Mexican American

Everything about Kalvin King’s life is finally “hella” good. The seventeen-year-old high school Junior from Oakland has seemingly overcome the trauma of losing his mother at an early age. An unfortunate accident, plus his father’s need to relocate to South Central Los Angeles completely destabilizes Kalvin emotionally, bringing out pain he’d kept bottled up. Perhaps a fresh start in the City of Angels is exactly what Kalvin needs? Kalvin gets a rude awakening at his new school, Lincoln. Mexican American/Chicano males (homies and gangsters) mean-mug him, and call him, “m...te,”...

It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency - but dismissed for bad behavior and a penchant for going undercover as a man - Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring. When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy.

Having grown up in the nurturing household of Casa Capuleta, Mariana will do anything for familia. To solve her adoptive parents’ financial problems amid their rapidly changing San Antonio comunidad, Mariana and her younger sisters are determined to win the Battle of the Mariachi Bands. That means competing against Hugo Montero, their father’s archnemesis, and his band and escalating a decades-old feud. It also raises the stakes of Mariana’s forbidden attraction for a certain dark-eyed mariachi who sets her heart racing.

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.

In the hottest hour of the hottest day of the year, a fateful wind blows into Oaxaca City. It whistles down cobbled streets and rustles the jacaranda trees before slipping into the window of an 11-year-old girl named Clara. Unbeknownst to her, Clara has been marked for la Lotería. Life and Death deal the Lotería cards but once a year, and the stakes could not be higher. Every card reveals a new twist in Clara’s fate - a scorpion, an arrow, a blood-red rose. If Life wins, Clara will live to a ripe old age. If Death prevails, she’ll flicker out like a candle.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be.

Suppose the more than one million square miles of present-day states were never legally acquired by the United States. What would happen if a president decided to “make things right” and reverse those acquisitions?

This fourteen short story collection earned Finalist status in the 2012 Grace Notes Publishing: Discovering the Undiscovered, fiction book Contest. Four of the stories, Challenger, The Curb, The Freight Train, and Los Malandros, were published in anthologies and won awards. Stare into a world of despair and urgency. Mexican immigrant characters in the U.S. struggle to find work, dignity, and purpose. Meanwhile, Mexicans living in the Juarez, Sinaloa, and Gulf cartel occupied areas, struggle to stay alive or find meaning from violence and death. From Jesus, the rookie day laborer who learns ...

To his contemporaries in Gilded Age Manhattan, Guillermo Eliseo was a fantastically wealthy Mexican, the proud owner of a luxury apartment overlooking Central Park, a busy Wall Street office, and scores of mines and haciendas in Mexico. But for all his obvious riches and his elegant appearance, Eliseo was also the possessor of a devastating secret: He was not, in fact, from Mexico at all. Rather, he had begun life as a slave named William Ellis, born on a cotton plantation in Texas during the waning years of King Cotton.

A work by the great Henry David Thoreau, originally published in 1849 as "Resistance to Civil Government". It is an essay in which Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. Thoreau was motivated in part by his disgust with slavery and the Mexican-American War (1846-1848).

Hold on to your dream, Lydia told herself. She dreamed of becoming a music star--- a Tejano music queen. But how could she? She was a young Mexican girl living in poverty on the borderlands between Mexico and Texas. Her papa said women could never become Tejano music stars. He said it just wouldn't be right. But Lydia was determined to prove him wrong. Read how Lydia Mendoza fought poverty and discrimination against race and women to become a Latin American music sensation, the Lark of the Border, a Tejano Music Queen, and recipient of the highest music award -- the National Medal of the ...

Gillian Armstead-Bancroft—Pride of the East Side and once-perfect bruja, wife, and mother—is going to spend her summer getting good at being bad. The first time she left Freedom, Kansas, behind, she did it by doing everything right. This time, she’ll hide from the large Mexican American family welcoming her home and work in secret to break the curse that’s erased her magical life. Only by doing it all wrong can Gillian get herself and her two children away from the ghosts of her hometown by summer’s end.

This edition collects the first 8 published issues. If you're a fan of Mark Twain's dry wit, oft-hidden humor, and tales of a bygone era on the Mississippi, then you'll love The Desert Rat Scrapbook. Imagine Mark Twain stuck in the desert with no riverboat and a bunch of crusty cowboys instead of river rats. The Desert Rat Scrapbook was first published in 1946 by Harry Oliver, a lifelong desert rat, Oscar nominated artist, and humorist. It's a collection of humor fact, and tall tales collected from the lives of him and others in the southwestern United States. Oliver eventually handed the ...

A completely revised edition of the first Henry Rios mystery, The Little Death, Lay Your Sleeping Head introduces Michael Nava’s singular protagonist, gay Latino criminal defense lawyer Henry Rios. Rios, beset by personal and professional problems, begins a passionate affair with the black sheep heir to a great California fortune who tells Rios an improbable tale of murder and sexual predation in his wealthy family. When the young man is found dead of an apparent drug overdose, Rios begins an investigation that ultimately reveals much more than murder.

As late as the 1960s, tacos were virtually unknown outside Mexico and the American Southwest. Within fifty years the United States had shipped taco shells everywhere from Alaska to Australia, Morocco to Mongolia. But how did this tasty hand-held food - and Mexican food more broadly - become so ubiquitous? In Planet Taco, Jeffrey Pilcher traces the historical origins and evolution of Mexico's national cuisine, explores its incarnation as a Mexican American fast-food, shows how surfers became global pioneers of Mexican food, and how Corona beer conquered the world.

In the court of the “King”, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core. Part surreal fable and part narco-lit romance, this prize-winning novel from Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage and power.

Every nation needs its creation myth, and since Texas was a nation before it was a state, it's no surprise that its myths bite deep. There's no piece of history more important to Texans than the Battle of the Alamo, when Davy Crockett and a band of rebels went down in a blaze of glory fighting for independence from Mexico, losing the battle but setting Texas up to win the war.

In 2004, four Latino teenagers arrived at the Marine Advanced Technology Education Robotics Competition at the University of California, Santa Barbara. They were born in Mexico but raised in Phoenix, Arizona, where they attended an underfunded public high school. No one had ever suggested to Oscar, Cristian, Luis, or Lorenzo that they might amount to much—but two inspiring science teachers had convinced these impoverished, undocumented kids from the desert who had never even seen the ocean that they should try to build an underwater robot.

The conflict lasted less than two years, but the repercussions shook both nations for much longer. Having already lost Texas, the still newly independent Mexico was unprepared to defend their northern territories. The US plowed forward through to California with a sense of manifest destiny. While the US fought to gain more land, however, the war splintered the North and South; many Americans saw the war as an unjust theft of Mexican land and knew that the South’s reliance on slave labor would further establish this divisive injustice in America.

In the heart of the Great Depression, Rancho Las Moras, like everywhere else in Texas, is gripped by the drought of the Dust Bowl, and resentment is building among white farmers against Mexican Americans. All around town, signs go up proclaiming “No Dogs or Mexicans” and “No Mexicans Allowed.” When Estrella organizes a protest against the treatment of tejanos in their town of Monteseco, Texas, her whole family becomes a target of “repatriation” efforts to send Mexicans “back to Mexico”—whether they were ever Mexican citizens or not.