Modern Classics Literature

'I have gone to look for a lion.' In a world where lions have become extinct, the map-maker Jachin-Boaz nevertheless abandons his wife and son to find one, leaving just this note. But his decision has unexpected consequences. He will be pursued by his son, Boaz-Jachin, and by something else: a tawny-skinned, amber-eyed beast from another place and time, a bringer of life and death.

Après avoir échoué dans sa collaboration à l'Encyclopédie, Voltaire conçoit l'idée de condenser dans un seul ouvrage l'essentiel de ses pensées philosophiques.

Frankenstein; or The Modern Prometheus is a novel written by Mary Shelley, first published in 1818. This Gothic classic tells the haunting tale of Victor Frankenstein, a young scientist who defies the natural order by creating life from death. However, his monstrous creation becomes a terrifying and tragic figure, struggling with isolation and rejection from society. Shelley's story explores themes of ambition, the consequences of playing God, and the destructive potential of knowledge.

Featuring 12 short stories where each one takes a well-known fairy tale and propels them into uncharted territories, creating surprising perspectives that challenge the very essence of the original tales.

This collection of letters forms a fascinating day-by-day account of Steinbeck's writing of East of Eden, his longest and most ambitious novel. The letters, ranging over many subjects - textual discussion, trial flights of workmanship, family matters - provide an illuminating perspective on Steinbeck, the creative genius, and a private glimpse of Steinbeck, the man.

While the core themes of adventure, friendship, and the yearning for eternal youth remain at the heart of this story, we invite you to embark on a fresh journey with us. Together, let us rediscover the wonder and enchantment of Neverland, as we witness the evolution of these beloved characters through a contemporary lens. We hope that this modernized retelling of Peter Pan will inspire your imagination, ignite your sense of wonder, and remind you that the magic of childhood and the power of dreams are timeless treasures meant to be cherished.

Il mito eterno del mostro, della creatura che viene strappata alla morte dalla scienza torna a vivere...

We are not promised more than today. Thus we need to live our legacy now, with focus and integrity. Ryan Westcott is ready to step into the family business, armed with a fresh MBA degree from a prestigious business school. Yet his father has other ideas. He feels Ryan needs more education - but not the kind one gets from a school. Ryan is sent to his uncle’s Montana ranch to learn, in short, how to be a man. While Ryan helps his uncle build a barn, he learns life lessons about health, work, finances, education, selfessness, humility, and most important of all, love.

As the English language evolves, this wonderfully instructive story is in danger of only being covered as a school requirement by grudging students. That would be a sad loss for all listeners. As an avid listener, teacher, and parent who simply loves this story, Jennifer George adapted this classic book for modern listeners using 21st-century English. The goal is to return this magical novella back into the entertaining story it was when it was written nearly 200 years ago.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

At 31 Laura Valiant is a successful art historian who runs her own art advisory and acquisitions company. She and her husband, Douglas Casson, a Wall Street lawyer, have a happy marriage marred only by the fact that they are still childless. But Laura’s life changes radically in 1997, when her best friend from childhood, Claire Benson, tells her she is dying. Claire, who is divorced, begs Laura to become her daughter Natasha’s guardian upon her death. Laura agrees and brings the 15-year-old girl to live with them in New York City after Claire dies.

The First World War shook loose the foundations not only of political structures, but also artistic conventions. New styles of poetry emerged which challenged not just the traditional presentation of poetry, but even the structure and function of language itself. This volume pays tribute to the pioneers who redefined the poetic landscape in this challenging period.

Mary Shelley's classic gothic horror novel. The scientific young genius, Frankenstein, discovers a method for creating life in inanimate objects and sets about a project to build a human in his laboratory. He is successful in his aim, but in so doing, unleashes on the world a creature whose physical deformities make him repulsive to everyone who sets eyes on him.

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

Victor Frankenstein is a driven man. His single-minded scientific drive has controlled his life from childhood. It has driven him to do the unthinkable, to carry out fiendish, craven tasks, to do that which only God has done before. His goal of creating life - a living, thinking being, a man - has come to pass. Little did he expect that his zeal would forge a monster, an intelligent being set upon Victor's complete destruction.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name.

Shirley Jackson skewered the trials of domestic life in 1950s America with wry wit and uncanny precision. In this sequel to Life Among the Savages, her four offspring have now grown into fully fledged demons. As their house starts to burst at the seams, the Jackson clan somehow manage (without really planning it) to move into a larger home, only to take the chaos - absent furniture, vanishing children, misbehaving refrigerators, an avalanche of books - right along with them.

Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced.