Movie History

The relationship between Hollywood and feminism is a complicated one, historically characterized by simultaneous repression and surprising breakthroughs. From Hitchcock and Marilyn to femme fatales and lush melodramas, the classical Hollywood era is a unique cultural moment that provides rich insight into both gender and film in America. This book looks beyond the glitz and glamour to explore how the history and legacy of this period have reflected, shaped, and at times even challenged expectations of women in society. As the film industry has changed, so too have its depictions of gender, ...

If you grew up in the ’90s, this book is an excellent throwback. The 1990s was a decade of change and growth. This was also a time of significant technological advances, with the internet and cell phones becoming commonplace. But what truly made the '90s special was the culture.

Her life began as a gutsy tomboy from a hardscrabble Arizona mining town — she was also a literary prodigy who published her first story at the age of ten. But then, in 1930, fifteen-year-old Jane Hall became an orphan; she soon found herself on Park Avenue, swept up in the surprising world of Depression-era debutantes, Franklin D. Roosevelt’s birthday balls, and the dazzling nightlife of Manhattan’s Café Society. Once her clever romances about life among the smart set began selling to national magazines, Hollywood’s top agent got her contract as a screenwriter with Metro-Goldwyn-...

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

In 2005, Dana Canedy’s fiancé, First Sergeant Charles Monroe King, began to write what would become a 200-page journal for his son in case he did not make it home from the war in Iraq. He was killed by a roadside bomb on October 14, 2006. His son, Jordan, was seven months old. Inspired by his example, Dana was determined to preserve his memory for their son. A Journal for Jordan is a mother’s fiercely honest letter to her child about the parent he lost before he could even speak. It is also a father’s advice and prayers for the son he will never know.

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide.

For hundreds of years, the Targaryens sat the Iron Throne of Westeros while their dragons ruled the skies. The story of the only family of dragonlords to survive Valyria’s Doom is a tale of twisty politics, alliances and betrayals, and acts both noble and craven. The Rise of the Dragon chronicles the creation and rise of Targaryen power in Westeros, covering the history first told in George R. R. Martin’s epic Fire and Blood, from Aegon Targaryen’s conquest of Westeros through to the infamous Dance of the Dragons.

When movies cost hundreds of millions to make and market, the magnitude of the wagers is astonishing. Vast riches rain down on those who gamble wisely, and careers are made and lost in one weekend. But never is this box-office race more feverish than during the summer blockbuster season, when the studios roll out their most expensive, effects-laden pictures in a feverish race to win the box-office derby. Peter Bart here brings us a marvelously entertaining behind-the-scenes portrait of moviemaking.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.

The moviegoing experience is well known for the exciting sights and sounds provided by the Hollywood magic flickering on the silver screen. But what about the atmospheric aromas and lip-smacking flavors that people cherish when they are in their seats? Steve Foley explores the history of cinema concessions and the relationship between audiences and the snacks consumed while the film rolls.

Now middle-aged, Meadows seeks out his former captors in their civilian lives to help him bury his son, a Marine killed in Iraq, in Arlington National Cemetery. When he learns that the authorities have told him a lie about the circumstances of his son's death, he decides, with the help of the two others, to transport him home to Portsmouth. And so begins the journey, centered around a solemn mission, but, as in the first book, a protest against injustice and celebration of life, too, at once irreverent, funny, profane, and deeply moving.

Ever spotted a quilt in a classic film or wondered if that embroidered cloak meant more than it seemed? Welcome to the magical crossroads of Hollywood and handcraft. Threads of the Silver Screen: Fun Facts About Threads, Textiles & Onscreen Stitchery is a one-of-a-kind journey through over 1,000 surprising and delightful movie moments where fabric stole the show. Whether it’s a knitted scarf that sparked a fashion craze, a hidden message stitched into a costume hem, or the quilt that quietly carried the emotional weight of a scene—this book uncovers the fascinating role of textiles in ...

Although no genre is immune to the holiday-themed concept's adaptability and pulling power, no other has used this narrative quite as effectively as the horror genre. Maybe it’s the irony of chaos, bloodshed, and fear during what is traditionally perceived as a joyous event regardless of the celebration in question. Seasonal Screams will take you on a terrifying journey through your favourite seasons, offering a holiday horror movie for any occasion. Whether during Christmas festivities or Valentine’s Day plans, you can be sure to find a horror villain within these pages ready to ...

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals is a riveting must-listen for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein's homage spotlights the movie's endless barrage of cinematic gold.

What did President Ronald Reagan think of Rocky IV? How did the Matthew Broderick film WarGames inform America's missile defense system? What Michael J. Fox movie made such an impression on President Reagan that he felt compelled to mention it in a speech to the Joint Session of Congress? Over the course of eight years, Mark Weinberg travelled to Camp David each weekend with Ronald and Nancy Reagan.

Today, more than 70 years after it premiered, Sunset Boulevard remains the finest ever movie made about the pathology of fame: those who lose it, those who abuse it, and those who never attain it at all. By exploring the history of Sunset Boulevard in time for the movie’s 75th anniversary, from its inception to its making to its present-day legacy, Ready for My Closeup breathes life into a beloved masterpiece of American cinema.

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.