Automatic Pilot
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Narrated by:
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John Eastman
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By:
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Bill Taub
About this listen
An airplane pilot has to complete a checklist before taking off to avoid crashing and stay in the air. So too,Automatic Pilot is a TV pilot writer's checklist to keep from crashing and stay on the air.
Automatic Pilot is the definitive guide on how to create and write an original pilot. It takes you through the step-by-step process of writing your own pilot script.
It is adapted from Bill Taub's very successful UCLA Extension Writers' Program online workshop, Writing a Spec Pilot, which he has been teaching to students all over the world since 2006.
Up until the series Desperate Housewives, developed from spec pilot, burst upon the scene, and became an instant hit, nobody encouraged writers to write a spec pilot. Since then the floodgates have opened and every writer, including some of the biggest names, is either writing a spec pilot or thinking about writing one.
Like the workshop itself, which crossed borders, Automatic Pilot is designed for writers no matter where they are. Whether you are writing a series about Congress or Parliament, the CIA or MI-5, a family in Bangladesh or Brooklyn, the process is the same. Whether it's a half-hour comedy, one-hour drama, animation, or even a Web series, the steps are the same.
While the odds of selling a spec pilot are slim, the chance your spec pilot will impress those in charge to hire you on staff is a good enough reason to have one. And every writer these days must have at least one spec pilot in their portfolio.
Automatic Pilot is not only an insider's guide on how to create an original pilot, it's an audiobook that will inspire you, motivate you, and help you discover (or rediscover) a sense of freedom and joy in writing, no matter what stage you're at - whether you're new to the writing world or an old pro - it will be something you will return to time and again.
©2014 Bill Taub (P)2014 Bill TaubListeners also enjoyed...
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By: Warren Littlefield, and others
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The Creative Habit
- Learn It and Use It for Life
- By: Twyla Tharp
- Narrated by: Lauren Fortgang
- Length: 8 hrs and 51 mins
- Unabridged
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All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with 32 practical exercises based on the lessons Twyla Tharp has learned in her remarkable 35-year career.
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A much-needed shout-out to good habits
- By cvstuart on 03-27-13
By: Twyla Tharp
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We Don't Need Roads
- The Making of the Back to the Future Trilogy
- By: Caseen Gaines
- Narrated by: Ron Butler
- Length: 8 hrs and 21 mins
- Unabridged
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Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis and his friend and writing partner Bob Gale worked tirelessly to break into the industry with a hit. For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don't Need Roads includes original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over 50 others who contributed to one of the most popular and profitable film trilogies of all time.
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Great for fans - good for others.
- By Pete Johns on 06-25-15
By: Caseen Gaines
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Slayers & Vampires
- The Complete Uncensored, Unauthorized Oral History of Buffy & Angel
- By: Mark A. Altman, Edward Gross
- Narrated by: James Patrick Cronin, Julie McKay
- Length: 18 hrs and 24 mins
- Unabridged
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Two decades after its groundbreaking debut, millions of fans worldwide remain enthralled with the incredible exploits of Joss Whedon's Buffy Summers as well as Angel. Now, go behind the scenes of these legendary series that ushered in the new Golden Age of Television, with the candid recollections of writers, creators, executives, programmers, critics, and cast members. Together they unveil the oftentimes shocking true story of how a failed motion picture became an acclaimed cult television series.
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Too much Joss schmoozing, too little new info
- By Onalee on 02-05-21
By: Mark A. Altman, and others
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Good in a Room
- How to Sell Yourself (and Your Ideas) and Win Over Any Audience
- By: Stephanie Palmer
- Narrated by: Judith Brackley
- Length: 6 hrs and 40 mins
- Unabridged
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Business consultant and former MGM director of creative affairs Stephanie Palmer reveals the techniques used by Hollywood's top writers, producers, and directors to get financing for their projects and explains how you can apply these techniques to be more successful in your own high-stakes meetings.
As Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better.
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Much Too General to Be Useful
- By Coldmountain on 05-22-15
By: Stephanie Palmer
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The Simpsons
- An Uncensored, Unauthorized History
- By: John Ortved
- Narrated by: John Allen Nelson, Justine Eyre
- Length: 11 hrs and 26 mins
- Unabridged
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John Ortved's oral history is the first-ever look behind the scenes at the creation and day-to-day running of the television phenomenon known as The Simpsons, as told by many of the people who produce it.
