Theater Plays

This study of Hollywood's favorite "screwball" comedienne begins on the eve of her death. Following a successful war bonds tour, she awaits word in an Indianapolis hotel room to see if she's been successful in securing plane reservations for a flight back to Los Angeles. She's anxious to get home, because she suspects that her husband, Clark Gable, is cheating on her.

Mary Celestial is beautiful, full of vivacity, charm and sadness. She has been drifted away in her luck, pushed by the wind of time with its deceptive enchasings, once her parents both tragically died in a car accident; but the fate of this young woman takes an unexpected turn when she meets John Hope. The author resides in South Florida, United States. Among his writings are the literary novels ‘Adventures of Victorino Chang,’ ‘The Great Peacemaker from Hell’ and ‘The King Victorino.’ CONTENT: -Introduction. -First Act. -Second Act. -Third Act. -Fourth Act. -Fifth Act. -Sixth ...

Clara Blow is a one-woman play in two acts about the life and times of Clara Bow. The "It" Girl was the movies' first American sex goddess. The star of Wings, the first film to win the Best Picture Oscar, Clara Bow's unhappy life, in many ways, paralleled that of her successor, Marilyn Monroe. A longtime victim of insomnia, Ms. Bow lies awake on the morning of her estranged husband's funeral and painfully remembers the mentally ill mother who once tried to kill her; her career as the ultimate "flapper" her many nervous breakdowns; and affairs with the likes of Gary Cooper, Gilbert Roland, director Victor Fleming, and, as is said, the USC football team.

Dangerous Theatre records the activities of the various organizations of the Federal Theatre Project involved with fostering the writing and production of new plays during the FTP's existence (1935-39). It presents a comprehensive and thorough picture of how playwrights actually worked and how their work was received by general audiences and critics.

Sexy shemale Savannah’s second excursion to the adult cinema promises to be even more red-hot than the first. Determined to take her public futanari adventure to the next level, she once again ventures into the sensual interior of Aphrodite’s theater, renowned for its outrageous shemale scene. Once inside, dressed in an incredibly revealing outfit and filled with confidence following her first visit, Savannah initiates the hot, sexy TS action with a pair of young, black guys and pops her futa cherry whilst watching the incredibly erotic transsexual movie up on the screen. Explicit: ...

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

When a staged murder at a mystery dinner playhouse turns into a real poisoning death‚ recently retired detective Gabe Tremont is called back to solve the crime and discovers the playhouse director‚ the cast and a spy from a competing theater all have reasons to want the murdered man dead.

Michael B. Druxman’s one-person play, Ronald Reagan: Movie Star, joins the actor in 1949, when he has just lost a major film role to Errol Flynn. Indeed, not much in his life seems to be going well at this time. Divorced from actress Jane Wyman, his recent romance with Patricia Neal has also taken a wrong turn after she discovered Gary Cooper.

Среди книг западной беллетристики, изображающих жизнь театральных подмостков, Актриса - классическое произведение, может быть, лучшее, что написано в этой области. Эдмон де Гонкур дал в Актрисе своеобразное сочетание романа и исследования, сплетающихся, дополняющих друг друга и освещающих судьбу и творчество главной героини произведения, Жюльетты Фостэн, великой актрисы, вылепленной Гонкуром наподобие знаменитых трагических артисток французской сцены.

Mother Love is a one-act play that tells the story of the Moore family. A family comprised of three generations of African American women. This is a story about redemption and forgiveness. It's a story about the need to find one’s own voice and use it.

Star Daze: Working at the Bucks County Playhouse in the 1970s is a series of memory sketches drawn from the experiences of a parking lot attendant and wannabe writer with famous actors and actresses at the Bucks County Playhouse in New Hope, Pennsylvania. It takes place in the wild times of the early 1970s, when love was free and anything could and did happen. With the star system in place at the playhouse, a succession of luminaries from Hollywood, Broadway and television trekked to New Hope to perform and fall into experiences with the bumbling wannabe writer and parking lot attendant, ...

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness. After five decades of chronicling the blunders, mishaps and messes that he and his fellow Australians got themselves into, Williamson has penned his long-awaited memoir, Home Truths. It reveals the story of the man behind the work

The definitive memoir of David Williamson, author of iconic dramas such as The Removalists, The Club, Don's Party, Emerald City and Travelling North, as well as more than fifty other plays, explores the life of the writer and the true stories and real lives that inspired his works. A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness. After five decades of chronicling the blunders, mishaps and messes that he and his fellow Australians got themselves into, Williamson has penned his long-awaited memoir.

Never done Shakespeare before? Wondering what's in store? This brief guide gives an overview of acting in Shakespeare's plays. It covers traditions, the use, or non-use, of accents, hints on characterization, learning to speak in iambic pentameter, and so forth. This audiobook includes a bonus chapter of Shakespearean content not found in the e-book.

Prince Hal leaves the company of the knave Falstaff and his revelers in order to command his father's troops and fight the rebels at the Battle of Shrewsbury.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

Four metaphysical One Act Comedies for your reading pleasure and reflection. They are also easy to produce, small cast, minimal set. These plays have been staged and enthusiastically received by audiences. Small on production cost, big on creativity, energy, laughs, and insights on the human condition. The book includes: "The Amazing Invention" "The Final Moment" "The Archangel's Voyage" "Madman at the Wishing Well"

Clifton Webb was one of those rare motion picture actors who became a major box-office star when he was in his mid-50s. Indeed, his first sound movie was Laura (1944), and his role as Waldo Lydecker in that classic film noir earned him the first of three Oscar nominations. Four years later, Clifton Webb became a household name when he played Lynn Belvedere and poured a bowl of mush onto a baby's head in Sitting Pretty.

A play is about to start when the end of the world begins. A vain actor, a wise custodian, and a mysterious old man are left on the quiet stage to reflect on the meaning of it all. A One Act comedy in the style of the Theater of the Absurd designed to entertain, challenge, and inspire an audience.