Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

In Screen Tests, an astoundingly original and stylish collection, Zambreno has once again created new categories of writing, of vivid and surprising language and thought.

Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago.

Father Dan is homeless. Dismissed by his conservative diocese for eccentricity and insubordination, he's made his exile into a kind of pilgrimage, transforming his Toyota Camry into a mobile monk's cell. He intends to spend his trip in peaceful contemplation. But then he sees a minivan sideswipe a coyote. Unable to suppress his Franciscan impulses, he takes the wild animal in, wrapping its broken leg with an old T-shirt and feeding it Spam with a plastic spoon. But the coyote is far from the only oddity fate has delivered into this churchless priest's care....

Seventeen years ago, King Odysseus sailed to war with Troy, taking with him every man of fighting age from the island of Ithaca. None of them has returned, and the women of Ithaca have been left behind to run the kingdom. Penelope was barely into womanhood when she wed Odysseus. While he lived, her position was secure. But now, years on, speculation is mounting that her husband is dead, and suitors are beginning to knock at her door. No one man is strong enough to claim Odysseus' empty throne—not yet.

A one-in-ten-billion natural disaster devastates Chicago. A Jewish comedian, his most devoted fan, and the city’s mayor must struggle to move forward while the world—quite literally—caves beneath their feet. With this polyphonic tale of Chicago-style politics and political correctness, stand-up comedy and Jewish identity, celebrity, drugs, and animal psychology, Levin has constructed a monument to laughter, love, art, and resilience in an age of spectacular loss.

“In the spring of 1936, a writer planted roses.” So begins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit’s account of this overlooked aspect of Orwell’s life journeys through his writing and his actions.

This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Alice has always wanted to be a writer. Her talent is innate, but her stories remain safe and detached, until a devastating event breaks her heart open, and she creates a stunning debut novel. Her words, in turn, find their way to readers, from a teenager hiding her homelessness, to a free diver pushing himself beyond endurance, an artist furious at the world around her, a bookseller in search of love, a widower rent by grief. Each one is drawn into Alice’s novel; each one discovers something different that alters their perspective, and presents new pathways forward for their lives.

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

How do you tell the real story of someone misremembered - an icon and idol - alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place.

A beautiful, vibrant memoir about growing up motherless in 1970s and 80s San Francisco with an openly gay father. After his wife dies in a car accident, bisexual writer and activist Steve Abbott moves with his two-year-old daughter to San Francisco. There they discover a city in the midst of revolution, bustling with gay men in search of liberation - few of whom are raising a child. Steve throws himself into San Francisco's vibrant cultural scene.

In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.

In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.

In February 2008 a casual afternoon of ice skating derailed the trip of a lifetime. Mary Morris was on the verge of a well-earned sabbatical, but instead she endured three months in a wheelchair, two surgeries, and extensive rehabilitation. On Easter Sunday, when she was supposed to be in Morocco, Morris was instead lying on the sofa reading Death in Venice, casting her eyes over these words again and again: "He would go on a journey. Not far. Not all the way to the tigers." Disaster shifted to possibility and Morris made a decision.

Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.

When Abigail Thomas’s husband, Rich, was hit by a car, his brain shattered. Subject to rages, terrors, and hallucinations, he must live the rest of his life in an institution. He has no memory of what he did the hour, the day, the year before. This tragedy is the ground on which Abigail had to build a new life. How she built that life is a story of great courage and great change, of moving to a small country town, of a new family composed of three dogs, knitting, and friendship, of facing down guilt and discovering gratitude.

Alexandra Styron's parents—the Pulitzer Prize-winning author of Sophie’s Choice and his political activist wife, Rose—were, for half a century, leading players on the world’s cultural stage. Alexandra was raised under both the halo of her father’s brilliance and the long shadow of his troubled mind. Reading My Father portrays the epic sweep of an American artist’s life. It is also a tale of filial love, beautifully written with humor, compassion, and grace.

It's a report tempered by hard times. In "Matricide", Daum unflinchingly describes a parent's death and the uncomfortable emotions it provokes; and in "Diary of a Coma" she relates her own journey to the twilight of the mind. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the marriage-industrial complex, of the New Age dating market, and of the peculiar habits of the young and digital.

Emma Forrest, a British journalist, was just 22 and living the fast life in New York City when she realized that her quirks had gone beyond eccentricity. In a cycle of loneliness, damaging relationships, and destructive behavior, she found herself in the chair of a slim, balding, and effortlessly optimistic psychiatrist--a man whose wisdom and humanity would wrench her from the dangerous tide after she tried to end her life.

When Mark Doty went looking to adopt a small dog, a cuddly creature who might comfort his terminally ill partner, Wally Roberts, he was surprised to find himself returning home from an animal shelter with a full-grown golden retriever, a dog whose "absolute openess of regard", and paw gently offered through the bars of a cage, proved irresistable to him.

The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.

This Close to Happy is the rare, vividly personal account of what it feels like to suffer from clinical depression, written from a woman's perspective and informed by an acute understanding of the implications of this disease over a lifetime. Taking off from essays on depression she has written for The New Yorker and The New York Times Magazine, Daphne Merkin casts her eye back to her beginnings to try to sort out the root causes of her affliction.

In a steam-filled diner in a college town, Flannery Jansen catches sight of something more beautiful than she's ever seen: a graduate student, reading. The 17-year-old, new to everything around her - college, the East Coast, bodies of literature, and the sexual flurries of student life - is shocked by her desire to follow this wherever it will take her.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organize her own death.

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep the child. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist and ended up in a hospital emergency ward where she nearly died. In Happening, Ernaux sifts through her memories and her journal entries dating from those days.