Who but Carol Burnett herself has the timing, talent, and wit to pull back the curtain on the Emmy Award-winning show that made television history for 11 glorious seasons? In Such Good Company delves into little-known stories of the guests, sketches, and antics that made the show legendary as well as some favorite tales too good not to relive again. Carol lays it all out for us, from the show's original conception to its evolution into one of the most beloved primetime programs of its generation.

In 1957, little-known comedian and actor Andy Griffith won acclaim for his portrayal as a country drifter who uses his powers of persuasion to become a television host in A Face in the Crowd, so it was only fitting that the role helped propel him to become the face of one of America's most beloved sitcoms. The Andy Griffith Show starred Griffith and a motley crew of eccentric characters, most notably his sidekick Barney Fife (played by Don Knotts).

Dick Van Dyke, indisputably one of the greats of the golden age of television, is admired and beloved by audiences the world over for his beaming smile, his physical dexterity, his impeccable comic timing, his ridiculous stunts, and his unforgettable screen roles.

Six-time Emmy Award-winning funnyman Tim Conway, best known for his characters on The Carol Burnett Show, offers a straight-shooting and hilarious memoir about his life on stage and off as an actor and comedian. In television history, few entertainers have captured as many hearts and made as many people laugh as Tim Conway. There's nothing in the world that Tim Conway would rather do than entertain - and in his first-ever memoir, What's So Funny?, that's exactly what he does.

"Here is Betty White - a woman who has been on television forever!" is generally how Betty White is introduced. And quite accurately, too, since she first appeared in 1949, when both she and television were rank beginners. Since then, she has had one of the most amazing careers in TV, winning five Emmy awards, creating such unforgettable characters as Sue Ann Nivens and Rose Nylund, and appearing in a host of television classics.

Since his untimely death on June 29, 1978, Bob Crane's unofficial biography has become akin to a broken record. Like a skip in the acetate, his murder and the scandal that grew from it have been the repeated focus of attention, to the exclusion of nearly everything else. Over time, the line between fact and fiction blurred, and his life story became distorted. All perspective on Bob Crane as a human being was lost, and he became nothing more than a two-dimensional cartoon character without depth or understanding.

From his rapid-fire stand-up comedy riffs to his breakout role in Mork & Mindy and his Academy Award-winning performance in Good Will Hunting, Robin Williams was a singularly innovative and beloved entertainer. He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations - all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed. But as Dave Itzkoff shows in this revelatory biography, Williams’ comic brilliance masked a deep well of conflicting emotions and self-doubt.

Through roles in cherished films such as Mrs. Doubtfire, Jumanji, Aladdin and Hook, he became the genial face of family comedy. His childlike enthusiasm was infectious, sweeping viewers away. Allied to his lightning-quick improvisation and ability to riff lewdly off any cue thrown at him, Robin was that rare thing - a true comic genius who appealed to adults and children equally. He could also play it straight, and empathetic depth came to him naturally.

Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television - our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls - he focuses on the development of the classic TV genres.

For eleven seasons, Marion Ross was head of one of America's favorite television households. Now meet the lovable real-life woman behind the Happy Days mom. In this warm and candid memoir, filled with loving recollections from the award-winning Happy Days team - from break-out star Henry Winkler to Cunningham "wild child" Erin Moran - Ross shares what it was like to be a starry-eyed young girl with dreams in poor, rural Minnesota, and the resilience, sacrifices, and determination it took to make them come true.

With the television hits The Odd Couple, Happy Days, Laverne & Shirley, and Mork & Mindy, and movies like The Flamingo Kid, Beaches, Pretty Woman, and The Princess Diaries under his belt, Garry Marshall was among the most successful writers, directors, and producers in America for more than five decades. His work on the small and big screen delighted audiences for decades and has withstood the test of time.

Legendary sitcom director James Burrows has spent five decades making America laugh. Here listeners will find never-revealed stories behind the casting of the dozens of great sitcoms he directed, as well as details as to how these memorable shows were created, how they got on the air, and how the cast and crew continued to develop and grow. Burrows also examines his own challenges, career victories, and defeats, and provides advice for aspiring directors, writers, and actors.

The landscape that the Brat Pack memorialized is rich with cultural themes and significance, and has influenced an entire generation who still believe that life always turns out like an '80s movie. You Couldn't Ignore Me If You Tried takes us back to that era, through Susannah Gora's interviews with key players such as Molly Ringwald, Anthony Michael Hall, Judd Nelson, Andrew McCarthy, and John Cusack, and mines all the material from the movies to the music to the way the films were made to show how they helped shape our visions for romance, friendship, society, and success.

The definitive biography of the deeply complex and widely misunderstood matinee idol of Hollywood’s Golden Age. Devastatingly handsome, broad-shouldered, and clean-cut, Rock Hudson was the ultimate movie star. The embodiment of romantic masculinity in American film throughout the ‘50s and ‘60s, Hudson reigned supreme as the king of Hollywood. But in a more conservative era, Hudson’s wholesome, straight-arrow screen image was at odds with his closeted homosexuality.

Mickey Rooney began his career almost a century ago as a one-year-old performer in burlesque and stamped his mark in vaudeville, silent and talking films, Broadway, and television. He acted in his final motion picture just weeks before he died at age 93. He was an iconic presence in movies and the poster boy for American youth. Yet, by World War II, Mickey Rooney had become frozen in time.