Both George Orwell and Winston Churchill came close to death in the mid-1930s - Orwell shot in the neck in a trench line in the Spanish Civil War and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history.

The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the enduring legacies of Thomas Jefferson and George Orwell.

Explore the rise of Adolf Hitler. Was Hitler, as Ian Kershaw asked, a natural consequence of German history, or an aberration? Not that Hitler had been in hiding, waiting to attack. The Führer had actually been following an aggressive and savage foreign policy for almost 10 years, and been named Man of the Year by Time magazine in 1938.

On the Natural History of Destruction is W.G. Sebald's harrowing and precise investigation of one of the least examined "silences" of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This void in history is in part a repression of things - such as the death by fire of the city of Hamburg at the hands of the RAF - too terrible to bear.

In December 1937, in the capital of China, one of the most brutal massacres in the long annals of wartime barbarity occurred. The Japanese army swept into the ancient city of Nanking and within weeks not only looted and burned the defenseless city but systematically raped, tortured and murdered more than 300,000 Chinese civilians. Amazingly, the story of this atrocity- one of the worst in world history- continues to be denied by the Japanese government.

The First World War laid waste to a continent and brought about the end of innocence — and the end of faith. Unlike a generation of young writers who lost faith in the God of the Bible, however, J. R. R. Tolkien and C. S. Lewis found that the Great War deepened their spiritual quest. Both men served as soldiers on the Western Front, survived the trenches, and used the experience of that conflict to ignite their Christian imagination.

An aura of mystery, romance, and danger surrounds the French Foreign Legion, the all-volunteer corps of the French Army, founded in 1831. Famous for its physically grueling training in harsh climates, the legion fought in French wars from Mexico to Madagascar, Southeast Asia to North Africa. In At the Edge of the World, historian Jean-Vincent Blanchard follows the legion's rise to fame during the 19th century - focusing on its campaigns in Indochina and especially in Africa.

In September 1941, Adolf Hitler's Wehrmacht surrounded Leningrad in what was to become one of the longest and most destructive sieges in Western history - almost three years of bombardment and starvation that culminated in the harsh winter of 1943 - 1944. Trapped between the Nazi invading force and the Soviet government itself was composer Dmitri Shostakovich, who would write a symphony that roused, rallied, eulogized, and commemorated his fellow citizens - the Leningrad Symphony.

This wide ranging collection of essays allows the contemporary reader to grasp the extraordinary variety and depth of the statesman's mature thoughts on questions, both grave and gay, facing modern man. Churchill begins by asking what it would be like to live your life over again and ends by describing his love affair with painting. In between he touches on subjects as diverse as spies, cartoons, submarines, elections, flying, and the future.

In 1941 Hitler's armies blocked the last roads leading into Leningrad. What followed was one of the most horrific sieges in history. When the German High Command encircled Leningrad it was a deliberate policy to eradicate the city's civilian population by starving them to death. As winter set in and food supplies dwindled, starvation and panic set in.

In The Long Hangover, Shaun Walker provides new insight into contemporary Russia and its search for a new identity, telling the story through the country's troubled relationship with its Soviet past. Walker not only explains Vladimir Putin's goals and the government's official manipulations of history, but also focuses on ordinary Russians and their motivations. He charts how Putin raised victory in World War II to the status of a national founding myth in the search for a unifying force to heal a divided country, and shows how dangerous the ramifications of this have been.

Without an understanding and appreciation of the culture we seek to preserve and protect, the defense of Western civilization is fundamentally futile; a culture that believes in nothing cannot defend itself, because it has nothing to defend. In this profound and wide-ranging historical survey, Michael Walsh illuminates the ways that the narrative and visual arts both reflect and affect the course of political history, outlining the way forward by arguing for the restoration of the heroic narrative that forms the basis of all Western cultural and religious traditions.

No nation is a stranger to war, but for Russians war is a central part of who they are. Their "motherland" has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world.

In the history of the modern world, there have been few characters more sadistic, sinister, and deeply demented as Baron Ungern-Sternberg. An anti-Semitic fanatic with a penchant for Eastern mysticism and a hatred of communists, Baron Ungern-Sternberg took over Mongolia in 1920 with a ragtag force of White Russians, Siberians, Japanese, and native Mongolians.

As early as 1941, Allied victory in World War II seemed all but assured. How and why, then, did the Germans prolong the barbaric conflict for three and a half more years? In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of primary source materials - personal diaries, court records, and military correspondence - to answer this question. He offers an unprecedented portrait of wartime Germany, bringing the hopes and expectations of the German people to vivid life.

On the Natural History of Destruction is W.G. Sebald's harrowing and precise investigation of one of the least examined "silences" of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This void in history is in part a repression of things - such as the death by fire of the city of Hamburg at the hands of the RAF - too terrible to bear.

Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I from the premiere of Stravinsky's ballet "The Rite of Spring" in 1913 to the death of Hitler in 1945. "The Great War", as Modris Eksteins writes, "was the psychological turning point...for modernism as a whole. The urge to create and the urge to destroy had changed places."

When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell-shocked and traumatized, the West faced a world it no longer recognized: The old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief.

No nation is a stranger to war, but for Russians war is a central part of who they are. Their "motherland" has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world.

When people think of the Holocaust, they think of Auschwitz, of Dachau; and when they think of justice for this terrible chapter in history, they think of Nuremberg. Not of Russia or the Ukraine, and certainly not a town called Kharkov. But in reality, the first war-crimes trial against the Nazis was in this idyllic, peaceful Ukrainian city, which is fitting, because it is also where the Holocaust actually began.

Master historian Barbara W. Tuchman looks at history in a unique way and draws lessons from what she sees. This accessible introduction to the subject of history offers striking insights into America's past and present, trenchant observations on the international scene, and thoughtful pieces on the historian's role. Here is a splendid body of work, the story of a lifetime spent "practicing history".

How does a nation recover from fascism and turn toward a free society once more? This internationally acclaimed revelatory history of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust - and features over 40 eye-opening black-and-white photographs and posters from the period.

In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans - all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.

If Vasily Grossman's 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak's Doctor Zhivago and before Solzhenitsyn's Gulag. But Life and Fate was seized by the Russian KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the 20th century.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

In Bucharest, Romania's capital, Kaplan discovered that few Westerners were reporting on the country - one of the darkest corners of Europe during the Cold War. In an intense and cinematic travelogue, Kaplan explores the history and culture of the only country in the West where the leading intellectuals have been right-wing rather than left-wing; a country that gave rise to the dictator Ion Antonescu, Hitler's chief foreign accomplice during WWII; a country where the Latin West mixes with the Greek East, producing a fascinating fusion of cultures.

In the history of the modern world, there have been few characters more sadistic, sinister, and deeply demented as Baron Ungern-Sternberg. An anti-Semitic fanatic with a penchant for Eastern mysticism and a hatred of communists, Baron Ungern-Sternberg took over Mongolia in 1920 with a ragtag force of White Russians, Siberians, Japanese, and native Mongolians.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

War Without Mercy has been hailed by the New York Times as "one of the most original and important books to be written about the war between Japan and the United States." In this monumental history, professor John Dower reveals a hidden, explosive dimension of the Pacific War - race - while writing what John Toland has called "a landmark book...a powerful, moving, and evenhanded history that is sorely needed in both America and Japan."