Tudor History

1539. Anne of Cleves wins the dangerous prize of becoming Henry VIII’s fourth wife. From the start, Anne’s royal blood, education and fierce intelligence count for nothing as the king pursues young Katherine Howard. Katherine is a pawn in the political manoeuvres of her ambitious family; unprepared for the dangers that await, she steps into their trap. At her side is kinswoman Jane Boleyn, who has served - and betrayed - one queen already: her sister-in-law Anne, who died on Henry’s scaffold. Will Jane betray a second queen to the headsman?

Anne Boleyn has mesmerised the English public for centuries. Her tragic execution, orchestrated by her own husband, never ceases to intrigue. How did this courtier's daughter become the queen of England, and what was it that really tore apart this illustrious marriage, making her the whore of England, an abandoned woman executed on the scaffold? While many stories of Anne Boleyn's downfall have been told, few have truly traced the origins of her tragic fate.

Today, roses are a sign of love and luxury, but for over 30 years they provided the symbols for two houses at war for control of England. Thousands of people died and many more were injured fighting beneath the white rose of York and the red rose of Lancaster, and the noble families ruling England tore each other apart in a struggle that was as bitter as it was bloody.

Begun in 1292, the royal chapel of St Stephen was the crowning glory of the old palace of Westminster – a place of worship for kings and a showcase of the finest architecture, ritual and music the Plantagenets could muster. But in 1548, as the Protestant Reformation reached its height, St Stephen's was given a new purpose as the House of Commons. Burned out in the great palace fire of 1834, the Commons chamber was then recreated on a remarkably similar medieval design, perpetuating a way of doing politics that is recognisable to this day.

This second volume of the history of Tudor Yorkshire is a detailed study of the county from1558 to 1603, during the reign of Queen Elizabeth I. Elizabeth never visited Yorkshire but had she done so, she would have found a vibrant, young society, searching for its religious values yet determined to enjoy itself. Life was lived at the local level for all but the privileged few, yet Yorkshire contributed fully, and often uniquely, to the nation’s wealth and defence. The book is a fascinating insight to the county in Elizabethan times and a resource for the local historian of England’s ...

John Rushton's book is a study of Yorkshire from 1485 to 1558. The early Tudors found Yorkshire a troublesome county, but drew forces from the shire to frequently campaign against a no less troublesome Scotland.Daily life for most was more ordinary and less changeful than for the nobility and the emerging middle classes.

Part literary mystery, part an examination of what constitutes fiction versus reality, "Ghostwriter" is based on the true story of author Lawrence Wells, then 45, hired by the University of Mississippi in 1987 to ghostwrite a novel for a wealthy, eccentric donor (“Mrs. F,” then 75), who was convinced that Edward de Vere, 17th Earl of Oxford, was William Shakespeare.

Join historian Suzannah Lipscomb as she reveals the hidden secrets of palaces, castles, theatres and abbeys to uncover the stories of Tudor England. From the famous palace at Hampton Court where dangerous court intrigue was rife, to less well-known houses, such as Anne Boleyn's childhood home at Hever Castle or Tutbury Castle, where Mary Queen of Scots was imprisoned, follow in the footsteps of the Tudors in the places that they knew.

For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns and antidotes tested on condemned prisoners. The Royal Art of Poison is a hugely entertaining work of popular history that traces the use of poison as a political - and cosmetic - tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today.

The idea of a powerful woman in the Middle Ages seems like an oxymoron. Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be either docile queens, housewives, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages.

The Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humors and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind.

Regal and dazzlingly beautiful, Mary Stuarts succumbed to the irresistible impulses of passion and gambled away her throne for love in a deadly game of power against her envious cousin, Elizabeth I. She not only lost her kingdom, but also her life. Betrayed by those she trusted most, pampered and adored even as she was led to her own beheading, she remained an enigma five centuries after her death.

Timothy Venning's series of alternative histories explores the pathways of British events from the Anglo-Saxon Age to the English Civil War. In this volume, he presents an in-depth analysis of the Tudor period. Venning discusses the fateful moments at which history could easily have taken a different turn. In a fascinating series of "what if" scenarios, Venning presents a detailed look at the possible and likely results. While speculative, the scenarios are all plausible and rooted in a firm understanding of actually events and their context.

Spanish Netherlands, 1620s: raised by her father Lucas to know her mind, Antonia Vorsterman sees everything that goes on in her world—all the rivalries and jealousies that course through the artists' studios and workshops of Antwerp. Drawn into the lively household of the artist Peter Paul Rubens, whose work her father engraves for a living, Antonia begins to see a life of colour and possibility for herself—until Lucas entrusts her with a terrible secret that will alter the course of their family's future.

The monarchs of the Tudor period are among some of the most well-known figures in British history. John Guy presents a compelling and fascinating exploration of the Tudors in the new edition of this Very Short Introduction audiobook.

The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises-and for these "adventurers" the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company's way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success.

As Maureen Quilligan wrote in The New York Times Book Review of The First Elizabeth, Anne Boleyn "was a real victim of the sexual scandals her brilliant daughter escaped, and a subject Ms. Erickson's sensitivity to sexual and political nuance should well serve." Indeed, Carolly Erickson could have chosen no more fascinating and appropriate a subject. Alluring and profoundly enigmatic, Anne Boleyn has eluded the grasp of historians for centuries.

The Later Tudors is a fascinating period of study, and who better to lead us through the series than Oxford Historian Dr Glyn Redworth, an early modern history specialist, and Chief History A Level Examiner Nick Fellows? This audio guide provides all the detail required for those taking the Later Tudors for History A Level, with Glyn Redworth providing academic insights across some of the key topics required.