Television Memoir

This unique biography details the life of magician Marshall Brodien, most remembered for his long-running career as television's Wizzo the Wizard on WGN-TV's Bozo's Circus. His inspirational story begins in the late 1940s, when Brodien was a young magician in his first job as a Chicago magic shop demonstrator, then recounts his steady rise to show-business success, including appearances on the legendary Mike Douglas Show, and as a nightclub hypnotist in Chicago's posh Cairo Supper Club.

In 1968 a group of young people took over a derelict trouser factory in a rundown part of Leeds and set about producing programmes that were to define the British television world of the late 20th century. These included the investigative documentary series First Tuesday, Darling Buds of May, Whickers World, Don't Ask Me, and Heartbeat. At the same time they attracted, indeed often created, stars of international fame such as James Mason, Catherine Zeta Jones, Alan Whicker, David Jason, Magnus Pike, and David Frost.

A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. Narrated by Tre'vell Anderson, WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation.

Chris Licht was a “killer” at his day job as the executive producer in charge of running MSNBC’s must-watch politics and morning news show Morning Joe. A thirty-eight-year-old control freak who thrived in the high-octane world of media, he had spent years sacrificing relationships with family and friends in the fiercely driven pursuit of his career. But that was before a brain aneurysm nearly killed him. Suddenly humbled, Chris is forced to recognize the richness of the life he nearly lost and to reckon with his family and career.

This is the story of Jerry Bryant, who has spent his life showcasing the biggest rock stars before anyone else could.

Two billion people worldwide watch YouTube. Yet its stars remain a mystery to much of the public and media. What is the secret of their appeal? How do they cope with being in front of the lens? And who is behind them? Wired journalist Chris Stokel-Walker reveals the answers in the first independent in-depth book on YouTube. For three years he has interviewed more than 100 figures connected with the world's biggest video-sharing website, including leading agents, managers and the YouTubers themselves.

In 2021, Texas Country Reporter celebrates its fiftieth season on the air. Broadcast every week on stations across Texas, it focuses on "ordinary people doing extraordinary things." In this memoir, Phillips tells his own story, from his early days as a reporter and his initial pitch for the show while a student at SMU to his ongoing work at the longest-running independently produced television show in American television history.

「テレビの裏でうごめく仕事」　テレビ局員が映しだす、業界の栄枯盛衰――枕営業ってありますか？　今、テレビ業界の闇、そしてテレビプロデューサーの裏の顔が世間の注目を集めている。私は20余年にわたりテレビ局に勤務してきた。どこからどこまでが「表の顔」で、どこからどこまでが「裏の顔」なのかももはや判然としない。

Most of us have no concept of what goes into creating a show, getting it on the air, and keeping it on. Perhaps we assume that the people in charge simply decide what amuses them at the moment, make those shows, stick them on, and wait to see if the public responds. Or maybe they just throw darts at a board? The truth, as with most things, is more complicated. In "Hello," Lied the Agent, Ian Gurvitz has produced a corrosively funny insider's look at what being a television writer is really all about.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

Who almost turned down his iconic role on The Sopranos because he could not sing? Did Katharine Hepburn really build the Uris building? How did a simple handshake with President Kennedy almost end in disaster? In his debut memoir, Too Funny for Words, Jerry Adler reveals all for the first time! In his career as a theater director, producer, and actor that has spanned over seventy years, Adler has certainly had his fair share of laughs, and is ready to take listeners on a reminiscent journey of Hollywood tales past.

Lisa Millar has spent her whole life showing up, getting things done and making things happen. Despite the risks, despite the fear, despite life getting in the way. As a child growing up in country Queensland, she had dreamed of a big life. Working as a foreign correspondent gave her that. But it also meant confronting the worst of what humanity can bring - the dead children at Sandy Hook, the sorrow of grieving relatives after the Bataclan theatre terrorist attack and the aftermath of Manchester. Three decades as a journalist witnessing grief and unspeakable tragedy had a cost.

John Scott has lived a varied life, but whether it's behind the scenes of a regional theatre, working on costumes for Hollywood movies such as Interview with a Vampire or Four Weddings and a Funeral or presenting TV shows like This Morning with Richard and Judy, his love of sewing and the humble needle and thread has run, like a rich seam, through everything he does.

Fran Drescher, iconic star and co-creator of The Nanny, shares her candid thoughts about the fall of Les Moonves, a surprising critique of her NBC show Indebted—and explains what she sees wrong with American “sick care.” Think you know Joan Collins? If your knowledge begins and ends with her run as Alexis Carrington on Dynasty in the Eighties, darling, you would be so very wrong. Emmy-winning actor, producer, and director Danny DeVito gets behind The Originals bar and serves up drink recipes, quarantine-friendly lymph system workouts, tips for not murdering co-star Jim Carrey, and more.

How does an ordinary-colored-girl get her own talk show in 1973 covering Southern New England? Not by being a good girl. She wasn't always bad, she'd tell you. It wasn't until she met "him". The him was one of TV's most powerful behind-the-scenes star makers. If I Make You a Star: A Trailblazing Black TV Journalist’s Me Too Story by Theresa Brown is about love and hate, power and compromise, colorism, betrayal, mental illness, and moral injury. It's an insider's story of grooming, success, and the consequences of complicity taking place in the late '60s.

In this hilarious, frank, and affecting autobiography Ned Sherrin looks back on his life and career with inimitable wit and a good deal of wisdom.

The purpose of this insider's account is to provide an answer to all these questions and more. Andrew Marr's brilliant, and brilliantly funny, book is a guide to those of us who read newspapers, or who listen to and watch news bulletins but want to know more. Andrew Marr tells the story of modern journalism through his own experience.

In Gotta Get Theroux This, Louis takes the reader on a joyous journey from his anxiety-prone childhood to his unexpectedly successful career. Nervously accepting the BBC’s offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in the weird worlds of paranoid US militias and secretive pro-wrestlers, get under the skin of celebrities like Max Clifford and Chris Eubank and tackle gang culture in San Quentin prison, all the time wondering whether the same qualities that make him good at documentaries might also make him bad at life.

A television producer and a pig farmer meet on a cruise, not knowing they will become business partners. Lisa marries the farmer with his million-dollar debt. The farm business collapses, and they explore other ventures, including becoming traveling carnies. Lisa and Keith's faith in God is the thread that binds them together despite failures. Facing setbacks with hope and determination, they rebuild their lives and eventually find success starting a window cleaning company.

世界で初めて電子式テレビジョン実験に成功した高柳健次郎は、ブラウン管に「イ」の字を映し出し、テレビ実用化の道を切り開きました。技術者たちとの研究を通じて学んだ「チーム研究」の重要性や「十年、二十年先に役立つ技術を目指せ」という恩師の言葉、テレビジョンの研究を決意したきっかけなどを高柳健次郎本人が語ります。〔NHK教育テレビ「私の自叙伝~テレビ事始め~」1980年3月13日放送より〕-高柳健次郎(たかやなぎ けんじろう) 1899(明治32)年、静岡県生まれ。1924(大正13)年、浜松高等工業学校(現・静岡大学工学部)助教授に就任。「無線遠視法」(テレビジョン)の研究を開始。1926(大正15)年、電子式テレビジョン実験に成功。戦後、日本ビクターに入社し、テレビジョンの技術革新に尽力。1990(平成2)年、91歳で死去。テレビの父と呼ばれた。