Rock Music Memoirs

Along Comes the Association is the story of how Russ Giguere and his fellow band members in the legendary and influential pop group The Association came together to create unparalleled music, unique to the time and place, and never again to be repeated.

Having entertained the idea for years, and even offered a few questionable opportunities, I have decided to tell these stories just as I have always done, in my own voice. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I’ve recorded and can’t wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child.

The revealing backstory of the album with no name that spawned 'When the Levee Breaks', 'Black Dog,' 'Stairway to Heaven', and 'Rock 'n' Roll'. Four tracks each side; eight killers, no fillers. This is how they did it.

Stevie Salas was one of many boys coming of age in the 1980s—when the American dream was rock superstardom. As lead guitarist for a San Diego band, Salas played backyard parties and school dances and even scored the music for the cult classic Bill & Ted’s Excellent Adventure. When he auditioned for Rod Stewart—where he was the youngest band member by a decade—Salas’s life truly hit a turning point.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

The 12th Duke of Beaufort, known to his friends as 'Bunter', inherited his Dukedom and Badminton House in 2017, at the age of sixty-five. But he is also a singer and songwriter with the rock group The Listening Device. Now he combines his responsibilities as Duke with his life as a rock performer. In this lively and anecdote-filled memoir, Harry Beaufort takes us behind the scenes of his varied life: from playing poker with politicians, to partying on Ibiza with film stars to people watching with The Queen from a balcony at Windsor Castle.

Told with acclaimed New Yorker writer Ariel Levy, Brothers is seventy-year-old drummer Alex Van Halen's love letter to his younger brother, Edward, (Maybe 'Ed', but never 'Eddie'), written while still mourning his untimely death. In his rough yet sweet voice, Alex recounts the brothers' childhood, first in the Netherlands and then in working class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother—the kind of mom who admonished her boys to 'always wear a suit' no matter how famous they became—a woman who was both proud and practical.

None of This Rocks is a memoir by Joe Trohman—lead guitarist and cofounder of Fall Out Boy—that unfolds like a double album full of revealing stories from his youth and his experiences of modern rock and roll stardom. With wit and wisdom, and maybe a little bit of whining, Trohman grapples with depression, his mother's brain cancer, antisemitism, pills, petty larceny, side hustles, and pop punk at the turn of the century.

Sid Vicious: One Junkie, One Knife, and No Fuckin’ Future is a raw, unapologetic look into the short, explosive life—and death—of punk rock’s most infamous icon. Told in a brutally honest, darkly sardonic voice, this book mixes biography with postmortem narration to deliver an unfiltered account of Sid Vicious, bassist for the Sex Pistols, and the chaos he embodied. From the gritty streets of 1970s London to the bloodstained floors of the Chelsea Hotel, this is more than a music biography—it’s a ghost’s confessional. Readers are taken inside the rise and collapse of the Sex ...

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of Oasis. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

Wanda Jackson's debut single, "You Can't Have My Love," reached the Top 10 while she was still a 16-year-old high school student. She hit the road after graduation, playing package shows with Carl Perkins, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, who gave Wanda his ring and asked her to be "his girl."

Rebellious, headstrong, independent and on her own at 15, Lorelei dreamed of being a model. She made that happen through determination and serendipity; a chance meeting with a '70s Southern California rock star opened the A-list Hollywood doors to a wondrous world, as well as a full-blown romance. Pounding the pavement in L.A. and New York taught her the hard knocks of being a working-class model.

The idea for Britain’s first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the “cradle of British pop music.” Then and there, she decided she was going to be just like them—and be the first girl to do it.

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the 'nothing-to-hide' rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.

Howard Bloom - called “the greatest press agent that rock and roll has ever known” by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull - is a science nerd who knew nothing about popular music. But he founded the biggest PR firm in the music industry and helped build or sustain the careers of our biggest rock legends, including Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Billy Idol, Chaka Khan, and 100 more. What was he after? He was on a hunt for the gods inside of you and me.

Scott has played over 500 concerts at hundreds of venues spanning almost two decades. From performing to the bar staff at strip mall dive bars, to a sold-out show with members of The Misfits and the Ramones, 33 Percent Rockstar: Music, Heartbreak and the Pursuit of Rock Stardom is about the love of music and life as a struggling musician. It is the true story of what happens when you give up everything to follow your dreams - even when they lead to a run-down strip club in a seedy part of Lincoln, Nebraska.

'This could be heaven or this could be hell...' So sings Don Henley on their biggest hit, 'Hotel California', yet for The Eagles their story was one where the dividing line between ultimate Hollywood highs and subterranean LA lows was blurred beyond recognition, blinded by white-powdered double-visions and buried beneath greenback mountains.

Ronnie Spector’s first collaboration with producer Phil Spector, ‘Be My Baby’, stunned the world and shot girl group The Ronettes to stardom. No one could sing as clearly, as emotively as Ronnie. But her voice was soon drowned out in Phil Spector’s Wall of Sound, and lost in Ronnie and Phil’s ensuing romance and marriage. Ronnie had to fight tooth and nail to wrest back control of her life, her music and her legacy. And while she regained her footing, Ronnie found herself recording with Stevie Van Zandt, partying with David Bowie and touring with Bruce Springsteen.

"Stell Dir einmal vor, Du gibst eine Party, und das Ganze dauert ein bisschen länger. Nicht bis zum Morgengrauen. Nicht zwei oder drei Tage. Eher vierzig Jahre. So genau weißt Du es nicht mehr. Es ist schließlich eine Party, und da kann es schon mal passieren, dass man den Überblick verliert. Du konntest Dir das leisten, weil es Dein Beruf ist, das Leben zu feiern und Dich dabei gehen zu lassen, denn Du bist ja ein Rockstar..." Die Beatles, die Stones, Bob Dylan, ja gut, aber ein Deutscher, der auf Deutsch rockt - unmöglich. Dann kam Udo und machte alles anders.