Tudor Women

When a teenage girl goes missing, Nicola Miller fears for her own daughter. Not for Abby's mental health or safety, but that she might have had something to do with it. She worries her daughter is a killer. Just like her. Nicola has never told the truth about what happened with Abby's father. But now as the search for Cara continues, Nicola, risks her secret coming to light. And she's not the only one with something to hide. Her mother, Joyce, and her daughter also have secrets of their own.

A refugee from a bad marriage, Grace has been single for 20 years and isn't looking to hook up with a man who at first reminds her too much of her ex-husband. But working together week after week, she soon finds herself playing out erotic scenes in her mind - with Ben as the star. The problem is her imagination only leaves her longing for the man himself.

It's 1527 and Hans Holbein is welcomed as a guest at the splendid Chelsea home of Sir Thomas More to paint the family portrait. Unknown to them, it is the dawn of a tumultuous time in English history, affecting the family as well as Tudor society. Meg Griggs, a foster daughter of More, attracts the attention of two people, one of them being Holbein. She marries one - but loves the other.

For centuries, the most beautiful, able and aristocratic women in England competed for positions at court. Some who came to serve were remarkable for their learning and exemplary virtue, but others were notable for promiscuity and lack of scruple, drawn to court by a lust for money and power. Several ladies-in-waiting became royal mistresses, showing few qualms about betraying the queen consorts they ostensibly served.