What does it mean to take action? To bear witness? What does it cost? In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action.

Born into a wealthy Black Indianapolis family, Earl “Trey” Singleton III leaves his overbearing parents and their expectations behind by running away to New York City with only a few dollars in his pocket. Vibrant, humorous, and fraught with entanglements, Rasheed Newson’s My Government Means to Kill Me is an exhilarating, fast-paced coming-of-age story that lends itself to a larger discussion about what it means for a young gay Black man in the mid-1980s to come to terms with his role in the midst of a political and social reckoning.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid. The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.

Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface. Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes.

Link Williams is a handsome and brilliant Dartmouth graduate who tends bar due to the lack of better opportunities for an African-American man in a staid mid-century Connecticut town. The routine of Link’s life is interrupted when he intervenes to save a woman from a late-night attack. Drinking in a bar together after the incident, “Camilo” discovers that her rescuer is African American and he learns that she is white. Unbeknownst to him, “Camilo” is a wealthy married woman who has crossed the town’s racial divide to relieve the tedium of her life.

A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal and, at times, heartbreakingly satirical look at what it's like to be young and black in America.

In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them.

Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try to get back on track in his hometown of Detroit. He’s got one objective—exit the shallow dating pool ASAP and get married by 35—and the deadline’s approaching fast.

In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on first through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what their younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”

A hurricane is building, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's 14 and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

Max doesn't remember his mother, who was murdered by burglars before they emigrated from Beirut to New Jersey. He lives with his father, Rasheed, who is enamored of his concept of American culture - baseball and barbeques - and tries to shed his Lebanese heritage completely.

Grad student Will Dillard has largely buried memories of the summer he spent at a camp intended to "cure" homosexuality. But when he finds out a horror movie based on the camp is hitting theaters, he's forced to face his past - and his role in another camper's death. As he recounts the events surrounding his "failed rehabilitation", Will strikes out on an impromptu road trip back home to Mississippi, eventually returning to the abandoned campgrounds to solve the mysteries of that pivotal summer.

Josie Banks is a girl without a past. After being found unconscious with no memory, she was shuffled in and out of foster homes where she suffered years of abuse - an experience that left her broken, damaged, and clinging to drugs and meaningless hook-ups to numb her pain. When Josie disappeared years ago, she took a piece of Tristan with her. She’s the girl he thought he lost forever - the one he’s never been able to forget. Now a twist of fate has brought them back together, and he never wants to let her out of his inked arms again.

Bram Stoker Award finalist Tananarive Due crafts chilling tales of suspense.

In Joplin's Ghost, 24-year-old R&B phenomenon Phoenix Smalls is on the cusp of fame and fortune. But she is haunted by the spirit of Jazz legend Scott Joplin. After a series of sultry, erotic encounters with the ghost, and with the pressures of stardom closing in on her, Phoenix begins to fear for her life and career.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

Poke Rafferty was writing offbeat travel guides for the young and terminally bored when Bangkok stole his heart. Now the American expat is assembling a new family with Rose, the former go-go dancer he wants to marry, and Miaow, the tiny, streetwise urchin he wants to adopt. But trouble in the guise of good intentions comes calling just when everything is beginning to work out.

Malcolm Little's parents have always told him that he can achieve anything, but from what he can tell, that's nothing but a pack of lies - after all, his father's been murdered, his mother's been taken away, and his dreams of becoming a lawyer have gotten him laughed out of school. There's no point in trying, he figures, and lured by the nightlife of Boston and New York, he escapes into a world of fancy suits, jazz, girls, and reefer.

Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother - the woman who raised him - catches them in bed together. The following day Rasa is consumed by the search for his best friend, Maj, a fiery activist and drag queen star of the underground bar Guapa, who has been arrested by the police.

In 1943, LSD is synthesized in Basel. Two decades later, a coterie of grad students at Harvard are gradually drawn into the inner circle of renowned psychologist and psychedelic drug enthusiast Timothy Leary. Fitzhugh Loney, a psychology PhD student, and his wife, Joanie, become entranced by the drug’s possibilities such that their “research” becomes less a matter of clinical trials and academic papers and instead turns into a freewheeling exploration of mind expansion, group dynamics, and communal living.

What if there were teens whose lives literally depended on being bad influences? This is the reality for sons and daughters of fallen angels. Tenderhearted Southern girl Anna Whitt was born with the sixth sense to see and feel emotions of other people. She's aware of a struggle within herself, an inexplicable pull toward danger, but Anna, the ultimate good girl, has always had the advantage of her angel side to balance the darkness within. It isn't until she turns 16 and meets the alluring Kaidan Rowe that she discovers her terrifying heritage and her willpower is put to the test.

The body of a young girl is found mangled and murdered in the woods of Hemlock Grove, Pennsylvania, in the shadow of the abandoned Godfrey Steel Mill. A manhunt ensues - though the authorities aren’t sure if it's a man they should be looking for.

Jenry Castillo is a musical prodigy, raised by a single mother in Miami, who arrives at Brown University on a scholarship—but also to learn more about his late father, Jasper Patterson, a famous ballet dancer who died tragically when Jenry was two. On his search, he meets his estranged grandfather, Winston Patterson, a legendary professor of African American history and a fixture at the Ivy League school, who explodes his world with one question: Why is Jenry so focused on Jasper, when it was Winston’s daughter, Juliet, who was Jenry’s mother’s lover?

Grace has taken care of her widowed father her entire adult life and the ornery old goat has finally died. She has no job, no skills and very little money, and has heard her father's prediction that no decent man would ever want her so often she accepts it as fact.

Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.

Anders is an angry, cynical man. A book critic known for his scathing reviews, he finds any excuse to dismiss, belittle, or insult. This afternoon is no more agitating than the next. Angers finds himself in a long line at the bank, waiting to reach a teller. Even after two men - wearing masks and carrying guns - take control of the building, Anders is unfazed. It's this behavior that lands him with a pistol against his stomach and a man screamingin his face. And when the bank robber, indignant over Anders' behavior, shoots the book critic in the head, his mind floats through the memories of his life, settling on one particular event....