Renaissance Fiction

Florence, 1500. Fresco painter Jacopo Torni longs to make his mark in the world. But while his peers enjoy prestigious commissions, his meager painting jobs are all earmarked to pay down gambling debts. When Jacopo hears of a competition to create Florence's greatest sculpture, he pins all his hopes on a collaboration with his boyhood companion, Michelangelo Buonarroti. But will the frustrated artist ever emerge from the shadow of his singularly gifted friend?

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power - as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life: the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold.

Dr. Whitfield is looking forward to a sabbatical year of peace and quiet, gardening in his backyard, and tinkering with what he calls his latest "unpublishable book". As the year begins, he is drawn by a series of seeming coincidences into involvement with a group of characters from across Europe, including a family that has been the target of assassination attempts by unknown powers. During his journey to Romania, the situation in which he finds himself becomes more sinister than it first seemed.

In 1462, Nicholas is a wealthy twenty-one-year-old. His beloved wife has died. His stepchildren have locked him out of the family business. He and his private army are the target of multiple conspiracies. And both contenders for the throne of Cyprus, the brilliant Queen Carlotta and her charismatic, sexually ambivalent brother James, are demanding his support. Walking a tightrope of intrigue, Dunnett's hero juggles adversaries and allies, from the delectable courtesan Primaflora to the Mameluke commander Tzani-Bey al Ablak, a man of undiluted evil.

In 1461, Nicholas is in Florence. Backed by none other than Cosimo de' Medici, he will sail the Black Sea to Trebizond, last outpost of Byzantium, and the last jewel missing from the crown of the Ottoman Empire. But trouble lies ahead. Nicholas's stepdaughter—at the tender age of thirteen—has eloped with his rival in trade: a Machiavellian Genoese who races ahead of Nicholas, sowing disaster at every port. And time is of the essence: Trebizond may fall to the Turks at any moment.

Milan, 1492: When a 16-year-old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back.

This is a fantastic first novel in a trilogy. Set in a parallel world, in an Italy that in this world is called Talia and in a Venice that in this world is called Bellezza, the narrative follows Lucien, who in this world is ill with cancer. Given a marbled notebook to help him communicate when his throat hurts too much to speak, this notebook is the means that transports Lucien to this magical, dangerous new world. This is a world which is set in the C16, and thrills to the delight of political intrigue, including assassination attempts both foiled and successful.

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of 20 years and marry Anne Boleyn. The pope and most of Europe oppose him. The quest for the king’s freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum and a deadlock. Into this impasse steps Thomas Cromwell.

As England descends into civil war, John Tradescant the Younger, gardener to King Charles I, finds his loyalties in question, his status an ever-growing danger to his family. Fearing royal defeat and determined to avoid serving the rebels, John escapes to the royalist colony of Virginia, a land bursting with fertility that stirs his passion for botany. Only the native American peoples understand the forest, and John is drawn to their way of life just as they come into fatal conflict with the colonial settlers.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

◆ 2017 RONE Book Award finalist ◆ 2018 TopShelf Indie Book Awards finalist for Women's Issues Bound by love. Separated by duty. Their future hangs on a queen's promise. Fifteen-year-old Nicole serves Anne of Brittany, Queen of France as a lady-in-waiting at the royal court. Bestowed with a gift of healing touch and herbs, she reluctantly awaits an arranged marriage to a noble suitor. But when she meets Philippe, a young horse trainer breaking in one of the queen’s stallions, a spark ignites between them. When the horse’s ankle becomes infected, Nicole uses her healing skills to ...

The Tragicomedy of Calisto and Melibea (Spanish: Tragicomedia de Calisto y Melibea), known in Spain as La Celestina, is a work entirely in dialogue published in 1499. It is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial center near Toledo.

"A Renaissance spy adventure that keeps you on the edge of your seat. Steve Freeman has done well to cleverly interweave suspense, history, culture, and a mystery to keep the reader engaged. Highly recommend for those that enjoy action historical fiction in the times of the famous Medici family and Leonardo da Vinci." Reedsy Discovery (five-star review) During the height of the Renaissance, a fleet of mysterious ships invades the Italian coast, threatening the Republic of Florence. Commissioned by ruler Lorenzo de’ Medici to discover the source of the invasion and mount a defense, ...

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

As lady-in-waiting and confidante to Queen Elizabeth, wife of Henry VII, Joan understands royal patronage is vital if she and her husband, Sir Richard, are to thrive in the volatile atmosphere of court life. But Tudor England is in mourning following the death of the prince of Wales, and within a year, the queen herself. With Prince Henry now heir to the throne, the court murmurs with the sound of conspiracy. Is the entire Tudor project now at stake or can young Henry secure the dynasty?

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

In the Houses of Montague and Capulet, there is only one goal: power. The boys are born to fight and die for honor and-if they survive-marry for influence and money, not love. The girls are assets, to be spent wisely. Their wishes are of no import. Their fates are written on the day they are born.Benvolio Montague, cousin to Romeo, knows all this. He expects to die for his cousin, for his house, but a spark of rebellion still lives inside him.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. But one woman hears the tidings with utter dread. Amy Dudley, wife of Sir Robert, knows that the peal of bells she hears will summon her husband once more to power, intrigue, and a passionate love affair with the young queen.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.