Rock History

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

With Chris Bell at the center of the Big Star universe, this book carefully reveals the production of the band's masterful 1972 debut LP, #1 Record, for Ardent/Stax Records. Despite stellar reviews, the record suffered abysmal sales. Soon after, toxic personality conflicts and turmoil tore the band apart while Bell battled drug abuse and depression.

James Meredith’s struggle to integrate the University of Mississippi in 1962 is still remembered vividly, but the Little Rock Nine are frequently overlooked when it comes to discussing the Civil Rights Movement, despite attempting to integrate Little Rock Central High School five years earlier. For millions of kids, high school is a tumultuous time, but for the Little Rock Nine, the first African American students to attend a previously segregated high school in Little Rock, Arkansas, those years were nightmarish.

"The Rock Trenches: Journal of a Music Industry Executive" by Phillip Rauls is the memoir of a Memphis-born music promoter who worked with some of the top rock 'n' roll recording artists of the 1960s-1990s, including the Gentrys, Robert Palmer, Yes, Red Hot Chili Peppers, Emerson, Lake & Palmer, the Eagles, and Led Zeppelin, to name a few. The Rock Trenches begins with Phillip as he gains entry into the music business by becoming the road manager for a local band just out of high school, the Gentrys. The Memphis band scored a million selling record in 1965 titled "Keep On Dancing" and Rauls...

What is it about music and our love of it that means so much to us? How does an artist reach right into our emotions, stirring us to share the same feelings? Or just supply pure joy to our lives with sheer exuberance and musical skill? The answers are all personal to each of us. This is my journey back into my musical past - This is 1970s England. Music on vinyl that opened up a world of discovery - musically and personally. My father died recently leaving a vast vinyl collection. I knew & had heard them all and he loved them. It was a world of Sinatra, Nat King Cole, Bill Daniels, Kay ...

The Beatles left an indelible mark not only on music, but on the culture in which they created it. In a time of great and sudden change, they led a generation into new territory, redefining the social landscape as a place where men and women could try on new roles. They led this change through their music, their public personae, and - under scrutiny - their example. The Beatles Guide to Love & Sex examines all three - the songs, the parts they played in public, and the way they led their lives, for better or worse. John, Paul, George and Ringo began their journey as typical working-class ...

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta.

Long before she was one of the Little Rock Nine, Melba Pattillo Beals was a warrior. Frustrated by the laws that kept African Americans separate but very much unequal to whites, she had questions: Why couldn't she drink from a whites-only fountain? Why couldn't she feel safe beyond home - or even within the walls of church? Adults all told her: Hold your tongue. Be patient. Know your place. But Beals had the heart of a fighter - and the knowledge that her true place was a free one.

Step into the fractured mind of Kurt Cobain in Kurt Cobain: Drowning in My Words, a raw, unfiltered imagined memoir told entirely in his voice. Through dark humor, self-loathing wit, and heart-wrenching honesty, this book traces the iconic Nirvana frontman’s rise from a chaotic childhood in Aberdeen, Washington, to the global stages he grew to despise. Told in first-person with searing vulnerability and a punchline always lurking under the grief, Cobain revisits the moments that defined—and destroyed—him: from stealing his first guitar, to recording Bleach on fumes and cigarettes, to ...

Ashley Wilkes of Gone with the Wind helped to seal Rock Island's reputation as the "Andersonville of the North". McAdams separates truth from fiction about the Rock Island Barracks, the prison that held tens of thousands of Confederate soldiers. Revealing that Rock Island was not without its problems - ignominious punishments, inadequate facilities, malnutrition, and lack of basic supplies - McAdams shows how Union officers sought to maintain humane conditions in the face of a war that raged on longer than anyone anticipated.

Lisa Robinson has interviewed the biggest names in music--including Led Zeppelin, the Rolling Stones, John Lennon, Patti Smith, U2, Eminem, Lady Gaga, Jay Z and Kanye West. She visited the teenage Michael Jackson many times at his Encino home. She spent hours talking to John Lennon at his Dakota apartment - and in recording studios just weeks before his murder.

In 1954, the U.S. Supreme Court ruled that schools had to allow Black students to attend previously all-white schools. On September 4, 1957, nine Black students were set to attend Little Rock Central High in Little Rock, Arkansas. But when they arrived, an angry mob of white people spat at them and hurled racist insults. They were also prevented from entering the school by the National Guard. After they were finally allowed in weeks later, they faced even more abuse from white students and staff.

When Paul McCartney closed Live Aid in July of 1985, we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown, he—and many others of his generation—were just getting started. This was the time when live performance took over from records. The big names of the '60s and '70s exploited the Age of Spectacle that Live Aid had ushered in to enjoy the longest lap of honor in the history of humanity, continuing to go strong long after everyone else in the business had retired.

Crack explains why, in a de-industrializing America in which market forces ruled and entrepreneurial risk-taking was celebrated, the crack industry was a lucrative enterprise for the "Horatio Alger boys" of their place and time. These young, predominately African American entrepreneurs were profit-sharing partners in a deviant, criminal form of economic globalization. Hip Hop artists often celebrated their exploits but overwhelmingly, Americans - across racial lines - did not. Crack takes a hard look at the dark side of late 20th-century capitalism.

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music's structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead's dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence.

Welcome to the ultimate backstage pass to the afterlife, where the music never stops and the encores are eternal. In this collection of spectral true tales, we'll journey from smoke-filled recording studios to haunted hotel rooms, chasing the ghosts of rock & roll royalty who refuse to let a little thing like death keep them from the spotlight. These aren't your grandmother's ghost stories—unless, of course, your gran was a groupie for The Doors.

Psychiatric Tissues focuses on Arab on Radar, one of the most iconic and influential noise rock bands in underground music history. Tales of their interests in sex, drugs, and violence have swirled for years. In this memoir about playing guitar in the band, Jeff Schneider aka Mr. Clinical Depression candidly reveals the truth about life inside the band, stripping away the myths and revealing what life was like for musicians on top of the scene, enjoying artistic creation on a level that has yet to be understood.

Alcatraz Island has been home to a lighthouse, a military fort, a national park, and gatherings of Native American protesters, but say the name Alcatraz to any American and they will immediately associate it with prison. This is somewhat ironic since the island, just a mile and a half away from San Francisco in the Bay, was a federal prison for only three decades, but in that time, "The Rock" became notorious for being the most secure prison in the nation.

Updated information about every instrumental recording that reached number one on Billboard's popular recorded music charts from 1950 to the present. There is a great deal of information about every instrumental song that topped the pop charts, as well as every one of the recording artists, and each recorded song’s songwriters. The author conducted massive research to compile the interesting stories found in this book. The text covers the instrumentalists from Anton Karas’ recording of “Third Man Theme,” which reached number one in 1950, through Baauer reaching the top of the charts...

Jimi Hendrix took the world of rock music to new heights, and it has never really come back down. Meet the man who single-handedly changed the face of modern music. In this book, you will find the story of Hendrix’s life in full detail - from his childhood to his stint in the US military to his time as an international superstar. We will discuss the man, the myth, and the legend, Jimi Hendrix.