Theater Biographies

Growing up on a farm in Ohio, George always preferred being outdoors and exploring. This made school a challenge, but his hunting, fishing, and trapping skills helped put food on his family's table. As a poor teenager living in a rough area, he got into regular brawls, and he found holding down a job hard because of his wanderlust. After working out West with the CCC, he decided that joining the Marines offered him the opportunity for adventure plus three square meals a day; so he and his brother joined the Corps in 1941.

The abolitionist legacies of Orville Brown and his son, Spencer, live on in this historic and daring 19th-century account. Journeying apart from each other, but with similar passion, Orville and Spencer's stories span virtually every major abolitionist event: from the battles of Bleeding Kansas and the establishment of the free-soil movement to the river wars of Memphis, Vicksburg, and Shiloh. Listeners will follow Orville west as he strikes out for Kansas Territory to help ensure its entry as a free state.

Here, in his own words, is the true story of America's wildest flying hero, of his extraordinary heroism, and of his greatest battle of all-the fight to survive. The World War II air war in the Pacific needed tough men like Colonel Pappy Boyington and his Black Sheep Squadron. The legendary Marine Corps officer and his bunch of misfits, outcasts, and daredevils gave a new definition to "hell-raising" - on the ground and in the skies.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

Razzle Dazzle is a provocative, no-holds-barred narrative account of the people, money, and power that reinvented an iconic quarter of New York City, turning its gritty back alleys and sex shops into the glitzy, dazzling Great White Way - and bringing a crippled New York from the brink of bankruptcy to its glittering glory.

In 1974, director/producer Harold Prince released his first book, Contradictions: Notes on Twenty-Six Years in the Theatre. Although Contradictions has since attained cult status among producers, directors, and actors alike, Prince, in hindsight, believes he wasn't ready to publish such a tome at that point in his career. Although he doesn't regret that effort, he is at last prepared to conclude it. In Sense of Occasion, Prince returns to this seminal text, invigorating it with fresh insights cultivated through four decades of additional practice.

Born Joel David Katz to a wild and wooly Jewish American family in Cleveland, Ohio, in 1932, Joel Grey began his life in the theater at the age of nine, starting in children's theater and then moving to the main stage. He was hooked, and his seven-decades-long career charts the evolution of American entertainment - from Vaudeville performances with his father, Mickey Katz, to the seedy, gangster-filled nightclubs of the '40s.

Born in 1962, Alexandra Billings grew up in a decade in which being herself was illegal. When she started transitioning in 1980, the word “Transgender” didn’t exist. With no Trans role models and no path to follow, Alexandra did what her family, teachers, and even friends said was impossible: Alexandra forged ahead. Spanning five decades, from profound lows to exhilarating highs, This Time for Me captures the events of a pioneering life.

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time, bringing together his past with the present, thriving existence of his musicals.

From Broadway debuts to landmark productions. Score a front row seat to hear hundreds of stories about the most important stages in the world, seen through the eyes of the producers, actors, stage hands, writers, musicians, company managers, dressers, designers, directors, ushers, and door men who bring The Great White Way to life each night. You'll never look at Broadway the same way again.

George Arliss (1868-1946) was an actor, author, playwright, and filmmaker who decided to spend his retirement years during World War II in London, literally Ground-Zero for German bombers. He took care of his blind and seriously ill wife amidst nightly aerial assaults from Nazi planes, V-1 and V-2 rockets flying over their home. Throughout the bombardments, Arliss maintained a lively correspondence with his American friends who were safely located in the states. Now for the first time, the George Arliss wartime letters have been published and vividly echo the 21st century trauma endured by ...

Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

This is the riveting, brutally honest story of a man’s struggle to make something of himself in the theater. Coming from meager circumstances in the Ozark Mountains, he fights his way up the shaky ladder toward fame. He makes mistakes, goes down blind alleys, fails and succeeds, again and again. But he never quits.

As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer”. But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: He entered a packed movie theater and opened fire, killing 12 people and wounding 70; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: the crisis of mental health access.

Their names are iconic: Eugene O’Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius—the list goes on and on. Scorning the devastation that industrialization had wrought on the nation’s economy and workforce in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beachfronts of Cape Cod. John Taylor “Ike” Williams, who married into the Cape’s artistic world and has spent half a century with these luminaries, renders the lives and careers of a staggering generation.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

From Golda to Ginsburg, Yentl to Mama Rose, Tallulah to the Queen of Mean, Tovah Feldshuh has always played powerful women who aren't afraid to sit at the table with the big boys and rule their world. But offstage, Tovah struggled to fulfill the one role she never auditioned for: Lily Feldshuh's only daughter. Tovah shares the highs and lows of a remarkable career that has spanned five decades, and shares the lessons that she has learned, often the hard way, about how to live a life in the spotlight, strive for excellence, and still get along with your mother.