Poetry Criticism

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

The fascinating story of England's monarchy is highlighted by extracts from the diaries and speeches of English monarchs and observations by their contemporaries. Multi-voice narration adds colour and personality to the history of England's most famous family.

How can art help us make sense of the world? With the same intelligence that animates his poetry, Michael Robbins addresses this weighty question while contemplating the idea of how strange it is that we need art at all. Ranging from Prince to Def Leppard, Lucille Clifton to Frederick Seidel, Robbins's mastery of poetry and popular music shines in Equipment for Living. His singular ability to illustrate points with seemingly disparate examples will change the way you listen to music and read poetry.

An illustrated study guide to poetry written by men and women in all parts of the British Isles during the First World War, 1914–18. This rich and valuable ebook has numerous fascinating hyperlinks to online resources. It discusses significant individual poems by the writers named, exploring them within their social, political and aesthetic frames and summarising important earlier critical readings and responses. It is copiously illustrated and covers Thomas Hardy, Popular Poetry, Anthologies, War Poetry by Women, the work of Graves, Blunden and Gurney, Siegfried Sassoon, Wilfred Owen, ...

This collection of poetry explores the beauty and danger that can be found in AI. Every image was created by an AI generator that interpreted the poetry (word by word). While the images are aesthetically beautiful (or disturbing in some cases) they do absolutely no justice to the poetry. It is up to you, the reader, to interpret my words, without guidance and without preconceived notions. Can you look past the artificial and see the art?

The life of Letitita Elizabeth Landon - pen name L.E.L. - was one lived in a blaze of scandal and worship, one of the most famous women of her time, the Romantic Age in London's 1820s, her life and writing on the ascendency as Byron's came to an end. Lucasta Miller tells the full story and recreates the literary London of her time.

The Nun's Priest's Tale is one of The Canterbury Tales by the 14th century Middle English poet Geoffrey Chaucer. Read in Middle English by Robert Ross.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

A journal of my life this year as I go about my life to church, to work, to teaching, to play, and to visiting friends. The first chapter is a story of the spring. The second chapter is like a sketchbook or a glimpse into a journal. There are reflections and prayers and wishes. The ideas from church are ideas I heard from the priests. It is really paraphrased versus a direct quotation. And some of the biblical quotes I used are used in the poem I wrote. The second chapter is about the summer of 2018 and about some of the things I went through.

Listen to the very best poetry from Paul Cookson. This collection contains a wonderful range of poetry, mostly very funny, but there are thoughtful pieces too. He plays beautifully with language and has included a number of different poetic forms.