“An amazing serial story of Black genius against the world” is how Black Empire was promoted upon its original publication as a serial in The Pittsburgh Courier from 1936 to 1938. It tells the electrifying tale of Dr. Henry Belsidus, a Black scientific genius desperate to free his people from the crushing tyranny of racism. To do so, he concocts a plot to enlist a crew of Black intellectuals to help him take over the world, cultivating a global network to reclaim Africa from imperial powers and punish Europe and America for white supremacy.

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon's masterwork is now available in a new translation that updates its language for a new generation of listeners. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world.

A mind-expanding and myth-destroying exploration of notions of white race—not merely a skin color but also a signal of power, prestige, and beauty to be withheld and granted selectively. Ever since the Enlightenment, race theory and its inevitable partner, racism, have followed a crooked road, constructed by dominant peoples to justify their domination of others. Filling a huge gap in historical literature that long focused on the non-white, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, tracing not only the invention of the idea of race but also the frequent worship of “whiteness” for economic, social, scientific, and political ends.

Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning White boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes she's been given a challenge.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

God is change. That is the central truth of the Earthseed movement, whose unlikely prophet is 18-year-old Lauren Olamina. The young woman's diary entries tell the story of her life amid a violent 21st-century hell of walled neighborhoods and drug-crazed pyromaniacs - and reveal her evolving Earthseed philosophy. Against a backdrop of horror emerges a message of hope: if we are willing to embrace divine change, we will survive to fulfill our destiny among the stars.

Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion, and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Written in 1929 at the height of the Harlem Renaissance by one of the movement's most important and prolific authors, Plum Bun is the story of Angela Murray, a young Black girl who discovers she can pass for White. After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs. Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares.

Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition.

In this sardonic portrait of the up-and-coming middle class during the prosperous 1920s, Sinclair Lewis perfectly captures the sound, the feel, and the attitudes of the generation that created the cult of consumerism. With a sharp eye for detail and keen powers of observation, Lewis tracks successful realtor George Babbitt's daily struggles to rise to the top of his profession while maintaining his reputation as an upstanding family man.

On the surface, everything is all right with Babbitt’s world of the solid, successful businessman. But in reality, George F. Babbitt is a lonely, middle-aged man. He doesn’t understand his family, has an unsuccessful attempt at an affair, and is almost financially ruined when he dares to voice sympathy for some striking workers. Babbitt finds that his only safety lies deep in the fold of those who play it safe. He is a man who has added a new word to our language: a “Babbitt,” meaning someone who conforms unthinkingly, a sheep.

Originally published anonymously in 1912, The Autobiography of an Ex-Colored Man revealed as never before the color line dividing America, and the price it exacted on those souls who could traverse the two worlds. The book presents the fictional account of "an ex-colored man" - an African-American who could pass for white - as he attempts to choose which side of the line will better suit his life, and his psyche.

First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America - an age of corruption when crooked land speculators, ruthless bankers, and dishonest politicians voraciously took advantage of the nation's peacetime optimism. With his characteristic wit and perception, Mark Twain and his collaborator, Charles Dudley Warner, attack the greed, lust, and naiveté of their own time in a work that endures as a valuable social document and one of America's most important satirical novels.

Set against the colorful tumult of events that gave rise to our fledgling nation, this novel of romance and adventure introduces Phillipe Charboneau. The illegitimate son of an English nobleman, Phillipe flees Europe and, as Philip Kent, joins the men who set our course for freedom. The Bastard is the first volume in the Kent Family Chronicles, a series of novels that details one family's journey in the early years of the American nation.

In 1956, when this novel was first published, communities all over New England snapped up copies to see if they were the town portrayed in the book. Peyton Place is the story of a repressive New England town known for its high standards of public morality, and the steamy sexual activities that take place behind its bedroom doors.

Lanning “Lanny” Budd spends his first 13 years in Europe, living at the center of his mother’s glamourous circle of friends on the French Riviera. In 1913, he enters a prestigious Swiss boarding school and befriends Rick, an English boy, and Kurt, a German. The three schoolmates are privileged, happy, and precocious - but their world is about to come to an abrupt and violent end. When the gathering storm clouds of war finally burst, raining chaos and death over the continent, Lanny must put the innocence of youth behind him.

Kurt Vonnegut's first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul's rebellion is vintage Vonnegut – wildly funny, deadly serious, and terrifyingly close to reality.

Karen Abbott's colorful, nuanced portrait of the iconic Everleigh sisters; their world-famous brothel, the Everleigh Club; and the perennial clash between our nation's hedonistic impulses and Puritanical roots culminates in a dramatic last stand between brothel keepers and crusading reformers. Sin in the Second City offers a vivid snapshot of America's journey from Victorian-era propriety to 20th-century modernity.

"Love Among the Chickens" is a comedic novel by British master of the genre, P. G. Wodehouse. The novel is narrated by Jeremy Garnet, an author and old friend of Ukridge. Seeing Ukridge for the first time in years, with a new wife in tow, Garnet finds himself dragged along on holiday to Ukridge's new chicken farm in Dorset. The novel intertwines Garnet's difficult wooing of a girl living nearby with the struggles of the farm, which are exacerbated by Ukridge's bizarre business ideas and methods.

Guy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: Complacency, greed, corruption, and idiocy. Determined to "make it hot for people," Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom.

This book, the only biography ever authorized by a sitting President - yet written with complete interpretive freedom - is as revolutionary in method as it is formidable in scholarship. When Ronald Reagan moved into the White House in 1981, one of his first literary guests was Edmund Morris, the Pulitzer Prize-winning biographer of Theodore Roosevelt. Morris developed a fascination for the genial yet inscrutable President and, after Reagan's landslide reelection in 1984, put aside the second volume of his life of Roosevelt to become an observing eye and ear at the White House.

Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.

These stories display Twain's place in American letters as a master writer in the authentic native idiom. He was exuberant and irreverent, but underlying the humor was a vigorous desire for social justice and a pervasive equalitarian attitude.

Kris Kringle, forced out of a retirement home for refusing to deny he is Santa Claus, is hired as a seasonal Santa at Macy's in Manhattan. Customers warmly accept him as the very spirit of the season. Susan, the young daughter of Doris Walker, the store's personnel director, likes Kris but does not believe in Santa Claus and tells him that he is merely a Macy's employee. Other children believe that he is the genuine, legendary Real Thing.