Modern Classics

A moving, never-before-published portrait of the landscape that shaped the life of Laurie Lee, the beloved author of Cider with Rosie. 'Before I left the valley I thought everywhere was like this. Then I went away for 40 years and when I came back I realised that nowhere was like this.' Laurie Lee walked out of his childhood village one summer morning to travel the world, but he was always drawn back to his beloved Slad Valley, eventually returning to make it his home.

Reducing the original text by almost forty pages, this abridged version of Frankenstein also updates the language of the original novel for modern listeners. Sentence by sentence, we have replaced outdated vocabulary and convoluted paragraphs in a way that is true to the original text but easier to follow. This version also provides careful edits of overly long and redundant scenes so that the main story moves along at a faster pace.

"Kafka erscheint uns rätselhaft, dabei schreibt er doch eigentlich in einer schlichten Prosa, seine Schilderungen sind präzise, seine Personen reden in einfachen Worten und es wird weder um das, was sie tun, noch um das, das sie reden, noch um das, was ihnen zustößt, ein großes Gewese gemacht. Aber wir verstehen nicht. Oder glauben, nicht zu verstehen. Oder wir verstehen, können aber nicht sagen, was eigentlich. Wir glauben immer etwas anderes, Drittes ausmachen zu müssen, das mit dem, was dort passiert, eigentlich bezeichnet wird, wir versuchen, das Rätsel zu lösen.

It is the far future. The artificial intelligences created by humanity are now gods, and mankind mere ants who scrabble in their shadows across a million worlds. The Lords of the Great Houses on the ever-night Moon of Hexator are suspected of the murder of one of their own. And merchant William Roxley, once a magistrate-priest, is unwillingly coopted to uncover the truth behind the killings. With only the help of his naive young assistant and a brutish robot bodyguard, the man they call 'Sweet William' digs into the Moon's eerie existence. A collapsing society where many strange, terrible ...

The future is beautiful ... just not for everyone! Ash must escape from his broken war-torn country, fleeing towards mythical Europe, or face murder at the hands of a brutish local warlord. The one slight problem is, few ever survive the horrifying packs of ravenous hunting machines roaming across the depopulated border zone! But his perilous odyssey might be worth it. For in this future Europe, nobody goes hungry or poor. Crime has been as good as abolished, and everyone can pursue their dreams, whatever their passions may be. But when you have the perfect utopia, just how far do the ...

The foundations of society are more seriously shaken today than they were in Socrates’s time. Men who, reasonably enough, see no hope of preserving the ancestral order, are building new societies of one sort or another, from all of which certain fundamental values are absent. It seems worthwhile, then, to recall a man who under similar circumstances stood for the spirit of free inquiry, for the inviolability of the individual, with that lonely honesty and courage which are the badge of human dignity. — From the “Author’s Note” “Mask of Silenus deserves both reading and pondering...

The "man of property", Soames Forsyte, has mellowed with the passing of the years until, in his old age, he is a patient and benign figure, guarding with especial tenderness the welfare of his daughter, Fleur. But all his watchfulness and devotion are powerless to avert tragedy when Fleur revives her old love affair with Jon Forsyte on Jon's return to England with his American wife.

It all begins the night a leaflet comes through the door of unsuccessful novelist Herman Orff, promising a magical cure for writer's block. The strange treatment plunges him into a hallucinatory London dream world populated by figures mythical and real: a severed talking head, Vermeer's girl with a pearl earring, his lost love Luise and, beneath it all, the Kraken awaiting. As Herman will discover, creating art is a tough business.

Build Muscle Like the Icon. Train With Purpose. Dominate With Volume. Austrian Volume Reloaded is the definitive deep-dive into Arnold Schwarzenegger’s legendary high-volume training methodology—reforged for modern lifters. This is not another recycled “10 sets of 10” manual. It’s a strategic blueprint drawn directly from the twice-a-day, six-days-a-week system that built the most iconic physique in bodybuilding history. Inside, you’ll uncover the real mechanics behind Arnold’s results—how volume was layered, how shape was sculpted under fatigue, and how two-a-day training ...

David Kelsey has an invincible conviction that life is going to work out just as he has planned it - if he can just fix 'the situation'. His one true love, the brilliant, beautiful Annabelle, has married another man. But that doesn't mean they can't still be friends. And even though she is pregnant with her husband Gerald's baby, that surely doesn't mean she won't one day get back together with David. She still loves him, of that he is certain. David is sure she'll take him back and, under an alias, is setting up a wonderful home for the two of them in a town close by.

Frankenstein ou le Prométhée moderne est un roman fantastique de Mary Shelley. Il relate la création par un jeune savant suisse, Victor Frankenstein, d'un être vivant assemblé avec des parties de chairs mortes. Horrifié par l'aspect hideux de l'être auquel il a donné la vie, Frankenstein abandonne son "monstre". Mais ce dernier, doué d'intelligence, se venge par la suite d'avoir été rejeté par son créateur et persécuté par la société.

'I have gone to look for a lion.' In a world where lions have become extinct, the map-maker Jachin-Boaz nevertheless abandons his wife and son to find one, leaving just this note. But his decision has unexpected consequences. He will be pursued by his son, Boaz-Jachin, and by something else: a tawny-skinned, amber-eyed beast from another place and time, a bringer of life and death.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

LES GRANDS TEXTES DU XIXe SIÈCLE. 16 juin 1816. L'orage gronde. Dans une ville cachée au milieu des arbres, sur les bords riants du lac de Genève, une petite société s'ennuie. Il y a deux poètes, Byron et Shelley, leurs compagnes, Claire et Mary, un médecin, Polidori. On se raconte d'horribles histoires, selon la mode du temps. On décide même d'en écrire. Dans la nuit, la jeune Mary – elle n'a pas encore 19 ans – ne peut dormir : elle rêve d'un hideux fantasme d'homme.

Sun Tzu was a famous Chinese general whose mastery of strategy was so exceptional that he reportedly transformed 180 courtesans into skilled soldiers in a single training session. While that episode was likely exaggerated, historians agree that Sun Tzu defeated the Ch'u, Qi, and Chin states for King Ho-Lu, forging his empire. With methods so powerful they can conquer an adversary's spirit, you can use Master Tzu's strategies to overcome any challenge, from warfare to self-defense to business negotiations.

With the advent of the internet, any topic we want to know about is instantly available with the touch of a smartphone button. With so much knowledge at our fingertips, what is there left for our brains to do? At a time when we seem to be stripping all value from the idea of knowing things—no need for math, no need for map reading, no need for memorisation—are we risking our ability to think? As we empty our minds, will we one day be incapable of thoughtfulness?

When the Countess Narona meets Agnes Lockwood, the woman jilted by her husband-to-be, she feels a great sense of foreboding. After the marriage, she moves with her husband, Lord Montbarry, to Venice. As much as Agnes tries to forget the episode of her broken engagement, her fate and that of the Countess seem to be inextricably woven. Both are relentlessly drawn to the Palace Hotel in Venice for a final and dramatic encounter, in the room where more than past emotions resurface to haunt them.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.

For students of Middle English, Andrew and Waldron's The Poems of the Pearl Manuscript has been the key edition of the four Pearl poems for over 30 years. With the changing needs of today's students in mind, the editors produced a complete prose translation of the four poems - the best known of which is "Sir Gawain and the Green Knight". The near-literal translations are intended to facilitate understanding of the four poems - to lead readers to, rather than away from, the original texts.

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.