Thrill to the hardboiled adventures of Ellery Queen, Philip Marlow, Dragnet, The Man called X, Philo Vance, Rocky Fortune and so many more as heroes fight the bad guys. 100 great detective classics in one collection.

Before TV’s The Twilight Zone, there was radio’s The Inner Sanctum Mystery, Lights Out!, The Weird Circle, and so many other great mysteries starring Orson Welles, Jane Wyman, Dana Andrews, Edmond O’Brien, James Cagney and more. 100 great mystery classics in one collection.

Jack Webb (1920 - 1982) was a popular American actor, television producer, director, and screenwriter. He started out in the entertainment industry in comedy, but achieved his first success playing the title character in the radio show Pat Novak, for Hire. His greater success came from his role as Los Angeles Police Department sergeant Joe Friday in the show Dragnet, which he created based on actual LAPD criminal case files and which ran for many years on both radio and television.

This collection contains twelve of the greatest mystery shows ever broadcast during the golden age of radio! You'll hear Richard Widmark starring in Inner Sanctum Mysteries, Orson Welles in The Black Museum, Peter Lorre in Mystery in the Air, William Conrad in The Whistler, Ernest Chappell in Quiet, Please, Everett Clarke in Lights Out, Harry Bartell in Escape, and Fredric Marchin a tale well calculated to keep you in Suspense, plus many more.

This collection contains 12 of the greatest Christmas radio shows ever broadcast during the golden age of radio!

Join your favorite radio stars under the Christmas tree. Enjoy Bing Crosby, Amos & Andy, The Father Knows Best family, The Great Gildersleeve, Fibber McGee & Molly, and more, even Al Jolson and Boris Karloff. Hear legendary performer Lionel Barrymore as Scrooge. There are no “Bah Humbugs” is this amazing collection of 100 great Christmas classics.

Tales of the Texas Rangers is a 20th-century Western old-time radio and television police procedural drama that originally aired on NBC Radio from 1950 to 1952 and later on CBS Television from 1955 to 1958. Film star Joel McCrea voiced the radio version as the fictitious Texas Ranger Jace Pearson, who uses the latest scientific techniques to identify criminals. His faithful horse Charcoal (or "Charky") helps Pearson to track down the culprits.

The world-weary private investigator Harry Nile is one step ahead of the mob, but one step behind the bill collectors. That's why he takes pretty much any case he can catch—from robbery to kidnapping to murder. Phil Harper stars as Harry in twenty-one mood-filled mysteries, aided and assisted by Pat French as Murphy, his secretary extraordinaire. This is classic radio noir for a new generation, created and produced by Jim French.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim and Marian Jordan as Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny welcoming guest, Fred Allen, Freeman Gosden and Charles Correll as Amos ‘n’ Andy and many more!

Here is radio situation comedy at its finest - from the cartoony fun of Fibber McGee and Molly to the well-drawn family humor of The Great Gildersleeve, from the broad gags of The Phil Harris-Alice Faye Show to the subtle wit of The Couple Next Door, from the double-edged meta-comedy of The Jack Benny Program to the blue collar comedy of The Life of Riley. Spend time with Burns & Allen, Ozzie & Harriet, Lucille Ball, Eve Arden, Dennis Day, and all the rest of your favorites in 10 big hours of The Great Radio Sitcoms!

Agonizing predicaments, stellar sound effects, and high wattage Hollywood star power combine in radio's top thriller. Myrna Loy, Joseph Cotten, Lucille Ball, Robert Taylor, Ronald Colman, and Agnes Moorehead give brilliant performances in blood-chilling stories. Twenty white-knuckled episodes (produced and directed by the legendary William Spier) feature a superior supporting cast, including John Dehner, Howard Duff, Elliott Lewis, William Johnstone, Joseph Kearns, and more. The tension and excitement of this Peabody Award-winning series are well calculated to keep you in...Suspense!

Deck the halls and prop up the antenna - because Christmas is on the air! Here come all of your radio favorites in a holly-wreathed collection of priceless holiday moments. These classic episodes are accented with humor, tinged with adventure, and well-seasoned with all the good family feelings that fill our hearts during this season of the year! From Fibber McGee & Molly to Suspense, from Red Skelton to Marshal Matt Dillon, from Mr. Benny to St. Nick himself, tune in to 10 full hours of seasonal entertainment!

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Crime, mystery, and just a touch of the supernatural - they're all on display in Radio's Outstanding Theatre of Thrills! Join your host, The Man in Black, for 20 gripping installments of Suspense (including the first ever broadcast of "Sorry, Wrong Number"). Legends like Cary Grant, Agnes Moorehead, Peter Lorre, Vincent Price, Orson Welles, and Gene Kelly star in stories by thriller greats like Agatha Christie, Lucille Fletcher, John Dickson Carr, and Cornell Woolrich. Enjoy these tales well calculated to keep you in…Suspense!

Father Knows Best was a situation comedy built around the Anderson family and life on Maple Street in the fictitious Midwestern town of Springfield. Robert Young starred as Jim Anderson, head of the household, husband of Margaret, and an insurance man by occupation. The couple had three children. The weekly radio script, although played for laughs, offered words of wisdom and “recipes for domestic happiness” that American families could identify with. Jim’s understanding wife Margaret was the picture of domesticity as mother to Betty (aged 18), Bud (16), and Kathy (10).

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.