Rock Art

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

This fascinating audio program includes actual radio commercials from the 1960s for the band.

There have been innumerable 'rock star' biographies and music histories before, but there is no book that presents the deepest, innermost thoughts from some of the industry's most legendary musicians on not only how they create, but what drives their creative process. Have you ever wondered how your favourite rock stars get inspired? How they write a song? How an album is put together? Icons of Rock contains interviews with each musician to give the listener a compelling and groundbreaking insight into the creative process at the heart of each rock star's musical success.

Kurt Cobain irrompeu na consciência americana e mundial com força depois do lançamento de Nevermind, um clássico instantâneo que definiu um som e uma geração. Três anos depois, ele cometeu suicídio, deixando uma carreira meteórica e uma influência cultural que nunca diminuiria. Esta obra resgata as principais entrevistas do artista, incluindo a última delas. Nela, o ouvinte encontrará um Cobain engraçado, atencioso, sarcástico, apaixonado e até gentil. A visão de um homem que muitas vezes foi incompreendido está aqui, trinta anos depois de sua morte, com a mesma força de sua música.

Looking for Lady Dee is a one-of-a-kind story paralleling the career of a second-wave punk band (Thrills) with the disappearance of one of its fans. The story of the late 70s, early 80s popular music scene is the backdrop. Author Johnny Angel Wendell tells all with pinpoint accuracy and wicked detail. Lurid, vivid, and relentless in its descriptions of rock music's unholy triumvirate (sex, drugs, and the music itself) from an author who lived it and survived, and his cohorts, many of whom did not.

George B. Miller hat den Rock 'n' Roll dort erlernt, wo der Musikstil in den 1950er-Jahren mit Elvis ankam: in Bremerhaven. Als Sohn eines amerikanischen Soldaten und einer deutschen Mutter kam Miller dort 1947 zur Welt und wurde sogleich in die zweisprachige Welt der GIs mit Jazz, Soul und Rock 'n' Roll hineingezogen. Seine Karriere als Musiker begann schon 1959 als Cellist, 1964 machte er seine ersten Erfahrungen mit einer Rock-'n'-Roll-Band.

Allen Klein was like no one the music industry had seen before. Though he became infamous for allegedly causing the Beatles’ breakup and robbing the Rolling Stones, the truth is both more complex and more fascinating. As the manager of the Stones and then the Beatles—not to mention Sam Cooke, Pete Townshend, Donovan, the Kinks, and numerous others—he taught young soon-to-be legends how to be businessmen as well as rock stars. While Klein made millions for his clients, he was as merciless with them as he was with anyone.

Conformado por músicos y bandas de primera línea como Yes, Pink Floyd, Genesis, Jethro Tull o King Crinsom, su aparición en la escena musical llevó al rock a los terrenos conceptualmente hablando, más prolíficos, barrocos y virtuosos como jamás se presenció. La espectacularidad y extensión de este género los hicieron, con justicia, los reyes de toda una década: La de los años 70.

Maximo Vega is a “rock” star! The media proclaimed him "The Sculptor for the New Generation", but he’s a reclusive artist ensnared by fame. Driven and intense, his isolation only adds to his mystique. Couple that with his smoldering good looks and rich Italian accent…fans sigh his name. Emily Baskins is a gifted graduate student at the Stoddard School of Art. To land an internship at the Vega Studio is her golden ticket. All she has to do is follow the rules. And stay out of trouble. Two things Emily has never been able to do.

Over three decades and more than 150 million albums, AC/DC has established itself as much more than just a great rock band. For millions of fans spanning several generations across the world, they are an ear-bleedingly loud, sweat-soaked religion, courtesy of such classic albums as Highway to Hell and Back in Black. Now, in a book of astonishing breadth and scope, comes, for the very first time, the complete story of AC/DC.

Con la consueta maestria, Wilbur Smith racconta gli episodi più personali da cui hanno preso vita i suoi romanzi: dagli attacchi dei leoni agli incontri ravvicinati con feroci squali sulla barriera corallina, da quando si è perso nella savana senz'acqua o ha strisciato attraverso tunnel precari nelle miniere d'oro fino alla morte sfiorata durante un atterraggio d'emergenza su un Cessna, dalle terribili esperienze vissute a scuola fino alla rinascita attraverso la scrittura e l'amore.

In the second of four volumes, Alan Cross reveals the fascinating stories behind the music, focusing on the following top performers: Joy Division, New Order, The Cure, Depeche Mode, U2, Brian Eno, Skinny Puppy, and The Pixies.

Earl Slick was barely out of his teens when David Bowie hired him to play guitar on the ground-breaking 1974 Diamond Dogs tour. It marked the beginning of a relationship that would endure through thick and thin for the next forty years. Gracing classic albums like Young Americans, Station to Station and the 2013 comeback, The Next Day, Slick played on the tour that followed Bowie’s smash hit Let’s Dance album and was at his side for the epic Glastonbury show in 2000. But it wasn’t just Bowie

Continuing his definitive history of alternative rock, respected music journalist Alan Cross explores the artists who revolutionized music in the 1990s. In Volume 3, Cross tells the stories of Nirvana, Pearl Jam, Nine Inch Nails, Beastie Boys, The Smashing Pumpkins, Radiohead and others.

Riff-Raff, Rebels & Rock Gods chronicles the rise of the most exciting generation of British music and musicians the world has ever seen - before or since. In rapid succession came Ska, New Mod, anarcho-punk, Oi, and the New Wave of British Heavy Metal. A firestorm of incendiary music, created and performed by geniuses and madmen. What a time to be a music journalist! At the heart of this rock tsunami was SOUNDS magazine. And at the heart of SOUNDS was your narrator, Garry Bushell.

This is a much-needed lesson for the intermediate guitar player. Most six-string slingers have a hard time communicating with other musicians. Even simple jazz stuff seems mysterious to some. This is why guitar players stick together and form noisy bands. You need a little theory to get you over this hump. This lesson will help you unlock some basic stuff you have to know to get you to the next level.

Sex, No Drugs & Rock'N'Roll: Memoirs of a Music Junkie is a "balls-to-the-wall" coming of age narrative explicitly told through the eyes of a musical "baby-boomer Holden Caulfield", simultaneously maturing with the country itself. From the 50s' innocent invulnerability following WWII, to the teenage years of rebellion and political unrest in the 60s, to the disillusionment and cynicism of the late 70s, sowing the seeds for the "me" generation to come. The dots connected in two universal languages: music and sex.

Tudo o que aconteceu naquele 1983 marcou o resto da carreira da banda. Ela rapidamente alcançou fama na cena local do rock americano, tocando em toda Los Angeles e ganhando fãs e atenção da mídia onde quer que se apresentasse. Antes do final do ano, eles fizeram aproximadamente trinta shows, montaram um repertório antigo e adorado, gravaram uma demo incrível que lhes garantiu um contrato de gravação com a EMI/Enigma e perderam dois de seus membros fundadores para uma banda rival.

Since this rock opera is based on my Baby Boomer generation, the war representing my father was of course WWII. Although my father fought in the South Pacific, this story is more symbolic by starring an American soldier in Europe. During this European theater of war, the soldiers socialized with the citizens of the countries they passed through and fought in. As a result, there were many babies born in Europe with an absent American father.

Lost in Music is about growing up with pop music - about hearing it, buying it, loving it, and attempting to play it in public for money. A brilliant combination of the confessional and the unapologetic, this is a book for anyone who has ever treasured vinyl, or sung into a roll-on deodorant in front of the bedroom mirror and dreamed of playing Wembley.