Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Stockholm 1954. While investigating the murder of a little girl from the old house at Valley Street 14, the police officer himself is murdered. The case is never solved. In 2017 there is a similar murder in the same place. This time though, PI Jessica Bolton gets involved in the case. But the investigation gets complicated and soon it becomes clear that the old house harbours dark secrets from the beginning of the twentieth century.

Things have been difficult for Annie since her husband left; her teenage daughter, Isla, has become a ghost of her former self. Annie's terrified that Isla might hurt herself, and she'll lose her, too. So when Annie receives a video of herself crying at Isla's funeral, she's immediately sick to her stomach. Confused and horrified, Annie races upstairs to check on Isla, who is perfectly alive and well. The video has been faked. But who sent it and what do they want?

1940: When twenty-one-year-old Nita Bineham is offered the chance of independence, away from the high walls of her family’s Surrey estate, she grasps it with both hands. But her new role at a local newspaper coincides with the emergence of a sinister rumour in their quiet village: that there is a traitor in their midst. Nita is determined to prove herself by uncovering the truth, but is she prepared for revelations that could change her life forever?

When a mysterious book arrives on his doorstep a year after his mother’s death, Aaron finds himself drawn into a past he thought he’d left behind. Within its pages, his mother’s hidden memories surface—revealing long-buried secrets and painful truths about his family. As he delves deeper, Aaron uncovers shocking details about his estranged father’s past, including a crime his mother witnessed when he was just a child.

Returning to an England now alien to him Thomas Berrington falls foul of a thieves’ guild. In his efforts to protect a stranger he becomes their target. When the bonemen come to inflict punishment he has no choice but to kill one of their order. Fleeing London in the company of Arthur, Prince of Wales, heir to the English throne, Thomas believes he has escaped retribution for his actions. But it is a mistake that may get him and his companions killed.

Dark secrets pulse beneath the surface of Stockholm, ready to drag the unwary into its depths.From the bestselling Swedish crime writer, Luna Miller, comes a new unputdownable Scandi Noir thriller. Gunvor Ström, a fierce ex-surgeon turned private investigator, is tasked with what seems like a simple job: Nadja Franzén suspects her husband, Mikael, of infidelity. But as Gunvor navigates the web of lies and deceit, she uncovers a story far more complicated and unexpected than mere betrayal.

Some people exist in the blessed light of day, but I'm not one of those people. I exist in the bleak grey of a post-twilight world, where the warmth is sucked from the air and the weightless shadows come out to play. I wasn’t always like this, but a year ago something terrible happened, and now I have a darkness inside me.

London, 1893: High up in a house on a dark, snowy night, a lone seamstress stands by a window. So begins the swirling, serpentine world of Paraic O'Donnell's Victorian-inspired mystery, the story of a city cloaked in shadow but burning with questions: Why does the seamstress choose to jump out of that window? Why is there a cryptic message sewn into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?

Isobel Ashworth breezes through life, blissfully accustomed to the privilege which comes with her family name. But that changes when she arrives in the exclusive town of Hartwell. Sent there by her father to complete a controversial property development - and prove herself a serious player in the succession plan - her perfect life is unravelling. Isobel's fiance is telling lies, the project is a disaster and the locals hate her; could her father be setting her up to fail? Buzzing with the promise of a big story, journalist Meg Hunter arrives in Hartwell to expose the Ashworth family dealings.

Cora Valentine has her whole life—and a shot at the Olympics—ahead of her. But when she’s kidnapped on Halloween, her name is splashed across headlines not as an athlete but as a victim. Not even her safe return changes that, especially since no one is caught for the crime. Hounded by the public, Cora’s time as a missing girl and member of the Magnificent Eight has its consequences.

When 19-year-old Iselin Hanssen disappears during a run in a popular hiking area in Bodø, Northern Norway, suspicion quickly falls on her boyfriend. For investigator Jakob Weber, the case seems clear-cut, almost unexceptional, even though there is some suggestion that Iselin lived parts of her life beneath the radar of both family and friends. But events take a dramatic turn when another woman disappears in similar circumstances - this time on the island of Røst, hundreds of miles off the coast, in the wild ocean.

When Winona rents a room at the eccentric Mirror House, she hopes to make new friends. What she gets instead is a “family” led by the charismatic psychologist Simon Spellmeyer. But if she wants to stay at Mirror House, Winona must join in following Simon’s strange protocols for self-improvement. Warning bells chime inside her, but the allure of transformation keeps her hooked. While his methods are disturbing, the results are undeniable.

Kirsty Campbell, former suffragette and a policewoman in Britain’s newly formed Women’s Police Service, returns to her hometown of Dundee to become the city’s first policewoman. Her struggle for acceptance in the all-male police force is difficult, and she fights for recognition. But Kirsty is not easily intimidated and, despite police attempts to curtail her activities, she defies her superior officer to pursue an investigation into a murder which is linked to missing orphan girls.

Teaching nine-year-olds on Zoom. A relationship interrupted by enforced distance. A teenaged son who cannot leave the house. Anna McCormick is already struggling to cope with the unwanted twists 2020 has served up. But when an unstamped envelope arrives overnight, her past begins to cast its own long shadow on the present. With an uncaring government compounding her woes and a hostile threat drawing closer, Anna must dig deep to keep hope alive for herself and those around her.

In Melissa Larsen's The Lost House comes the mesmerizing story of a young woman with a haunting past who returns to her ancestral home in Iceland to investigate a gruesome murder in her family.