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Great Content, Awful Reading
- By JH Easton on 03-13-11
By: John Ortved
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The Making of Outlander: The Series
- The Official Guide to Seasons One & Two
- By: Tara Bennett
- Narrated by: Tiffany Morgan
- Length: 5 hrs and 36 mins
- Unabridged
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It was only a matter of time before Diana Gabaldon's best-selling Outlander saga made the leap from book to hit TV series, and the millions of readers captivated by the epic romance of Claire Beauchamp Randall and Jamie Fraser have eagerly followed. Now the must-watch drama has inspired this must-have guide, which reveals that it takes a village (or perhaps a Scottish isle) to bring the breathtaking world of Outlander to life in front of our eyes.
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Better To Get The Book
- By Eugenia on 05-30-17
By: Tara Bennett
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The Collaborative Habit
- Life Lessons for Working Together
- By: Twyla Tharp
- Narrated by: Lauren Fortgang
- Length: 4 hrs and 3 mins
- Unabridged
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In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been - and continues to be - one collaboration after another. In this practical sequel to her national best seller The Creative Habit, Tharp explains why collaboration is important to her - and can be for you.
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Awful narration
- By Anastasia Lattanand on 05-14-16
By: Twyla Tharp
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Pitch Anything
- An Innovative Method for Presenting, Persuading, and Winning the Deal
- By: Oren Klaff
- Narrated by: Stephen Bowlby
- Length: 6 hrs and 14 mins
- Unabridged
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When it comes to delivering a pitch, Oren Klaff has unparalleled credentials. Over the past 13 years, he has used his one-of-a-kind method to raise more than $400 million—and now, for the first time, he describes his formula to help you deliver a winning pitch in any business situation. Whether you're selling ideas to investors, pitching a client for new business, or even negotiating for a higher salary, Pitch Anything will transform the way you position your ideas.
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packed
- By anonymous on 11-15-24
By: Oren Klaff
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Ditch the Pitch
- By: Steve Yastrow
- Narrated by: Steve Yastrow
- Length: 3 hrs and 41 mins
- Unabridged
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In today's world, customers don't want to hear sales pitches, but many salespeople still rely on them. In this breakthrough audiobook, Steve Yastrow, founder of a successful business strategy consulting firm, asks us to throw out everything we've been taught about pitching to customers. His advice: "Tear up your sales pitch and instead improvise persuasive conversations."
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A bad strawman pitch on why pitching doesn't work
- By Jeff Gibbard on 01-09-21
By: Steve Yastrow
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The Book You Were Born to Write
- Everything You Need to (Finally) Get Your Wisdom onto the Page and into the World
- By: Kelly Notaras
- Narrated by: Kelly Notaras
- Length: 7 hrs and 40 mins
- Unabridged
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A guide to writing a full-length transformational nonfiction book, from an editor with two decades' experience working with authors from all walks of life.
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Both Funny and Informative
- By Emily C. Maher on 02-15-21
By: Kelly Notaras
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Expert Secrets
- By: Russell Brunson
- Narrated by: Russell Brunson
- Length: 6 hrs and 26 mins
- Unabridged
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Master the art of what to say in your funnels to convert your online visitors into lifelong customers in this updated edition from the $100 million entrepreneur and cofounder of the software company ClickFunnels.
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Good, but it’s totally different than the physical book.
- By Don Rhoads on 10-05-21
By: Russell Brunson
What listeners say about Automatic Pilot
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Petre Pan
- 01-13-15
Cost-Effective and Encouraging
Would you listen to Automatic Pilot again? Why?
Yes. Next to Sid Meier's Screenwriting textbook, I'd say Bill Taub's Automatic Pilot ranks as one of the best beginning screenwriting resources I've yet encountered.
“Well, stranger, what have you encountered? What does that even mean?”
Good question. I'm not an expert screenwriter, but I am an expert “screenwriter-resources” purveyor, if such a pitiful occupation exists. From college classes to online classes to online resources to books to at least three or four different “screenwriting resource companies”--eh, I've actually spent a few hundred bucks studying screenwriting. (Shivers in shame)
A number of those resources tend to repeat the same basics over again, so I really liked that while Automatic Pilot included the most important fundamentals of screenwriting for beginners, it also delved into TV-industry-niche specifics, a wide variety of structure techniques and suggestions, and Taub's own positive writing philosophy. The strong motivational tone of the book makes you feel like you've got people on your side—because when you're writing for yourself you've got you on your side, Taub might say—and as someone who used to write for a living I found that incredibly empowering. In med school you don't get a lot of time to read, so I bought the audiobook to play while I ate or whatever. Taub's encouragement was, for me, the writerly equivalent of blasting rap music on the highway, or rocking out when you're pumping iron: I got pumped up! There's something to be said for that.
