
Chaucer
A European Life
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Narrado por:
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Marion Turner
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De:
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Marion Turner
A groundbreaking biography that recreates the cosmopolitan world in which a wine merchant's son became one of the most celebrated of all English poets.
More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination.
Uncovering important new information about Chaucer's travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer's writings, taking the listener to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales.
By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales.
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Fantastic in its depth and breadth!
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Not a typical biography
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Chaucer’s Genius in Context and Continuum
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Understanding Chaucer and His Writings
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Amazing scholarship - less so narration
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Here’s a sample paragraph:
“Pope Urban VI had been elected in April, but his cardinals were already regretting his election, and a large group had withdrawn from Rome to Anagni. While Chaucer was still in Lombardy, they pronounced the election void (on August 2nd); and the day after Chaucer returned to England, they elected a rival pope, Clement VII. Chaucer was also in Lombardy when Galeazzo Visconti died at Pavia on August 4th. He had ruled jointly with his brother Bernabò, and his death initially allowed Bernabò even freer reign, until Galeazzo’s son, Giangaleazzo, executed a coup against his uncle in 1385, a turn of Fortune’s wheel memorialized in the ‘Monk’s Tale.’”
Think about how dense that short paragraph is when listening to it. We have one event occurring on 2 August, another happening “the day after Chaucer returned to England”—it’s not clear when that is—and then another happening on 4 August. Chaucer “was still in Lombardy” on 2 August and “also in Lombardy” on 4 August—the author has already said in the previous paragraph that “Chaucer probably arrived in Milan around the end of June or beginning of July and stayed in Lombardy until mid-August” so we already know that Chaucer was in Lombardy on both the 2nd and 4th of August. It would have been clearer for the listener if the author had written a portion of the paragraph as something like “While Chaucer was in Lombardy, the cardinals pronounced the election void on August 2nd; two days later, Galeazzo died at Pavia, putting an end to his joint rule with his brother Bernabò…On 20 September 1378, the day after Chaucer returned to England, the cardinals elected a rival pope, Clement VII.”
A few paragraphs later, the author writes “ In Pavia, he could have found Boccaccio’s Filostrato, Amorosa Visione, Decameron, De Genealogia Deorum Gentilium, De Claris Mulieribus, De Casibus Virorum Illustrium, and De Montibus.” If you’re reading these titles, you can at least take each one in, one at a time, but, unless you’re familiar with Boccaccio’s works (I know only of Decameron), the stream of titles in Latin as audio is impenetrable.
Much of the book is like that.
I acknowledge the author’s erudite, scholarly approach to Chaucer and his life. The book had interesting things to say about Chaucer as a prisoner of war, the diplomat, the civil servant in the “counting house,” the father—and, perhaps a bit too gingerly, the accused rapist of Cecily Champaigne (Turner speculates freely elsewhere but not there). But it’s so dense, so unsuitable as an audiobook, that it is difficult to recommend.
And, as an exceedingly minor point, I thought some of the author’s pronunciations were just plain weird: for example, she says “counterfeit” as “counter-fate” (which sounds like a Chaucerian affectation, honestly) and “treatise” as “tree-tize” (the second syllable rhyming with “size”). Perhaps they are dialectal variations but I found them to be a bit distracting.
A dense slog, perhaps better read than listened to
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