Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba - the catastrophe that led to the displacement and exile of some 700,000 people - and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims, they capture a Palestinian teenager, and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder.

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family's communal care—threaten to destroy this fragile second chance at life.

Deep underground, 39 women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl—the 40th prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above ground.

Told through the eyes of Tish, a 19-year-old girl in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and is imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions - affection, despair, and hope.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

Life’s not going well for forty-year-old Abby. When her beautiful and charismatic best friend dies suddenly, she’s left reeling. Hetty’s always been such a dominant force in her life; now Abby must figure out who she is – and who she wants to be – without Hetty by her side. Abby has always been the odd one out in Hetty’s wealthy, privileged friendship group. Despite their differences, Abby has managed to carve out a place for herself. But Hetty isn’t an easy friend to have. She blows hot and cold, alternating between fierce loyalty and unwarranted cruelty.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.

In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car - strange for a frigid night. Her World War I veteran husband and her daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away.

Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba - the catastrophe that led to the displacement and exile of some 700,000 people - and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims, they capture a Palestinian teenager, and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

Two couples in two separate but similar times-set against a backdrop of political disappointment and intellectual controversy-face the challenges of marriage, fidelity, and pregnancy. Lauren Elkin's Scaffolding is about the way our homes hold communal memories of all their inhabitants and their stories; about the bonds we create, and the difficulty of ever fully severing them; about the ways people we've loved live on in us.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It’s June 2019, and everyone has converged on the city’s parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She’s 30, pregnant, and broke.

A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value—art, memory, poetry, music, care—are thrown into sharp relief.

Thirty years old with a lifetime of dysphoria and fuccbois rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity.

In the spring of 1972, twelve-year-old Tomoko leaves her mother behind in Tokyo and boards a train alone for Ashiya, a coastal town in Japan, to stay with her aunt’s family. Tomoko’s aunt is an enigma and an outlier in her working-class family, and her magnificent home—and handsome foreign husband, the president of a soft drink company—are symbols of that status. The seventeen rooms are filled with German-made furnishings; there are sprawling gardens and even an old zoo where the family’s pygmy hippopotamus resides.

September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone—or something—seems to be watching, attempting to infiltrate this cloistered world.

El desgarrador viaje vital de una niña atrapada en un cuerpo que no sabe habitar. Una novela deslumbrante que no se parece a nada que hayas leído. Un fenómeno literario internacional antes de su publicación. Narrada desde una singular y desgarradora voz en primera persona, La mala costumbre recorre la adolescencia de una niña atrapada en un cuerpo que no sabe habitar, que intenta comprenderse a sí misma y al mundo en el que vive, desde su infancia en una familia de clase obrera en el barrio de San Blas, arrasado por la heroína en los años ochenta, hasta las noches clandestinas en el centro de Madrid de los noventa.

Two half sisters, Effia and Esi, unknown to each other, are born into different villages in 18th-century Ghana. Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the castle's women's dungeon and then shipped off on a boat bound for America, will be sold into slavery.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

When young queer dancer Wilbess “Bessy” Mulenga is arrested by corrupt police, fresh-from-the-village rookie lawyer Grace Zulu takes up his cause in her first pro bono case. Presented with a freshly beaten client, Grace protests to the police and gets barred from accessing Bessy, who then disappears from the system—and the world—without a trace. As she fights for justice for Bessy, Grace must navigate a dangerous world of corrupt politicians, traditional beliefs, and deep-seated homophobia.

The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags.