Victorian Ghost

Australia, 1857. Life is brutal on the goldfields of Castlemaine. With death around every corner, people are all too willing to believe in ghosts and embrace the spiritualism movement finding its way across the seas. For Lucy Earnshaw and her husband Tom, their arrival in Australia is marred by unimaginable grief. In the wake of her loss, and amid a failing marriage, Lucy is drawn into the world of spiritualism and theater—and into the path of dashing young playwright, Will Browning. Lucy’s new obsession leads her into the dark underbelly of the goldfields.

A Wild Ghost Chase Queen Victoria orders the premiere phantom hunter, Sexton Dukenfield, to track down England’s missing ghosts. On the job, Sexton stumbles into Ceridwen, a phantom Celtic warrior woman. Not only does Sexton find her intriguing as a clue to the missing spirits, her sultry beauty haunts him as well. Though they both burn with desire, it’s difficult to quench their fiery passion. Since Ceridwen is so translucent. On a mission through the bustling narrow streets of London, to a dreary match factory, and to the Otherworld and back to stop a genius scientist and his phantasm...

Mary is born into the chilling darkness of the workhouse. To cope with the harsh and hostile environment, she develops inexplicable abilities. At night laying in the coffin-like bed, it is normal for her to hear the creaking floorboards, to see sinister spirits hiding in the shadows, vengeful phantoms, and demons. As a young adult Mary once again finds herself down on her luck and is forced to reenter this most dreaded of places but this time she is accompanied by her two children.

The Victorian era is remembered for many things, but one of the fondest is the wide and varied array of short ghostly, suspenseful tales...often enjoyed around the fireside at Christmastime. In this new anthology, Billie Fulford-Brown performs four of the very best, all written by incredibly talented but oft-times overlooked or forgotten female authors.

Mary hoping to leave the hardships and loneliness of her past behind embarks on a new life running a bar in a remote Australian town. The occupants are all driven by fear, striving to survive both mentally and physically in the harsh environment. She dreams of returning to England but that would require a small fortune. After a period of success, the news of a gold strike leaves the town and farms deserted except for old women and teetotallers. Mary’s business is in danger of collapse and what’s worse her son William has disappeared also overcome with gold fever.

How do you know if you’ve seen a ghost? Maybe you’ll never know. But an American couple seeking an idyllic retirement in and English country house do find out...eventually. Afterward is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Mrs Wood is London’s premier medium. She has survived the competitive world of contacting the beyond where many others have failed, has avoided the slips that revealed others as frauds and hosts packed-out séances with the great and the good of Victorian society. Yet, some of her patrons have recently cancelled their appointments. There are reports of American mediums materialising full spirits and audiences are no longer content with knocking on tables and candle theatrics. Then, at one of Mrs Wood’s gatherings, she hears something terrifying – faint, but unmistakable: a yawn.

It’s 1888, and the sordid Bowery District of New York City is a lonely and dangerous place for any young woman to live, especially one who can see ghosts. An impoverished Irish seamstress, Maggie O'Connor, wishes that the otherworldly entities would leave her alone to concentrate on her worldly ambitions: putting food on the table and buying her own dress shop one day, but the quirky ghosts have other plans.

Extracts from a diary report first-hand the uncovering of a tomb and the nightly wanderings of the vampire previously encased within. Attempts to lay her to rest are about as successful as you might expect.... The Tomb of Sarah is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Daniel, a young man and son of the late bailiff with rather superior ways of a gentleman but no money to back them up, becomes involved in a love triangle. Engaged to Maria, a plain-looking girl but with proper manners, Daniel begins stepping out on the sly with a pretty young woman from France called Harriet (really Henriette, but a name too difficult for the villagers to remember). Maria decides to have it out with him, so she follows him one night.

A young man’s inheritance includes more than a house when an ebony-framed painting of a beautiful woman starts to exert a strange hold over its new owner. Could this lead to his tragic demise?

Whatever you do, don't go on to the beaches at dusk, or the Sand-Walker will come to your window at night. Such is the sinister warning given to the new lodger at the Beach Farm, a lonely house on the North Sea coast of England. But who, or what, is the Sand-Walker?

The Poet, The Guardian, and The Ghost In The Poet, The Guardian, and The Ghost, journey to Richmond, Virginia, in 1849, where Edgar Allan Poe stands at the brink of triumph and collapse. At the height of his poetic powers, Poe is haunted by lost love and a looming future. Under Richmond's moonlit cemetery, reality blurs with the supernatural, and Poe’s fate becomes intertwined with beings who refuse to let him succumb to despair. A peculiar leprechaun stands vigil over Poe, an exiled creature driven by curiosity. Neither entirely benevolent nor wholly sinister, he is bound to Poe, ...

'The Water Ghost of Harrowby Hall' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. His classic story ‘Whistle and I’ll Come to You My Lad’ exquisitely reveals how a young professor on holiday chances on a buried whistle and folklore becomes terrifying fact.

John makes up his mind to marry May Forster, the prettiest young woman in the village. After John asks her to marry him several times, May finally agrees. John says that his love for May is so great that he would come back from the dead if that was what she wanted him to do. Two days before his wedding, John leaves to visit his seriously ill godfather. May begs him not to go because she has a feeling that something bad will happen. John reassures her that nothing will prevent him from arriving at his wedding on time.

Captain Stuart Monroe returns home from the Revolutionary War to find Thornton Hall threatened by a peacetime foe: debt. He knows the location of a treasure amassed to pay for the capture of Benedict Arnold that would restore his manor to its former glory. The catch: It's hidden in the graveyard and coveted by old enemies. Hettie Fairfax inherited the Sight from her Cherokee ancestors, and her otherworldly visitors warn her, and Stuart, away from the buried treasure. Half-dead from fever, she delivers a message: The treasure is cursed.

An old man lives in a Victorian house alone. Or so he thinks. When he visits his basement, he is literally haunted by his past.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

In this well-known classic, a school inspector travelling to the village of Pit End wonders whether the things he’s seeing are products of his imagination or something supernatural. There’s a rational answer, but is it the right one? Was It an Illusion is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.