Science Horror

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

Shreve, a no-hope town beside the UK’s largest landfill. There’s nothing Shreve’s jaded residents won’t stoop to in a bid to liven up their monotonous lives.... Wannabe model Aggie Smithfield plans to escape before Shreve swallows her ambitions along with a million tons of rubbish and filthy little secrets. Desperate for a way out, Aggie makes a macabre pact with reclusive ex-photographer Mason Brand. When the town’s past catches up with it, their agreement might be the only thing that can save her. Beneath everyone’s feet, something stirs.

Once an aristocrat in the heady days of pre-revolutionary France, now Lestat is a rockstar in the demonic, shimmering 1980s. He rushes through the centuries in search of others like him, seeking answers to the mystery of his terrifying exsitence. His story, the second volume in Anne Rice's best-selling Vampire Chronicles, is mesmerizing, passionate, and thrilling.

Professor Miranda Ventham is having bad dreams—nothing new in 1920s Arkham—but hers are horrifying glimpses of a dark future. Now seriously ill, she books herself into the new sanatorium, Stroud Home. With luck, the town's eldritch taint won't reach her there. And yet the nightmares worsen. Aided by her friend, Agatha Crane, they delve into the background of the sanatorium's enigmatic director, Donovan Stroud. Plagued by doubts, delusions, and terrifying visions, Miranda must unravel the shrouded history of the Strouds before she is trapped in a labyrinthine nightmare.

The Twelve have been destroyed, and the 100-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew - and daring to dream of a hopeful future.

The world is suddenly thrown into chaos as a research project is sabotaged and the dead come alive to feast on the living - it seems like an old story, doesn’t it? The Apocalypse Crusade is not that book. You are not suddenly thrust into a world gone mad. Instead, you get front-row seats to how the sh-t went down. In real time you are witness to the agony and the horror…and the terrible stupidity that made it all possible.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

After Grand-mere Ursule gives her life to save her family, their magic seems to die with her. Even so, the Orchires fight to keep the old ways alive, practicing half-remembered spells and arcane rites in hopes of a revival. And when their youngest daughter comes of age, magic flows anew. The lineage continues, though new generations struggle not only to master their power, but also to keep it hidden. But when World War II looms on the horizon, magic is needed more urgently than ever.

"You can never go home again," the saying goes—but Hal, Athena, and Erin have to. In high school, the three were students of the eccentric Professor Marsh, trained in a secret system of magic known as the Dissonance, which is built around harnessing negative emotions: alienation, anger, pain. Then, twenty years ago, something happened that shattered their coven, scattering them across the country, stuck in mundane lives, alone. But now, terrifying signs and portents (not to mention a pointed Facebook invite) have summoned them back to Clegg, Texas.

An unplanned murder during a bank robbery has another sheriff on the trail of those on the lam.

In the aftermath of the zombie pandemic Keith Taylor, noted pre-war author of post-apocalyptic fiction, traveled the world to interview survivors from every walk of life, culture and stratum of society, ranging from American political leaders to Scottish oil rig workers, from Mongolian miners to members of India's homeless underclass, each with their own tale of survival against an enemy that feels no remorse, fatigue, fear or mercy; only insatiable hunger.

The post-Katrina New Orleans of The City of Lost Fortunes is a place haunted by its history and by the hurricane's destruction, a place that is hoping to survive the rebuilding of its present long enough to ensure that it has a future. Street magician Jude Dubuisson is likewise burdened by his past and by the consequences of the storm, because he has a secret: the magical ability to find lost things, a gift passed down to him by the father he has never known - a father who just happens to be more than human.

Ex-burlesque dancer and aspiring author Tamara Garvey just had her world turned upside down. Her best friend died and leaves her as guardian to a teenager. Now, not only is Tamara struggling with her new role but she is also charged with caring for the family home, the Ridaught Plantation known by the locals as the Dead House. To her surprise, the place is already occupied by an angsty ghost named Joey who has a penchant for wearing her clothes and a fascination for paranormal movies and television shows.

Mature readers only: intense combat, graphic violence, horror elements, some sex, some language. In future America, the downloaded consciousnesses in the Ten Sigma Program fight endless battles. The struggles span all possibilities: face-offs with knives and clubs, skirmishes as Roman legionaries, pitched WW1 trench warfare, duels with ultra-modern hypersonic weapons, and everything in between. The combatants who live are rewarded with another battle until they reach the unreachable score of ten sigmas. Those who die are expunged from the system, gone forever. The methods, so harsh they go ...

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.

From the cramped bowels of a dimly lit radio station, Ghost Radio is beamed onto the airwaves. More than a call-in show to tell scary stories, Ghost Radio is a sanctuary for those sleepless denizens of the night, lost halfway between this world and the next. Joaquin, the host, slowly he finds himself unable to distinguish between the real world and the world populated by the nightmares on Ghost Radio.

It's been seven months since Chris Gordon met Tanya Demidova, and a lot has changed. He's stronger and faster and has the senses of a vampire and the appetite of a werewolf. But even as he settles into his new position with the Special Situations Squad and his relationship with Tanya, new threats appear. From south of the border, north of the city, inside the NYPD, and the federal government. But the hardest fight Chris will face is with himself.

Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She's spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie Hall.

Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” a novel of zombies, geeks, politics, social media, and the virus that runs through them all - from New York Times best seller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: Feed.

Felix Castor is a freelance exorcist, and London is his stomping ground. It may seem like a good ghostbuster can charge what he likes and enjoy a hell of a lifestyle, but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. When Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London, what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize.