Someone's been sending Gemma compromising photos. Photos she doesn't remember posing for. She can't recall much about that night during a work conference - she'd written off her headache the next morning as the result of too much drinking at the hotel bar. But then increasingly disturbing photos start appearing in her email, along with bills and other items she can't account for. As the blackmailer grows bolder and events start to escalate beyond her control, Gemma fears for her already shaky marriage and worries that the truth of what really happened that night must be more twisted than she imagines.

When Loren meets Jack, she’s sure he’s the man she’s been waiting for - a perfect husband and father for her young daughter. Shortly after their wedding, their plans to start a life together are put on hold when the couple receives word that Jack’s father has died. In an effort to appease her new husband, Loren invites her mother-in-law, Coralee, to stay with them while she grieves. When strange things begin to occur just after her arrival, Loren questions how much she knows about the woman she invited into her home.

One day, a woman turns up in a remote coastal village. She's bought a crumbling, long-vacant cottage and calls herself Charlie Miller. Charlie keeps to herself, reluctant to integrate with the locals. If they ever find out who she really is, and what she's done, she'll lose what little she has left. Charlie served two years in prison for providing a false alibi for a murderer. It was the mistake of a woman in love, a woman who couldn't believe her boyfriend was guilty - or lying to her. All she desperately wants now is a fresh start.

Dr. Irini Harringford was given away by her parents just before her fourth birthday. Although she has spent her whole life trying to convince herself she doesn't need them, deep down Irini longs to understand why she was abandoned, while her parents kept her older sister, Elle. So when Elle gets in touch with news that their mother has died, Irini reluctantly agrees to return to the family home. But she is ill at ease. She and Elle are not close. Irini knows only too well what Elle is capable of.

When Tess Clarke wakes up in the hospital the day after her son Jamie's eighth birthday, she's sure of these things: She's been stabbed, her son is missing, her brother-in-law and her grief counselor are involved. But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. But there in the hospital, confused and surrounded by people who won't listen, Tess’s world falls apart. To save her son, she must piece together what happened.

Twelve years ago Jessica Williams escaped a cult. Thanks to the private detective who rescued her, she reintegrated into society, endured an uncomfortable notoriety, and tried to put it all behind her. Then, at an airport bar, Jessica meets a woman with an identical name and birth date. It appears to be just an odd coincidence - until a week later, when Jessica finds her bank account drained and her personal information stolen. Following a trail of the grifter’s victims, each with the same name, Jessica gathers players - one by one - for her own game.

When secretary Colleen Roper becomes pregnant by her boss, Michael, he whisks her away to Ravenwood, his opulent estate. Abruptly thrust into a life of luxury she’s never known, Colleen finds the immense house suffused with the memory of Michael’s wife, Joanna, who left months ago and haunts her imagination. With rooms she’s prohibited from entering and a staff that greets her with hostility, there is little room for a new mistress of Ravenwood. It’s not long before bones are unearthed in the grove across the street and Michael falls under the suspicion of detectives.

As I sit in her dimly lit bedroom, surrounded by flickering candles, I feel the crushing weight of my daughter’s absence. It's been two years since Layla was murdered. The police have searched tirelessly for her killer, but they've found nothing – it's like whoever did it vanished into thin air. My once-perfect marriage is falling apart, we can hardly look at each other anymore. Our ten-year-old son Gale is struggling. He’s changed since she died. He’s more secretive and also…

Jane’s days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes - meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven. But plain Jane is hiding something. And Steven’s bringing out the worst in her.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed.

Susannah, a young widow and single mother, has remarried well: to Max, a charismatic artist and popular speaker whose career took her and her 15-year-old son out of New York City and to a quiet Vermont university town. Strong-willed and attractive, Susannah expects her life is perfectly in place again. Then one quiet morning, she finds a note on her door: "I Know Who You Are." Max dismisses the note as a prank. But days after a neighborhood couple comes to dinner, the husband mysteriously dies in a tragic accident while on a run with Max. Soon, a second note appears on their door....

Mia and Finn are busy turning a derelict house into their dream home when Mia unexpectedly falls pregnant. But just when they think the house is ready, Mia discovers a shocking message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following the clue up into the eaves, the couple make a gruesome discovery: their home was once a real-life murder house, with the evidence still concealed within the four walls.

Winter's chill has descended on Stockholm as police arrive at the scene of a shocking murder. An unidentified woman lies beheaded in a posh suburban home - a brutal crime made all the more disturbing by its uncanny resemblance to an unsolved killing 10 years earlier. But this time there's a suspect: the charismatic and controversial chain-store CEO Jesper Orre, who owns the home but is nowhere to be found.

Autumn Sanderson goes by Lark now. No one in her new life can know who she was. No one from her old life can know where she is now. Drowning in debt, she’s desperate to land a job - any job. When she finds herself at an interview for a mysterious company offering an exorbitant salary, she jumps at the chance. But things aren’t quite what they seem....

Divorces are often messy, and Imogen's is no exception. Phillip Rochester is controlling, abusive, and determined to make things as difficult as possible. When he shows up without warning demanding that Imogen move out of their house by the end of the month or he'll sue for sole custody of their young son, Imogen is ready to snap. In a moment of madness, Imogen does something unthinkable - something that puts her in control for the first time in years. But she wasn't expecting both Phillip's ex-wife and new girlfriend to get tangled up in her plans. These three very different women - and unlikely allies - reluctantly team up....