Native Indigenous

Written by Wahpetunwan Dakota scholar and activist Waziyatawin of Pezihutazizi Otunwe, What Does Justice Look Like? offers an opportunity now and for future generations to learn the long-untold history and what it has meant for the Dakota People. On that basis, the book offers the further opportunity to explore what we can do between us as Peoples to reverse the patterns of genocide and oppression and instead to do justice with a depth of good faith, commitment, and action that would be genuinely new for Native and non-Native relations.

In the last few years, following the publication of his debut novel Jonny Appleseed, Joshua Whitehead has emerged as one of the most exciting and important new voices on Turtle Island. Now, in this first non-fiction work, Whitehead brilliantly explores Indigeneity, queerness, and the relationships between body, language and land through a variety of genres (essay, memoir, notes, confession). Making Love with the Land is a startling, heartwrenching look at what it means to live as a queer Indigenous person "in the rupture" between identities.

Chicago: home to urban Indians and immigrants and working folks and the whole gamut of people getting by in a world that doesn't care whether they do so or not. Sacred City is an incomparable follow-up to Van Alst's award-winning debut collection, Sacred Smokes. Our young narrator now heads deeper into the heart of the city and himself, accompanied by ancestors and spirits who help him and the audience see that Chicago was, is, and always will be Indian Country.

In Aurora Crossing by best-selling author Karl H. Schlesier, a young man - an outsider by upbringing and ancestry - becomes embroiled in the Nez Perces War of 1877. His quest to find identity and belonging in the clash of cultures takes him on the historic 1,200-mile Nez Perces trek from Idaho toward refuge in Canada.

When most people think of “ancient American civilizations,” the Aztec, Maya, or Inca cultures probably come to mind immediately, because the societies in Mesoamerica have left behind permanent structures for millions of visitors from around the world to see each year. At the same time, however, from about 1000-1500 CE, an equally complex culture formed along the banks of the Mississippi, Missouri, and Ohio Rivers.

This first comprehensive work on women in pre-Columbian cultures describes gender roles and relationships in the Americas from 12,000 B.C. to the A.D. 1500s. Utilizing many key archaeological works, Karen Olsen Bruhns and Karen E. Stothert redress some of the long-standing male bias in writing about ancient Native American lifeways. The authors pay particular attention to the problems of interpreting archaeological remains and the uses of historic and ethnographic evidence in reconstructing the past.

Original Politics convincingly demonstrates how the best aspects of the founding vision of America were inspired, or directly appropriated, from living, Native American cultures: concepts such as natural rights, liberty, and egalitarian justice. Further, Parry traces the influence of Native America not only on the founding fathers, but on the ‘founding mothers’ of the nineteenth century women’s movement; as well as the nineteenth century abolitionist and modern ecological movements.

The first people who lived on the northern plains of what today is the US called themselves "Lakota", meaning "the people", a word which provides the semantic basis for Dakota. The first European people to meet the Lakota called them "Sioux", a contraction of "Nadowessioux", a now-archaic French-Canadian word meaning "snake", or enemy.

Settler capitalism has been so effective that the very identities of Indigenous people have been usurped, misconstrued, and weaponized. In Who Gets to Be Indian?, scholar and writer Dina Gilio-Whitaker (Colville Confederated Tribes) explores how ethnic fraud and the commodification of Indianness has resulted in mass confusion about what it means to be Indigenous in the United States.

AN ENCOUNTER is the story of Macu, a young man who leaves his tribe on his first solo hunting trip. Hoping to prove himself by killing and carrying home a small deer, his encounter turns out to be of a much more singular and fateful nature. An entertaining and instructive story suitable for readers of all ages.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

In this groundbreaking study, Cheryl Bear-Barnetson presents an approach to First Nations ministry from the foundations of indigenous worldview and values. She begins with an overview of First Nations theology, which includes the Native views of Creator, the Holy Spirit, the Incarnation, a theology of land, and a theology of missions. Various Native practices, traditional gatherings, and ceremonies are also described. Bear-Barnetson argues that leaders who are more fully informed about Native beliefs, values, and practices will see a dramatic increase in their effectiveness in ministering ...

With heart, pathos, humor, and insight, twenty renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a truly unique history of our land—powerful, devastating, remarkable—as told through the voices of both Indigenous and non-Indigenous peoples.

For decades, Indigenous women and girls have gone missing or been found murdered along an isolated stretch of highway in northwestern British Columbia. The highway is known as the Highway of Tears, and it has come to symbolize a national crisis. Highway of Tears is a piercing exploration of our ongoing failure to provide justice for missing and murdered Indigenous women and girls, and testament to their families and communities' unwavering determination to find it.

In this accessible and innovative work, Susan Burch tells the story of the Indigenous people - families, communities, and nations, across generations to the present day - who have experienced the impact of this history. Drawing on oral history interviews, correspondence, material objects, and archival sources, Burch reframes the histories of institutionalized people and the places that held them. Committed expands the boundaries of Native American history, disability studies, and US social and cultural history generally.

Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

In the first book to focus on relations between Indians and emigrants on the Overland Trails, Michael L. Tate shows that such encounters were far more often characterized by cooperation than by conflict. Having combed hundreds of unpublished sources and Indian oral traditions, Tate finds Indians and Anglo-Americans continuously trading goods and news with each other, and Indians providing various forms of assistance to overlanders.

Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family.