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Inspector Montalbano rises one morning to find the carcass of a horse on the beach in front of his seaside home. But no sooner do his men arrive than the body has mysteriously vanished, leaving only a track in the sand. Before long Rachele, a beguiling equestrian champion, turns up at police headquarters to report her horse missing. The horse had been stabled at the grounds of a certain Saverio Lo Duca, one of the richest men in Sicily. Lo Duca has lost one of his own horses, too. Montalbano, his curiosity piqued, investigates....

Montalbano's gruesome discovery of a naked young woman suffocated in her bed immediately sets him on a search for her killer. Among the suspects are her aging husband, a famous doctor; a shy admirer, now disappeared; an antiques-dealing lover from Bologna; and the victim's friend Anna, whose charms Montalbano cannot help but appreciate. But it is a mysterious, reclusive violinist who holds the key to this murder....

Maybe a phrase, a line, a hint somewhere would reveal a reason, any reason, for the elderly couple's disappearance. They'd saved everything.... There was even a copy of the 'certificate of living existence', that nadir of bureaucratic imbecility.... What was the protocol, to use a word dear to government offices? Did one simply write on a sheet of paper something like 'I, the undersigned, Salvo Montalbano, hereby declare myself to be in existence', sign it, and turn it in to the appointed clerk?

A chance encounter with a strange young woman leads Inspector Montalbano to Vigàta harbour - and into a puzzling new mystery. The crew of a mysterious yacht - the Vanna - due to dock in the area have discovered a corpse floating in the water, the dead man's face badly disfigured. It isn't long before Montalbano begins to become suspicious of the Vanna's inhabitants. Who is the yacht's owner, the glamorous and short-tempered Livia Giovannini? How has she accrued her riches? And why does she spend so much time at sea?

When a crazed elderly man and his sister begin firing bullets from their balcony down onto the Vigàta street below, Inspector Montalbano finds himself a reluctant television hero. A few days later, when a letter arrives containing a mysterious riddle, the Inspector becomes drawn into a perplexing treasure hunt set by an anonymous challenger. As the hunt intensifies, Montalbano is relieved to be offered the assistance of Arturo Pennisi, a young man eager to witness the detective's investigative skills firsthand.

In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police - on the lookout for the people smugglers responsible - and long night shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed - unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead....

Chief Inspector Montalbano is on enforced sick leave. But when a local girl goes mysteriously missing, the whole community takes an interest in the case. Why are the kidnappers so sure that the girl's impoverished father and dying mother will be able to find a fortune? The ever-inquisitive Montalbano steps in, to get to the heart of the matter in his own inimitable style.

Things are not going well for Inspector Montalbano. His long-distance relationship with Livia is on the rocks, he feels himself getting even older and he's growing tired of the violence in his job. Then the dead body of a young woman is found in an illegal dump, with half her face missing. Her identity at first is unknown; a tattoo of a sphinx moth on her left shoulder links her with three other girls bearing the same mark, all recent Russian immigrants to Italy.

Motionless, Montalbano waited for the surf to enter his brain and wash it clean with each breaker. At last the first light wave came like a caress, swiiissshhh, and carried away, glugluglug, Elena Sclafani and her beauty while Michela Pardo's tits, belly, arched body and eyes likewise disappeared. Once Montalbano the man was erased, all that should remain was Inspector Montalbano - a kind of abstract function of the person who was supposed to solve the case and nothing more, with no personal feelings involved.

After a hectic morning involving two rather irritating cases of mistaken identity, Inspector Montalbano finally arrives in his office ready find out what's troubling Vigàta this week. What he discovers is unnerving. A woman on her way home from work has been held up at gunpoint, chloroformed and kidnapped, but then released just hours later - unharmed and with all her possessions - into the open countryside. Later that day, Montalbano hears from Enzo, the owner of his favourite restaurant, that his niece has recently been the victim of the exact same crime.

He began swimming in slow, broad strokes. The sea smelled harsh, stinging his nostrils like champagne, and he nearly got drunk on it.... In a fraction of a second, Montalbano realized he'd struck a human foot. Somebody else was floating right beside him, and he hadn't noticed. 'Excuse me,' he said hastily, flipping back onto his belly and looking over at the other. The person beside him didn't answer, because he wasn't doing the dead man's float. He was actually dead.

When an angry octogenarian holds a terrified and lovelorn secretary at gunpoint, Inspector Montalbano is reluctantly drawn into the case. The secretary's boss, a financial advisor, has vanished along with several billion lire entrusted to him by the good citizens of Vigàta. Also missing is the advisor's young colleague, whose uncle just happens to be building a house on the site of Inspector Montalbano's very favourite olive tree....

The lazy, slow month of August at the height of the Sicilian summer is, Inspector Montalbano assures his girlfriend, Livia, as they prepare for a relaxing holiday in a villa he has found for them, far too hot for any murders to be committed. But when Livia's friends' young son goes missing, a chain of events is sparked which will certainly ruin the Chief Inspector's pleasant interlude. A secret apartment and a grisly find in an old trunk are just the beginning as Montalbano navigates his way though the case and copes with the heat.

Feeling his age as his birthday rolls round once again, Inspector Montalbano decides to cheer himself up by dealing with a young driver's road rage in his own unique way. But his joy is short-lived, as at police headquarters he receives an angry phone call from a supermarket boss; there's been a robbery at his store, and Montalbano's colleague is treating him as a suspect. On arrival at the scene, Montalbano quickly agrees with Inspector Augello that this was no ordinary break-in.

While Vigàta is wracked by storms, Inspector Montalbano is called to attend the discovery of a dismembered body in a field of clay. Bearing all the marks of an execution-style killing, it seems clear that this is, once again, the work of the notorious local Mafia. But who is the victim? Why was the body divided into 30 pieces? And what is the significance of the Potter's field?

Adele and Jason are childhood sweethearts. Their wedding day on the sunny Australian coast is a chance to reunite and celebrate with friends and family. But Adele isn’t telling the truth about her relationship. And some of the bridal party – still reeling from a tragic death in the group a decade before – hold secrets of their own.

As a prosecutor in the Scottish Highlands, Rachel is no stranger to death. But when a body is found in a local cemetery, she’s confronted by a case that hits far too close to home. The victim is connected to an investigation Rachel’s mother was involved in before her own mysterious disappearance years ago. And Rachel is seized by hope that she might finally discover the truth. Desperate for more clues, Rachel enlists the help of determined detective constable Selena MacDonald, but soon the trail runs cold.

PARIS, CHRISTMAS 2021. After a heart attack, Mathias Taillefer wakes up in the hospital with a stranger at his bedside. The mysterious girl reveals herself to be Louise Collange, a volunteer who has come to play the cello for patients. When she finds out that Mathias is a cop, she asks him to look into a very special case. Her mother, a former ballerina at the Paris Opera Ballet, died last year after falling from her balcony, and Louise has a hunch she was pushed. Though hesitant at first, Mathias agrees to help her, sending them both headfirst into a deadly chain of events.