World Art History

Leading Australian journalist John Lyons takes readers on a fascinating personal journey through the wonders and dangers of the Middle East. In this updated edition, Lyons draws from his years living in Jerusalem to give context to the devastating war between Israel and Palestinians in Gaza and gives listeners a behind-the-scenes look at the Israeli occupation of the West Bank.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Laura Kasinof studied Arabic in college and moved to Yemen a few years later - after a friend at a late-night party in Washington, DC, recommended the country as a good place to work as a freelance journalist. When she first moved to Sanaa in 2009, she was the only American reporter based in the country. She quickly fell in love with Yemen’s people and culture, in addition to finding herself the star of a local TV soap opera.

A collector of strange machines. An enthusiast of skiing and sweets. A world famous fantasy writer who kept many secrets, even from his own family. What did he do with the unsuccessful versions of his books? What did he do to anger Philip K. Dick? How did he survive three occupations of Lviv? In a word: Stanisław Lem's life was out of this world. It's a story full of unexpected twists of fate, funny anecdotes, tragic events, small secrets, and big mysteries. It's the first Polish biography of Stanisław Lem, written by another science fiction writer, Wojciech Orliński.

Pandemic, climate change, or war: Our era is ripe with the odor of doomsday. In movies, books, and more, our imaginations run wild with visions of dreadful, abandoned cities and returning to the land in a desperate attempt at survival. In The Next Apocalypse, archaeologist Chris Begley argues that we completely misunderstand how disaster works. Examining past collapses of civilizations, such as the Maya and Rome, he argues that these breakdowns are actually less about cataclysmic destruction than they are about long processes of change.

The Diary of Samuel Pepys is perhaps the most well known collection of reminiscences. He maintained it, in secrecy, from 1660, the year of the Restoration, until 1669 when fear of blindness prevented his daily labours. Though it covers less than a decade, it offers a lively and detailed insight into a period and a personality, for he noted events in both public and private life. Famous passages include descriptions of The Plague and the Great Fire of London.

Bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama—where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form.

In Detestable and Wicked Arts, Paul B. Moyer places early New England's battle against black magic in a transatlantic perspective. Moyer provides an accessible and comprehensive examination of witch prosecutions in the Puritan colonies that discusses how their English inhabitants understood the crime of witchcraft, why some people ran a greater risk of being accused of occult misdeeds, and how gender intersected with witch-hunting.

Samuel Pepys's meticulous chronicles of life in 17th-century England are an exacting record of a unique historical era. Pepys lived through one of the most colorful periods of British history. He witnessed - and recorded detailed accounts of - the execution of Charles I, a civil war, the Restoration, a plague, and the Great Fire of London. His entries also record the minutiae of everyday life - scandals, intrigues, infidelities and vulgarities - presenting a comprehensive portrait of a fascinating era.

Military commanders turn tactics into strategic victory by means of "operational art", the knowledge and creative imagination commanders and staff employ in designing, synchronizing, and conducting battles and major operations to achieve strategic goals. He shows that, contrary to conventional wisdom, US war colleges educated and trained commanders during the interwar years specifically for the operational art they employed in World War II.

The legendary Pablo Picasso once paid a visit to the legendary Altamira Caves, located near the town of Santillana del Mar in Cantabria, Spain. There, he viewed the ancient cave paintings, deemed to be among the most sophisticated examples in the world. He summarized the visit by saying, “After Altamira, all is decadence,”[1] suggesting a purity in early man that modern people have apparently lost. Other lesser-known artists, psychologists and various scientists have dismissed even the best of the Paleolithic cave painters.

Hans Memling, a painter from Flanders, is the holder of an unfortunate record. He painted a triptych, The Last Judgment, commissioned by Medici banker Angelo Tani. The paintings were intended for a new chapel in Fiesole in Tuscany, near the city of Florence. However, in April 1472, the ship on which they were being transported from Bruges to Florence was intercepted by Polish privateer and Danzig Town Council leader Paul Beneke.

"A diamond is forever." Who among us doesn't recognize this slogan and, with it, the fascination that diamonds hold in our collective imagination as emblems of royalty, glamor, and eternal love? Rachelle Bergstein's cultural biography illuminates the enticing, often surprising story of our society's enduring obsession with diamonds - and the people who have worked tirelessly to ensure their continued allure.

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past 50 years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.

The riveting story of China's rise from economic ruin to global giant in the four decades is illuminated by another, equally fascinating, narrative beneath its surface - the story of the country's emerging artistic avant-garde and the Chinese people's ongoing struggle for freedom of expression. By following the stories of nine contemporary Chinese artists, The Phoenix Years shows how China's rise unleashed creativity, thwarted hopes, and sparked tensions between the individual and the state that continue to this day.

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636 - 37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject.

Driven by different motives, Robert Moses and Francis Cardinal Spellman had the same vision: to display Michelangelo's masterpiece, the Pietà, in the Vatican's pavilion at the 1964 World's Fair in New York City.

In Broadcast Hysteria, A. Brad Schwartz examines the history behind the infamous radio play. Did it really spawn a wave of mass hysteria? Schwartz is the first to examine the hundreds of letters sent directly to Orson Welles after the broadcast. He draws upon them, and hundreds more sent to the FCC, to recapture the roiling emotions of a bygone era, and his findings challenge conventional wisdom. Relatively few listeners believed an actual attack was underway.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

"Diamond Is Fragile was one of my favorite books from my late grandfather's library. Much to my surprise (and dismay) it was only published once in the former Soviet Union approximately 50 years ago and (to the best of my knowledge) has never been published abroad. I was inspired to translate Diamond Is Fragile into English by my father-in-law - Thom Seymour, Sr. - due to his passion for geology and history (topics amply covered in the book). I hope that other English-speaking readers who are interested in these disciplines will enjoy it as well." (Maria K., translator)