The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity.

Nineteenth-century Europe—from Turin to Prague to Paris—abounds with the ghastly and the mysterious. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. Conspiracies rule history.

By the time Umberto Eco published his best-selling novel The Name of the Rose, he was one of Italy's most celebrated intellectuals, a distinguished academic and the author of influential works on semiotics. Some years before that, in 1977, Eco published a little book for his students, How to Write a Thesis, in which he offered useful advice on all the steps involved in researching and writing a thesis.

In this exhilarating book, we accompany Umberto Eco as he explores the intricacies of fictional form and method. Using examples ranging from fairy tales and Flaubert, Poe and Mickey Spillane, Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms.

On the Shoulders of Giants is a collection of essays based on lectures Eco famously delivered at the Milanesiana Festival in Milan over the last 15 years of his life. Previously unpublished, the essays explore themes he returned to again and again in his writing: the roots of Western culture and the origin of language, the nature of beauty and ugliness, the potency of conspiracies, the lure of mysteries, and the imperfections of art.

Helene Wecker's dazzling debut novel tells the story of two supernatural creatures who appear mysteriously in 1899 New York. Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. When her master dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York Harbor. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Moscow, Christmas Eve, 1949. The Soviet secret police intercept a call made to the American embassy by a Russian diplomat who promises to deliver secrets about the nascent Soviet Atomic Bomb program. On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state - or refuse and accept transfer to the Siberian Gulag camps, and almost certain death.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the Earth is wielded as a weapon. And where there is no mercy.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.

World-renowned Harvard symbologist Robert Langdon is summoned to a Swiss research facility to analyze a cryptic symbol seared into the chest of a murdered physicist. What he discovers is unimaginable: a deadly vendetta against the Catholic Church by a centuries-old underground organization, the Illuminati. Desperate to save the Vatican from a powerful time bomb, Langdon joins forces in Rome with the beautiful and mysterious scientist Vittoria Vetra.

On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all.

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

Nineteenth-century Europe—from Turin to Prague to Paris—abounds with the ghastly and the mysterious. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. Conspiracies rule history.

"Foucaults pendul" er en usædvanlig underholdende roman, med en spændende handling og et mylder af mærkværdige – men altid troværdige – personer. Som et motto foran i bogen står: "Overtro bringer uheld" og det er netop dette tema Eco i mange variationer gennemspiller i bogen. En af romanens hovedpersoner er Milanostudenten Casaubon, der skriver speciale om middelalderens Tempelriddere. Han kommer i kontakt med de to forlagsredaktører Belbo og Diotallevi.

On the Shoulders of Giants is a collection of essays based on lectures Eco famously delivered at the Milanesiana Festival in Milan over the last 15 years of his life. Previously unpublished, the essays explore themes he returned to again and again in his writing: the roots of Western culture and the origin of language, the nature of beauty and ugliness, the potency of conspiracies, the lure of mysteries, and the imperfections of art.

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity.

Internationally best-selling author Umberto Eco is a master stylist whose books, including The Name of the Rose and Baudolino, have been savored by millions around the world. Now, with The Mysterious Flame of Queen Loana, Eco crafts another of the ambitious and breathtaking novels that are his trademark.

Numero Zero is the feverish and delightfully readable tale of a ghostwriter in Milan whose work pulls him into an underworld of media politics and murderous conspiracies (involving the cadaver of Mussolini's double, naturally). This novel is vintage Eco - corrupt newspapers, clandestine plots, imaginary histories - and will appeal to his many readers and earn him legions of new ones.

By the time Umberto Eco published his best-selling novel The Name of the Rose, he was one of Italy's most celebrated intellectuals, a distinguished academic and the author of influential works on semiotics. Some years before that, in 1977, Eco published a little book for his students, How to Write a Thesis, in which he offered useful advice on all the steps involved in researching and writing a thesis.

In quella zona del basso Piemonte dove, anni dopo, sorgerà Alessandria, Baudolino, un piccolo contadino fantasioso e bugiardo, conquista Federico Barbarossa e ne diventa figlio adottivo. Baudolino affabula e inventa ma, quasi per miracolo, tutto quello che immagina, produce Storia. Così, tra le altre cose, costruisce la mitica lettera del Prete Gianni, che prometteva all'Occidente un regno favoloso, nel lontano Oriente, governato da un re cristiano.

Emerging from the dark streets and subterranean caves of Palermo, the Beati Paoli, masked and hooded, mete out their own form of justice to counter the unfettered power and privilege wielded by the aristocracy. For the voiceless, weak, and oppressed, the Beati Paoli are defenders and heroes.

Virtuoso storyteller Umberto Eco conjures up a gloriously rich portrait of 14th century Franciscan Italy with such grace, ease, wit, and love that you will become utterly intoxicated with the place and time. The story is performed by Theodore Bikel who has starred in numerous Broadway hits, including The Sound of Music, Zorba, and Fiddler on the Roof.

A wonderful tale of a young man’s coming of age, Zorba the Greek has been a classic of world literature since it was first translated into English in 1952 and made into an unforgettable movie with Anthony Quinn. Zorba, an irrepressible, earthy hedonist, sweeps his young disciple along as he wines, dines, and loves his way through a life dedicated to fulfilling his copious appetites. Zorba is irresistible in this charming audio production by veteran narrator George Guidall.

One of America’s most celebrated novelists, Cormac McCarthy announced his towering presence on the literary stage with his first novel, The Orchard Keeper. Within the pages of this classic work, John Wesley Rattner, his uncle Ather, and bootlegger Marion Sylder find their lives dangerously entwined in pre-World War II Tennessee. There, the men’s tragedies and struggles are mirrored by the looming specter of industrialization.

In her second novel written in English, Elif Shafak confronts her country's violent past in a vivid and colorful tale set in both Turkey and the United States. At its center is the "bastard" of the title, Asya, a 19-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul.

If Max Brod had obeyed Franz Kafka's dying request, Kafka's unpublished manuscripts would have been burned, unread. Fortunately, Brod ignored his friend's wishes and published The Trial, which became the author's most famous work. Now Kafka's enigmatic novel regains its humor and stylistic elegance in a new translation based on the restored original manuscript.

Highly acclaimed author Ursula K. Le Guin lends a resonant voice to a pivotal yet often overlooked character of Vergil's The Aeneid. Born into peace and freedom, Lavinia is stunned to learn that she will be the cause of a great war - or so the prophecies and omens claim. Her fate is sealed, however, when she meets a man from Troy.