World Art History

Alexander the Great endures as one of the most admired and emulated leaders in world history. In our time, his example of unprecedented and unparalleled success has inspired leaders of business and government, from media mogul Ted Turner (who keeps a bronze bust of Alexander in his office) to Desert Storm commander General Norman Schwarzkopf (who credits Alexander's tactical innovations for his dramatic flanking maneuver against the Iraqi army in the liberation of Kuwait).

The goals of the budo - the martial arts and ways of Japan - lie in refining the body and spirit. These goals are not always the obvious ones - and are learned only through the guidance and direction of great teachers. The techniques, methods, and rituals of the sensei can serve as guides to a well-lived life - and provide invaluable lessons for today's martial artists.

Late one afternoon in the winter of 2003, art critic Richard Dorment answered a telephone call from a stranger. The caller was Joe Simon, an American film producer and art collector. He was ringing at the suggestion of David Hockney, his neighbor in Malibu. A committee of experts called the Andy Warhol Art Authentication Board had declared the two Warhols in his collection to be fake. He wanted to know why and thought Dorment could help.

At the core of this ancient strategy manual is the understanding that conflict is an inescapable part of human life. Since, as Sun Tzu teaches, aggression and response in kind can lead only to destruction, we must learn to work with conflict in a more profound and effective way. Crucial to this strategic vision is knowledge - especially self-knowledge - and a view of the whole that seeks to bring conflicting views into a larger perspective.

Joe Gould, a madman, believed he was the most brilliant historian of the 20th century. So did some of his friends, a group of modernist writers and artists that included E. E. Cummings, Marianne Moore, William Carlos Williams, John Dos Passos, and Ezra Pound. Gould began his life's work before the First World War, announcing that he intended to write down nearly everything anyone ever said to him. "I am trying to preserve as much detail as I can about the normal life of everyday people," he explained, because "as a rule, history does not deal with such small fry."

Discover richly written insights into the locations, characters and adventures featured in the hundreds of episodes across Critical Role's two campaigns, Vox Machina and the Mighty Nein. Go behind the scenes with exclusive interviews with Dungeon Master Matt Mercer and the entire Critical Role cast as they explore their characters' most triumphant moments and darkest hours. And celebrate the massive community of Critters who support and expand the show's world through a highlighted tour of the crafts, cosplay and art they create every day.

It’s Victorian London. China Town A crisis is about to explode. Ghosts are marauding the merchants. Merchants are being murdered in ghastly ways. But only certain items are being stolen. Why? And what need to ghosts have of physical Things? None of it makes sense. Detective Dee is asked to help solve this growing Puzzle and trend of violence. But how do you stop marauders who Are not ghosts, and yet can materialize And vanish like one?

In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life.

We all get dressed. But how often do we pause to think about the place of clothes in our world? What unconscious thoughts do we express when we dress every day? Can a philosophy of living be wrapped up in a winter coat? Can we see a handbag not just as an object, but as an idea? Dressed is the thinking person’s book about clothes. Ranging freely from suits to shoes, from Marx’s coat to Madame X’s gown, philosopher Shahidha Bari unveils the hidden power of what we wear, addressing the deepest questions of who we are and how we choose to face the world.

In February 1943, a group of journalists - including a young wire service correspondent named Walter Cronkite and cub reporter Andy Rooney - clamored to fly along on a bombing raid over Nazi Germany. Seven of the 64 bombers that attacked a U-boat base that day never made it back to England. A fellow survivor, Homer Bigart of the New York Herald Tribune, asked Cronkite if he’d thought through a lede. "I think I’m going to say," mused Cronkite, “that I’ve just returned from an assignment to hell."

Pandemic, climate change, or war: Our era is ripe with the odor of doomsday. In movies, books, and more, our imaginations run wild with visions of dreadful, abandoned cities and returning to the land in a desperate attempt at survival. In The Next Apocalypse, archaeologist Chris Begley argues that we completely misunderstand how disaster works. Examining past collapses of civilizations, such as the Maya and Rome, he argues that these breakdowns are actually less about cataclysmic destruction than they are about long processes of change.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

Thirty thousand years ago our prehistoric ancestors painted perfect images of animals on walls of tortuous caves, most often without any light. How was this possible? Scholars and archaeologists have for centuries pored over these works of art, speculating and hoping to come away with the key to the mystery. David and Lefrre give us a new understanding of an art lost in time, revealing what had until recently remained unexplainable - the oldest enigma in humanity has been solved.

A collector of strange machines. An enthusiast of skiing and sweets. A world famous fantasy writer who kept many secrets, even from his own family. What did he do with the unsuccessful versions of his books? What did he do to anger Philip K. Dick? How did he survive three occupations of Lviv? In a word: Stanisław Lem's life was out of this world. It's a story full of unexpected twists of fate, funny anecdotes, tragic events, small secrets, and big mysteries. It's the first Polish biography of Stanisław Lem, written by another science fiction writer, Wojciech Orliński.

From a distinctive, inimitable voice, a wickedly funny and fascinating romp through the strange and often contradictory history of Western parenting.

The terror of the coming of the Martians is all but a distant memory, a bad dream that has faded with time. All George wants is a quiet suburban life – but at breakfast one morning his newspaper reports the shocking discovery of a Martian cylinder, found intact and unopened, and carefully transported to London. Could it be from the first alien invasion and are Martians still alive inside after more than ten years?

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Leading Australian journalist John Lyons takes readers on a fascinating personal journey through the wonders and dangers of the Middle East. In this updated edition, Lyons draws from his years living in Jerusalem to give context to the devastating war between Israel and Palestinians in Gaza and gives listeners a behind-the-scenes look at the Israeli occupation of the West Bank.

Bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama—where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form.

The book reveals the creative and innovative discoveries made as a result of in depth research, and years of Graduate studies, beginning at the Villa Schifanoia, and Villa I Tatti on Renaissance Art in Florence, Italy. The Metropolitan Museum of Art in New York City with Maria Theresa Duncan and La Bibliothèque Château de Versailles. The Renaissance Culture known as Humanistic, Humanitus, as depicted in the Sculpting and Paintings of Michelangelo, Sandro Boticelli, Raphael, Da Vinci and others. Man was in balance with the Greater Universe, Art and Architecture.