
Eat the Ones You Love
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Narrated by:
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Barry McStay
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Lauren O’Leary
About this listen
“Do you mind me asking—what kind of help do you need?”
After losing her job and her fiancé and moving back from the city to live with her parents, Shell Pine needs some help. And according to the sign in the window, the florist shop in the mall does too. Shell gets the gig, and the flowers she works with there are just the thing she needs to cheer up. Or maybe it’s Neve, the beautiful shop manager, who is making her days so rosy?
But you have to get your hands dirty if you want your garden to grow—and Neve’s secrets are as dark and dangerous as they come. In the back room of the flower shop, a young sentient orchid actually runs the show, and he is hungry . . . and he has a plan for them all.
When the choices are to either bury yourself in the warmth of someone else’s fertile soil, or face the cold and disappointing world outside—which would you choose? And what if putting down roots came at a cost far higher than just your freedom?
This is a story about desire, dreams, decay—and working retail at the end of the world.
A Macmillan Audio production from Tor Books.
©2024 Sarah Maria Griffin (P)2024 Macmillan AudioCritic reviews
“Deliciously strange, delightfully wicked.”—V. E. Schwab, New York Times bestselling author of The Invisible Life of Addie LaRue
“A beautiful dark gem of a book.”—Zoraida Córdova, USA Today bestselling author of The Inheritance of Orquídea Divina
“Sarah Maria Griffin is an artist of the rarest kind: genuine, vulnerable, funny, tragic and wise.”—Sarah Rees Brennan, New York Times bestselling author of Long Live Evil
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Story
Halley is on the run from an interplanetary political scandal that has put a huge target on her back. She heads for what seems like the perfect place to lay low: a gigantic space barge storing the cryogenically frozen bodies of Earth’s most fortunate citizens from more than a century ago… The cryo program, created by trillionaire tech genius Zale Winfeld, is long defunct, and the AI hologram "hosts," ghoulishly created in the likeness of Winfeld’s three adult children, are glitchy. The ship feels like a crypt, and the isolation gets to Halley almost immediately.
By: S.A. Barnes
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The Cut
- A Novel
- By: C. J. Dotson
- Narrated by: Jenn Lee
- Length: 10 hrs and 30 mins
- Unabridged
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Overall
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Performance
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Story
A historic hotel long past its prime and huddled along The Cut, a questionable Lake Erie beach, isn’t Sadie Miles’ ideal place to raise a toddler while also navigating her second pregnancy. After finally fleeing her abusive ex-fiancé, though, Sadie’s new housekeeping position and free room at L’Arpin Hotel are the best she can manage. On her first night, Sadie runs to help a guest struggling in the hotel’s pool only to find the water calm and empty when she gets there, leaving her with a lingering unease.
By: C. J. Dotson
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The Last Session
- A Novel
- By: Julia Bartz
- Narrated by: Hillary Huber, Allyson Ryan
- Length: 13 hrs and 17 mins
- Unabridged
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Overall
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Performance
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Story
From the instant New York Times bestselling author of The Writing Retreat, a white-knuckled locked-room thriller about a social worker who, after coming face-to-face with her dark past, must infiltrate a mysterious wellness center in the deserts of New Mexico.
By: Julia Bartz
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Spread Me
- By: Sarah Gailey
- Narrated by: Xe Sands
- Length: 8 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
Kinsey has the perfect job as the team leader in a remote research outpost. She loves the isolation and the way the desert keeps temptations from the civilian world far out of reach. When her crew discovers a mysterious specimen buried deep in the sand, Kinsey breaks quarantine and brings it into the hab. But the longer it's inside, the more her carefully controlled life begins to unravel. Temptation has found her after all, and it can't be ignored any longer.
By: Sarah Gailey
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Beta Vulgaris
- A Novel
- By: Margie Sarsfield
- Narrated by: Ellen Archer
- Length: 8 hrs and 25 mins
- Unabridged
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Overall
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Performance
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Story
Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.
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The awful personality of the main character.
- By Gina Q. on 02-16-25
By: Margie Sarsfield