Modern Fiction

A message complimenting her latest internship project changes the life of Clementine Jones and the future of the British monarchy as well. Her response leads Clementine to the mysterious CP Chadwick, a British man studying history at Cambridge. Clementine finds CP charming, smart, and unlike any man she's ever met. Clementine, however, has no idea CP is actually Prince Christian of Wales, who has never had a "normal" life. Wary of others, he's kept himself closed off from the world - until he lets Clementine in.

The second American Civil War is over, and the country has united again, but not without huge loss of life. The United States Army is low on numbers, and the civilian population has suffered a massive die-off. Jack Berenger is now part of the newly formed American Military, taking his Air Assault Battalion to war against the Chinese invasion of America! Everything is on the line in this civilizational conflict, including the nuclear missile sites captured by the PLA. Can Jack and the American Military succeed against the Chinese invasion forces? The future of America hangs in the balance!

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he reveals how inevitably the course of revolution leads to tyranny.

In his essay On Anger, the Roman Stoic thinker Seneca argues that anger is the most destructive passion. This splendid new translation of essential selections from On Anger, presented with an enlightening introduction, offers listeners a timeless guide to avoiding and managing anger. Drawing on his great arsenal of rhetoric, including historical examples, anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity.

Nine months ago, Zeus' murder catapulted the Greek gods back into public life. Now, the whole pantheon revels in new temples, casinos, and media empires - except Apollo. An overachiever with a bursting portfolio of godly duties, the amount of email alone he receives from rapacious mortals turns each day into a living hell. Yet there may be hope, if only he can return Zeus to life! With the aid of Thalia, the muse of comedy and science fiction, Apollo will risk his very godhood to help TV producer Tracy Wallace and a gamer geek named Leif, who hold the key to Zeus' resurrection.

When Yao Shen, Patriarch of the Heavenly Sky Sect, ascends and regains memories of his past life on Planet Earth, he realizes that he can no longer allow himself to accept the cruel and violent ways of Eliria, the realm of cultivation. So he decides to change it. It was time to found a new sect. One based on the values of honor and equality over senseless violence and discrimination. A sect where all, from the mortal farmer’s son to a sect elder's daughter, were held accountable to the same rules.

Born a slave, the Roman Stoic philosopher Epictetus (c. 55-135 AD) taught that mental freedom is supreme, since it can liberate one anywhere, even in a prison. In How to Be Free, A. A. Long - one of the world's leading authorities on Stoicism and a pioneer in its remarkable contemporary revival - provides a superb new edition of Epictetus's celebrated guide to the Stoic philosophy of life (the Encheiridion) along with a selection of related reflections in his Discourses.

Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama - even into puppet shows and performing-dog acts. Detective fiction and the new police force developed in parallel, each imitating the other - the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P. D. James and Patricia Cornwell.

On the surface, the world glitters with all things only money can buy. My thoughts should be on the danger lurking beneath the surface. The money and power come from places and dealings the world pretends don't exist. I'm here at this debutante ball as a representative of the new Sparrow underworld. The clock is ticking as alliances are formed and enemies eliminated. There isn't time to be distracted, and yet I catch a glimpse of the stunning woman across the room.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

American McKenna Manning is thrilled to start her new job as a nanny to an aristocratic family in London. Not only will she get to explore a new country, but she hopes to find a missing piece of herself while on English soil. What she never expected was to get a crush on her employer's brother, the dashing Viscount Brookstone. Of course, when one is rescued by a gorgeous man with a deep voice and British accent, McKenna knows she doesn't stand a chance. As she unpeels the layers behind the serious and scowling viscount, she begins to find her herself - and feelings for Phillip, too.

Worried that old age will inevitably mean losing your libido, your health, and possibly your marbles too? Well, Cicero has some good news for you. In How to Grow Old, the great Roman orator and statesman eloquently describes how you can make the second half of life the best part of all - and why you might discover that reading and gardening are actually far more pleasurable than sex ever was.

Geeky Ella Reyes is at the bottom of the totem pole at Westwood High. Her ultra-popular stepsisters refuse to be seen with her at school, and every day she comes home to a mountain of chores. Ella's only friend (and maybe crush) lives on the other side of her phone's screen. She and Baller929 know everything about each other, except their real names. When they have a chance to meet at her school's Halloween ball, Ella must figure out a way to get there without her stepmom or stepsisters finding out.

In a world where social media, online relationships, and relentless self-absorption threaten the very idea of deep and lasting friendships, the search for true friends is more important than ever. In this short book, famous Roman politician and philosopher Cicero offers a compelling guide to finding, keeping, and appreciating friends. With wit and wisdom, Cicero teaches not only how to build friendships but also why they must be a key part of our lives. For, as Cicero says, life without friends is not worth living.

It’s officially booty o’clock, I’m alone again in my kitchen choking down a slice of terrible chocolate cake…and I’m pretty sure I just got drunk texted by the man I have a ginormous crush on. I’ve been daydreaming about Eliot Hoffman’s dimples for two months, and even though I’m sure this was a mistake on his end, it doesn’t mean it’s not an opportunity on mine. It’s the middle of the night, and I just wanna talk to him. So I text him back.

Charlie Davenport is the bad boy of British tennis - and third in line to the throne. He's a beast on the courts and a wild animal in bed (according to all the tabloids). Girls are lining up for chance at his crown jewels, and when I stumble into the wrong Wimbledon dressing room and catch a glimpse of his game, set, and match, I can see why. So what's a little good luck kiss between friends (I mean, strangers)? I know better than to get involved with a bad boy like Charlie. But now he's on a winning streak, he thinks I'm his lucky charm.

Death. Betrayal. Destruction. This was Alaya's destiny, written in the stars on the night she was born. She should have been killed because of it. She wasn't. The once crown prince of the highest throne in Sundolia is now the high king, and all of his advisors agree on one thing: He should have destroyed that dangerous Dragon woman when he had the chance. He didn't. Now war spreads like a wildfire from the southern kingdom. The empire is burning. The day of prophecy is arriving.

Jared craved an ordinary life. Clock in, do paperwork, clock out. He gave up magic, joined the Meta Marshal Service, and just wanted to be left alone. Until a routine prisoner transport went awry and blew up his entire existence. That was when he found Cassie down on her knees in the wreckage, asking him for help. And he knew in that instant: Magic just wouldn't leave him alone. Now he's on a hunt for an escaped convict and a powerful ancient artifact with the potential to ruin their world for good.

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.