William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a lawyer like his father, Sir Julian Warwick QC, and his sister, Grace, he will join London’s Metropolitan Police Force. After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad.

Lubji Hoch escapes from the Nazis, moves to Berlin and changes his name to Richard Armitage. After a successful career in the British Army, he takes over a struggling newspaper and with unrivalled ruthlessness begins building his media empire. Meanwhile, Keith Townsend, the son of a millionaire and Oxford educated, returns to Australia from London to take over his father's newspaper with similar ambitions. As both men move their quest for power to the world stage, they realise they are more than a match for one another's brilliance and ambition.

Separated at birth by a desperate nurse who loses a millionaire's son to cot death, twin boys grow up without any knowledge of the other. Nat Cartwright lives with his middle-class birth parents and grows up to becomes a war hero in the Vietnam War before returning home to run for office in the Republican party. Fletcher Davenport becomes the only son of the millionaire couple. After graduating from Yale, he builds a reputation as a prolific criminal defence lawyer before he too delves into politics as a Democrat.

The expected never happens... a man calls unexpectedly on his mistress and sees another man leaving her flat. Accusing her of being unfaithful, he quarrels with her, strikes her. She dies. Leaving unseen, he tips off the police so that the other man is arrested and charged... Has he achieved "The Perfect Murder"? A tantalising opening to "A Twist in the Tale", a fantastic collection of short stories from bestselling author Jeffrey Archer.

Connor Fitzgerald is the CIA’s most deadly assassin. On the brink of his retirement, he is sent to Russia for one last hit. Except this isn’t just another job. After a fall out between the CIA and the White House over the assassination of a prominent Colombian politician, his boss is now using the Russian Mafia to cover her tracks. Fitzgerald is not going to St Petersburg to kill, he’s going to die. A page-turning, political thriller about espionage and betrayal by the acclaimed British writer, Jeffrey Archer.

Prisoner FF8282 gazes out from confinement on what he deems must be a glorious summer’s day, rays of sunlight bursting through the barred windows of his cell. Within the thick prison walls separating society from its dangerous criminals, a multitude of harrowing fates unfold, seldomly explored by the public. First-time offenders thrown in cells with hardened criminals, several inmates becoming heroin addicts and a system riddled with flaws. However, even in prison the sunlight cannot be kept out.

Long days of boredom in confinement, the general inefficiency of prison bureaucracy and a critically over-stretched prison service. The tediousness of prison life kicks in for prisoner FF8282, also known as author Jeffrey Archer, in the second volume of his best-selling series The Prison Diaries. Still his fellow inmates show inspiring spirit and courage, amid an otherwise gloomy prison landscape, revealing that even in the darkest hours light can always be found.

Before he was considered a CIA superagent, before he was thought of as a terrorist's worst nightmare, and before he was both loathed and admired by the politicians on Capitol Hill, Mitch Rapp was a gifted college athlete without a care in the world...and then tragedy struck.

Every day without fail, Travis Devine puts on a cheap suit, grabs his faux-leather briefcase, and boards the 6:20 commuter train to Manhattan, where he works as an entry-level analyst at the city’s most prestigious investment firm. In the mornings, he gazes out the train window at the lavish homes of the uberwealthy, dreaming about joining their ranks. In the evenings, he listens to the fiscal news on his phone, already preparing for the next grueling day in the cutthroat realm of finance. Then one morning Devine’s tedious routine is shattered by an anonymous email: She is dead.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.