Memoir Essays

A "Proustian minimalist on the order of Lydia Davis" ( Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To hear her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight. 300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms.

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness.

Terry Pratchett has earned a place in the hearts of listeners the world over with his best-selling Discworld series - but in recent years he has become equally well-known and respected as an outspoken campaigner for causes including Alzheimer's research and animal rights. A Slip of the Keyboard brings together for the first time the finest examples of Pratchett's nonfiction writing, both serious and surreal: from musings on mushrooms to what it means to be a writer (and why banana daiquiris are so important).

In this perceptive, compelling essay, Katharine Murphy offers a profile of Anthony Albanese in motion – a piece about character, the balance of forces, and the mood of the nation. Are Albanese and his party up for change? Are Australians up for it? What does the new prime minister embody, if anything? Has the centre of the polity shifted, with the success of the Teals and the Greens? Where could – and should – the new government be ambitious?

Sex and Cupcakes is a collection of essays from writer Rachel Kramer Bussel reflecting on her years as a sex columnist and cupcake blogger, detailing her dirty and sweet sides as well as sexual adventures, politics, heartbreak, tattoos, and more.

What could be a more tempting Christmas gift than a compendium of David Sedaris' best stories, selected by the author himself? From a spectacular career spanning almost three decades, these stories have become modern classics and are now for the first time collected in one volume. The collection will also feature an introduction by the author; two never-before-collected stories, 'Unbuttoned' and 'Undecided'; and a new interview with David Sedaris.

A gorgeously illustrated collection of essays written by today’s queer heroes - featuring contributions from Elton John, Tan France, Gus Kenworthy, Paris Lees, Russell Tovey, Munroe Bergdorf, and many others. The Queer Bible is a celebration of LGBTQ+ history and culture, edited by model, performer, and GQ contributing editor Jack Guinness.

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless.

From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress, Maeve's Times gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity - revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

From the wind-swept, snowy ranges of Wyoming to Florida beaches glowing with Christmas lights, All American Christmas traces holiday traditions across the United States. Rachel Campos-Duffy and Sean Duffy present a dazzling collection of emotional stories and homegrown Christmas recipes from some of Fox News’ most beloved personalities.

Here is Hemingway: the adventurer, the reporter, the man! More intimately than all his fiction, Hemingway the reporter reveals Hemingway the man, driving an ambulance through a bullet-barrage or leading guerrilla forces into Paris, always in the thick of the action. Here are his most sensational dispatches, the behind-the-scenes stories that became For Whom the Bell Tolls, A Farewell to Arms, and The Sun Also Rises.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

Viewed as too libelous to print in England until 1968, the title essay in this collection reveals the abuse Orwell experienced as a child at an expensive and snobbish boarding school and offers insights into his lifelong concern for the oppressed. "Why I Write" describes Orwell's sense of political purpose, and the classic essay "Politics and the English Language" insists on clarity and precision in communication in order to avoid the Newspeak later described in 1984.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.

In the car she’d had since high school—with the boyfriend she’d had just as long riding shotgun—Minda Honey made the cross-country drive to sunny Southern California. By the end of 2008, Obama would be president, she’d be single, and change would be upon us all.

Irena is a Russian Jewish immigrant, a PhD in comparative literature, a former Stanford admissions officer, and a private college counselor in Palo Alto, California—a city where everyone has to be good at something and where success often means the name of a prestigious college on the back of a late-model luxury car. But as Irena works with some of the most ambitious, tightly wound students in the world, she struggles to keep her own family from unraveling, and that sharp-edged divide lies at the heart of her memoir.

In 1935, Fred A. Birchmore left the small American town of Athens, Georgia, to continue his college studies in Europe. In his spare time, Birchmore toured the continent on a one-speed bike he called Bucephalus (after the name of Alexander the Great's horse). A born wanderer, Birchmore broadened his travels to include the British Isles and even the Mediterranean. After a lengthy, unplanned detour in Egypt, Birchmore put his studies on hold, pointed Bucephalus eastward, and just kept going.

It was Benjamin Franklin who came up with the list - temperance, silence, order, resolution, frugality, industry, sincerity, justice, moderation, cleanliness, tranquility, chastity, humility. Writer and visual artist Teresa Jordan wondered if Franklin's perhaps antiquated notions of virtue might offer guidance to a nation increasingly divided by angry righteousness. She decided to try to live his list for a year, focusing on each virtue for a week at a time and taking weekends off to attend to the seven deadly sins.

Kareem Abdul-Jabbar’s deeply personal essay explores racial conflict through the prism of his childhood and the influence of his father, a police officer who walked the beat between two worlds.