Amy Nicols (Lizzy Caplan) was an FBI agent with a dogged need to protect everyone—until that instinct caused her to mishandle a crisis, lose innocent lives, and lose her job. Now a civilian working in private security, that mistake still haunts her. One morning on the commuter train, she overhears a young couple plotting a murder. Ignoring warnings from her family and friends, Amy’s instinct to protect and serve compels her to investigate. But the further she goes, the more she finds her own life in danger.

Lana Fleming’s sister has vanished from the set of TV’s hottest show, and no one seems to care. Desperate for answers, Lana sneaks in as an extra, only to get stranded with Griffin Hart, an A-list action star with a reputation for good abs and bad decisions. Though Griffin didn’t expect to be cast as a librarian’s sidekick in a real-life thriller, he’s weirdly into it—and into her. Even more unsettling—she sees right through his playboy persona. But their meet-cute soon turns deadly when they uncover a Hollywood scandal for the ages.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Nate Thrower is in Mexico, barely finished with one job when another one literally shows up at his doorstep. He's hired by Manuel Ortiz, a wealthy CEO who's been receiving threats. The threats soon escalate into violence, with everyone in Ortiz' family now directly in danger. People are getting hurt. With things spiraling out of control, Thrower makes a call to an old friend to help him out of the jam. Together, they'll Silence their opponents and eliminate the threat.

In the small town of Beilford, Sue, the Baker's daughter, makes an uncharacteristically impulsive decision to accept a post as housekeeper to Mr and Mrs Darnay, dashing her family's hopes of her marrying a local suitor. And when Mrs Darnay suddenly departs, Sue's position in the house is left open to idle gossip - Mr Darnay is after all an artist, and everybody knows what that means. But it is not until Sue is summoned home that she finally realises the strength of her feelings towards her charming employer. . .

Jewel McKerry is on the brink of unraveling as she heads home to Oregon to help care for her father who has early-onset dementia. Her thirteen-year-old daughter is upset about the move. Her beekeeper dad is a humorous handful. Her mom is overworked and overwhelmed. Finances are stretched tight. And, according to her father, the neighbors are nothing but trouble. Despite all of these challenges, Jewel takes on one more when she convinces her parents to turn their decrepit farmhouse into a B&B in order to make some needed money.

Eleven hundred and some years after the death of Christ, in the kingdom that had but recently begun to call itself England, I, Once Was Willem, rose from the dead to defeat a great evil facing the humble village of Cosham. The words enclosed herein are true. I speak of monsters and magic, battle and bloodletting, and the crimes of desperate men. I speak also of secret things, of that which lies beneath us and that which impends above.

I loved the anonymity, flexibility and solitude that working the night shift at Storage Queen gave me. The unsociable hours paid well, helping me fund my university degree and giving me a quiet place to study while the world slept peacefully in their warm, cozy beds. It was the perfect job for me. But that Friday night proved to be more than I bargained for when a man walked through the door, dragging a large suitcase. My immediate instincts told me something was wrong. That’s when my ordeal began. I just had to make it through the night shift.

In June 1990, Ronald Baker, a straight-A UCLA student, was found repeatedly stabbed to death in a tunnel near Spahn Ranch, where Charles Manson and his followers once lived. Shortly thereafter, Detective Rick Jackson and his partner, Frank Garcia, were assigned the case. Yet the facts made no sense. Who would have a motive to kill Ron Baker in such a grisly manner? Was the proximity to the Manson ranch related to the murder? And what about the pentagram pendant Ron wore around his neck? Jackson and Garcia soon focused their investigation on Baker’s two male roommates, one Black, and one white.

1999: When successful writer Gillian Larking receives a letter from the nephew of an old friend, she knows that her past has finally caught up with her. Violet Claybourne, her old boarding school roommate, was a girl who captivated Gillian with stories of her charming sisters and their picturesque home at Thornleigh Hall. Violet Claybourne pulled Gillian into her life, into her family, and changed Gilly's path forever. Violet Claybourne also spent the past sixty years in a psych hospital, and now she wants Gillian to tell her story. The real story.

Paradise Alden's childhood in Nova Cambridge, Alabama, was idyllic until the night her parents were murdered. Since then life has left her scarred. After fifteen years, returning to her hometown is a last resort to finding her life again. She's hoping the wildlife refuge where she's accepted a veterinarian job will be the perfect place to heal from her recent traumas and unlock her memories about the night her parents died. But on the day she arrives at The Sanctuary, a body is discovered on the grounds.

A TV journalist travels to the Louisiana/East Texas bayou country to contact a disgraced police detective who was relegated to desk duty after complaining how his boss rushed to close the case of a missing girl presumed dead by pinning it on the wrong guy. The journalist has found a connection to other missing girl cases all linked through the appearance of a blood moon. They join forces to solve the case while sparks fly

After more than a year of laying low, Billie, Helen, Mary Alice, and Natalie are called back into action. They have enjoyed their time off, but the lack of excitement is starting to chafe: a professional killer can only take so many watercolor classes and yoga sessions without itching to strangle someone...literally. When they receive a call from the head of the elite assassin organization known as the Museum, they are ready tackle the greatest challenge of their careers.