For those of you who prefer more concrete definitions of value, we should probably talk about $$$. Automatic Pilot is actually a compilation of all the resources and reading material from a University class Taub taught/teaches on writing good pilot episodes for television. As you may know, it usually costs more than twenty bucks to access a University-level screenwriting class. Even cheap professional classes online bill as much as $90—I got a discount on a decent “Third Act” class for $45 once, but generally comparable screenwriting classes enter the ring weighing in nearer the hundreds mark.
To give you a more detailed cost-analysis, Hal Croasmun from ScreenwritingU charges $90 for a class that involves about thirty pages of reading material and no feedback from the professor. I'm not downing on Croasmun—apparently he's pumping out writers who make deals left and right—but pointing out, to you, that for $20 or less I can get nearly 200 pages from Taub, all new and unique information pertaining specifically to the TV industry. That's pretty good math.
Automatic Pilot is heavy with repetition, though. That's probably less of an issue in the hardcopy (which I also bought to keep as a skim-able resource), and for some folks repetition's essential to enhance learning, so it's not necessarily a drawback. I found it a bit much sometimes, but on the other hand a lot of the repetition was also a lot of the motivational cheerleading I enjoyed. If you're looking for new plotting tricks and tools to amp up your game; if you're unfamiliar with a lot of TV-writing terminology and structural customs; and if you'd like to tap the brains of multiple TV-writing experts before you start writing yourself into a crash-and-burn, a little repetition and two Red Robin meals is a fair price to pay.
I think, anyway.
What was one of the most memorable moments of Automatic Pilot?
I found the breakdown of A, B, and C plots particularly helpful, too.
Which scene was your favorite?
Some of the anecdotes are particularly good. The character design advice Taub received from other WGA writers was cool.
Was there a moment in the book that particularly moved you?
Yes, actually. I enjoyed being told to "write what you want to see." There's a healthy laissez-faire attitude about throwing caution to the wind, and worrying about sales later.
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- Lucas Budde
- 12-30-14
Great book. Great reader
I Love the quote "you don't have to be great to start, but you have to start to be great.
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- Shmuel Siegel
- 11-16-20
A must for every beginning screenwriter
Automatic pilot takes the reader through essential steps which are the fundamental building blocks of a finished script. Fully packed with priceless advice, practical tools, ideas and instructions, the book is by far the best introduction to the world of screenwriting through the eyes of a true industry professional. I loved more than anything the way the book is laid out, allowing the reading to go through the steps from idea to final product!
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- Todd C. Murry
- 03-29-15
95% bloviation
What disappointed you about Automatic Pilot?
This is basically a laminated cheat sheet worth of information expounded on by a very encouraging rambler. The content to embellishment ratio is extremely low and a single point doesn't get make that isn't beat into the ground. I can learn more reading a single cockeyed caravan blog post than I got out of this whole book (saving 5+ hrs).
The references were oddly dated - some too precisely dated (as in I can tell the book comes from about April 2014, between the greenighting and pre-canceling of How I Met Your Dad) and some too old to be relevant. The understanding of recent TV is cartoonish, making a big show of how the landscape has changed and how the possibilities are endless, then ignoring the fundamentals of what's really different about the modern/cable approach.
A lot of the facts fired at you seem rather dubious. Netflix was about to go under before their 100 million dollar House of Cards gamble saved everything? really? Shakespeare is invoked as an example of how you should forget thinking in terms of act structure.
Has Automatic Pilot turned you off from other books in this genre?
This genre (the screenwriting guide) is always tough, with books usually written by the unsuccessful or out of touch. They are usually too prescriptive or too unfocused. This didn't really change my perception
Did John Eastman do a good job differentiating all the characters? How?
There is only one "character," the writer, whose enthusiasm he certainly captures. It's a pretty over the top performance - think a coked up Ned Flanders with the "dokally"s replaced with Hollywood success idiom.
What reaction did this book spark in you? Anger, sadness, disappointment?
Disbelief as I watched hours tick by waiting for the intro to end and the guide to start, mirth at the way it just kept going, then resignation. Looking back, disappointment.
Any additional comments?
The author is fairly pleased with himself for the airplane metaphor, which is too-cute enough to be grating. He spends a lot of time talking about his time on successful shows like Barney Miller and Hill Street Blues, which IMDB has him writing one episode of each, but ignores shows he had more to do with (note: his last credit is pre 9-11). He started in advertising, and it shows.
If there is any audio I've ever listened to that really needs a one page PDF of supplemental material, it's this. As a result while I don't recommend this book in any form, I'd probably go with the print version becauseit probably has "map" pages that can give you the content at a glance.
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