a decade, with the help of her husband, she ran a successful food blog, wrote award-winning cookbooks, and raised two children. In the midst of this, at age 48, she suffered a mini-stroke. Tests revealed she would recover fully, but when her doctor impressed upon her that emotional stress can cause physical damage, she dove deep inside herself to understand and let go of a lifetime of damaging patterns of thought.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. She wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar-nominated Borat Subsequent Moviefilm.