Shakespeare Histories

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.

Cordelia Lionheart is a different take on the story of King Lear's youngest daughter. As Cordelia's sisters and the oppressive lords maneuver to depose her father, Cordelia and her childhood friend Garred ally themselves with the farmers, servants and other working people. In this coming-of-age, alternate-history, medieval tale, Cordelia must find a way to bring about the new Britain her comrades are prepared to fight and die for.

Four hundred years ago, no one bothered to write down the exact words of stage plays. Characters’ lines were scribbled on small rolls of paper (as in, an actor’s role) and passed around, but no master script was saved for the future. The main reason we’ve heard of Romeo, Juliet, Hamlet, and Shakespeare himself is that a group of people made the excellent choice to preserve the plays after the Bard died. If they hadn’t created the book known as the First Folio, Shakespeare and his works would surely have been lost to history.

In the year 1040 AD the Scottish king, Duncan is found brutally murdered in his bed. Certain evidence points to the king's own servants. Gowan Drummond, Thane of Lennox does not believe Duncan's servants killed him. Drummond’s suspicions turn to Macbeth who quickly ascends the throne. His suspicions become certainty when Banquo is found murdered. In his quest for the truth, the Thane of Lennox must be cautious in his investigations, for cruel are the times, and a dangerous evil is loose in the land. Give Me The Daggers is based partly on history but mainly on William Shakespeare’s great...

"Kline keeps the pages turning… a lively interpretation that will win Oxfordian approval and may even convince Stratfordians to suspend disbelief and enjoy it." —Kirkus Reviews FIRST PLACE WINNER 2014 CHAUCER AWARD FOR HISTORICAL FICTION IN ELIZABETHAN/TUDOR CATEGORY Charged in 1616 by the Earls of Pembroke and Montgomery to edit a folio of Shakespeare plays, writer Ben Jonson races against time to uncover the missing manuscripts by seeking out his former nemesis, the bedridden William Shaxper. But far more worrisome is that the Earl of Oxford's daughter, the Countess of Montgomery, ...

This is a story from the Famous People in History collection.

Explore the witty and thought-provoking world of Mark Twain with "Is Shakespeare Dead?" In this audiobook, Twain embarks on a delightful literary investigation, challenging the authenticity of Shakespeare's authorship. With his trademark humor and incisive wit, Twain raises questions about the identity of the Bard and presents a humorous yet compelling case against the traditional attribution of Shakespeare's works.

Do you want to learn more about William Shakespeare, but don’t have time to read/listen to huge, long biographies? Then let The History Journals take you on an hourly history tour of his life. Mention the name of William Shakespeare to students of English the whole world over, and you’ll run an entire gauntlet of reactions ranging from a glazed expression of complete indifference to abject misery and unmitigated terror.

Does a mental disorder reveal the “real” William Shakespeare? Back in the 16th and 17th centuries, bipolar disorder was a mystery, and even as late as the early 2000s, most doctors had difficulties diagnosing it. Unlike COVID-19, there is no swab test for antibodies. No blood test. It is a mood disorder, so doctors rely on their patients to “self-report” their symptoms and ask them questions like, “Were you in a good mood yesterday?”

How the history of civilization could not be written without the inclusion of these iconic men and women who lived lives of service to Great Britain! This book contains the fundamental history, early influences, life changing events, and lasting impact of historical figures such as Winston Churchill, Oliver Cromwell, Henry VIII, Elizabeth of Tudor, William Shakespeare, Isaac Newton, James Cook, Charles Darwin, John Lennon, Princess Diana, and others!

Ya seas un entusiasta de Shakespeare, un estudiante de literatura o alguien simplemente cautivado por el poder del lenguaje, “Shakespeare en Metáforas” ofrece una nueva perspectiva sobre cómo la maestría metafórica de Shakespeare moldea su legado. Sumérgete y redescubre al Bardo bajo una luz que nunca antes habías visto.

Andrew Dickson's startlingly original and joyously entertaining Worlds Elsewhere traverses centuries and continents to reveal Shakespeare and his works in a fantastic array of new guises.... Antiapartheid activist, Bollywood screenwriter, Nazi pin-up, hero of the Wild West: this is Shakespeare as you have never seen him before.

Published to commemorate the 400th anniversary of Shakespeare's death in April 2016, a breathtaking exploration into Shakespeare as a global poet. Whilst travelling in Luxor, Edward Wilson-Lee encountered a man who called out to him from the summer shade with lines from Shakespeare's Macbeth: 'Tomorrow, and tomorrow, and tomorrow...' Unable to resist the temptation, Wilson-Lee responded with the next line, and so began a fascination with unexpected cultural encounters.

Das Wort “Renaissance” ist Französisch und bedeutet “Wiedergeburt”. Der Name bezieht sich auf den Zeitraum zwischen dem 14. und 17. Jahrhundert, als Europa ein ausgeprägtes Wiederaufkommen der klassischen Kunst, Bildung, Philosophie, Architektur und Naturwissenschaft erlebte. Die ehemaligen römischen Gebiete machten sich abermals die Schriften der antiken Griechen und Römer und die Idee des Humanismus zum Vorbild. Die Wiedergeburt dieser Kultur war ein Zeichen für das Ende des Mittelalters und den Anfang der Moderne.

Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.

1601 am Globe Theatre in London uraufgeführt, gehört Shakespeares Drama Hamlet zu den bekanntesten und meistdiskutierten Tragödien der Weltliteratur. Bereits in der Entstehungszeit war das Stück populär und genießt bis heute eine beeindruckende Bühnenpräsenz; Aussprüche wie "Sein oder Nichtsein" haben Eingang gefunden in unsere Alltagssprache. Prinz Hamlet von Dänemark strebt danach, den Tod seines Vaters zu rächen. Um den Mörder zu finden, macht Hamlet eine Wahrheitsprobe in Form einer Inszenierung und führt ein Stück im Theaterstück auf.

In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men: Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney; Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry; Elizabeth Cary, who published the first original play by a woman and Anne Clifford, a lifelong diarist.

For Shakespeare fans, this is a great way to test your knowledge of the Bard's life and works. Six rounds of detailed Shakespeare questions from expert Hazel Jeffs and including voicing from Shakespearian actors and actresses to bring questions to life. Even if you don't know the answers lots of commentary will teach you interesting facts and details about England's greatest playwrite and his works.

English artist Alice Bulbeck and her twin brother, Edward, approach Axel Webb to find a lost Shakespeare play entitled The History of Cardenio. The play, performed only once for James I, has been lost for 400 years. It wasn’t included in the 1623 First Folio published by Shakespeare’s friends after his death. It is the only known play credited to William Shakespeare that has never been published. The question is, why?

Tales From Shakespeare was originally written in 1807 by Charles Lamb and his sister, Mary, as more comprehensible (and enjoyable) versions of the original Shakespearian texts, specifically but not exclusively for children.