Renaissance History

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer.

T his is an alternate history novel, set in current times, and depicts events leading up to the second American Revolution. After COVID nearly kills him, Jack Harper cashes out of his frantic life in Silicon Valley, and embarks on a quest for a simpler life. An unexpected event lands him in a small northwest Nebraska town for a long weekend. The tree-lined streets of the town are lovely, but the many empty homes show that the town is dying. A serious lack of opportunities and good jobs are sending the young people away. Jack planned to write a blog article about small towns dying in the ...

Scholars suggest the Renaissance started with the first scientific study of perspective. It was introduced in a treatise named De pictura, published in 1435. The author was Leon Battista Alberti (1404-1472). He was an Italian polymath.

Charlemagne was easily one of the most fascinating figures of Western civilization, as well as the most heroic and romantic. The 47 years of his reign marked some of the most significant and far reaching events of the Middle Ages. Undoubtedly, it was his enlightened vision for Europe that resulted in the Carolingian Renaissance, a period of cultural flowering that never really ceased to develop, and which led in a straight line directly to that period of astonishing achievement we now call the High Gothic. Even in the 21st century, we still hear the echoes of his deeds in the historical events that unfold today.

Georgio Vasari's original vision of the arts was to see the artist as divinely inspired. He describes the lives of 45 artists, including Giotto, Brunelleschi, Fra Angelico, Botticelli, da Vinci, Raphael, Michelangelo, and Titian, with striking immediacy conveyed through character sketches, anecdotes, and detailed recording of conversations.

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion.

Niccolò Machiavelli is the most influential political writer of all time. His name has become synonymous with cynical scheming and the selfish pursuit of power, but the real Machiavelli, says Miles Unger, was a deeply humane and perceptive writer whose controversial theories were a response to the violence and corruption he saw around him. Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. His first political mission was to spy on the fire-and-brimstone preacher Savonarola.

Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors.

From the inimitable bestselling author Thomas Cahill, another popular history - this one focusing on how the innovations of the Renaissance and the Reformation changed the Western world. A truly revolutionary audiobook. In Volume VI of his acclaimed Hinges of History series, Thomas Cahill guides us through the thrilling period of the Renaissance and the Reformation (the late fourteenth to the early seventeenth century), so full of innovation and cultural change that the Western world would not experience its like again until the twentieth century.

The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen’s American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, and others receive striking, original readings set against the rich backdrop of contemporary popular writing.

Leonardo da Vinci was a gifted painter, talented musician, and dedicated scientist and inventor, designing flying machines, submarines, and even helicopters. Yet he had a hard time finishing things, a problem anyone can relate to. Only 13 paintings are known to be his; as for the illustrated encyclopedia he intended to create, all that he left were thousands of disorganized notebook pages. Here is an accessible portrait of a fascinating man who lived at a fascinating time - Italy during the Renaissance.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

Venice, 1522. Intelligence arrives from the east confirming Europe's greatest fear: the vastly rich Ottoman Sultan has all he needs to wage total war - and his sights are set on Rome. With Christendom divided, Suleyman the Magnificent has his hand on its entrails. From the palaces of Istanbul to the blood-soaked fields of Central Europe and the scorched coasts of North Africa, The Lion House pioneers a bold new style of eye-witness history to tell a true story of power at its most glittering, personal and perilous.

In every nation, in every era of history, there are inevitably one or two places that become the symbol of the times. Mention Valley Forge to an American and it will immediately conjure up visions of a hard won fight for freedom. Likewise, the word Dunkirk said to a Briton will elicit a sense of both pride and horror at the lives lost and saved at that desperate point in World War II. For the French, and those who study their history, Versailles is a symbol of, as Charles Dickens once put it, "the best of times...the worst of times."

In 1503, Pope Julius II had succeeded the notorious Alexander VI, and Julius II brought an appreciation for the arts to the papacy. After Michelangelo finished the flurry of works that he had worked on during the previous four years, he was commissioned by Pope Julius II to complete a tomb in the Pope's honor. The project was to be massive in scope, and the tomb was to be placed inside of St. Peter's Basilica, the construction of which was intended to take place while Michelangelo designed the tomb.

Sir Philip Sidney was an Elizabethan courtier, statesman, soldier, poet, and patron of scholars and poets. He was famous as the ideal gentleman of his day and a model for subsequent generations until the twentieth century replaced classical education with industrial age expedience. He represents something of what we have lost in modern self-interest. For three centuries, he was considered the most extraordinary man of the English Renaissance. But unfortunately, his legacy has faded from modern prominence. Nevertheless, it is fascinating to peer into the past and discover a singular person ...

Bestselling author Leonard Shlain explores the life, art, and mind of Leonardo da Vinci, seeking to explain his singularity by looking at his achievements in art, science, psychology, and military strategy (yes), and then employing state of the art left-right brain scientific research to explain his universal genius. Shlain shows that no other person in human history has excelled in so many different areas as Da Vinci and he peels back the layers to explore the how and the why.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

Giorgio Vasari (1511-1574) was a man of many talents - a sculptor, painter, architect, writer, and scholar - but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari's extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari's visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift.

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.