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THE EARLY 2000s conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all. The internet had arrived, and technology was shiny and fun. For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999, we are still living in the shadows of the Y2K Era.

In White, with the same originality displayed in his fiction, Ellis pours himself out and, in doing so, eviscerates the perceived good that the social media age has wrought, starting with the dangerous cult of likability. White is both a denunciation of censorship, particularly the self-inflicted sort committed in hopes of being 'accepted', and a bracing view of a life devoted to authenticity. Provocative, incisive, funny and surprisingly poignant, White reveals not only what is visible on the glittering, pristine surface but also the riotous truths that are hidden underneath.

In the rapidly evolving digital age, the pursuit of truth has become a high-stakes game of hide-and-seek. As misinformation and disinformation percolate through the vast networks of social media, the line between fact and fiction seems increasingly blurred. At the heart of this tumultuous landscape is a paradox: Social media platforms, designed to facilitate free expression and global connectivity, have become both the guardians of information and the gateways to a labyrinth of falsehoods. "Who Decides What's True?" is a deep dive into these complex, interconnected issues. In this book, ...