From fishing in the lake for Old Muley to fishing in the closet for just about everything else, wartime America’s favorite couple keeps the fun coming. Head on down to Wistful Vista and hear it for yourself in this collection of comedy classics from 1944 and 1945! Jim and Marian Jordan star as Fibber McGee and Molly - with Arthur Q. Bryan as Doc Gamble, Shirley Mitchell as Alice Darling, Bea Benaderet as Mrs. Carstairs, Marlin Hurt as the unforgettable Beulah, and Harlow Wilcox selling the Glo-Coat!

Fibber McGee & Molly had a long and successful run on radio from 1935 to 1959, featuring its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife, Molly, who tried to keep him out of trouble.

He's settling in with his new life and his new family in Summerfield U. S. A.—and now Throckmorton P. Gildersleeve has a new job! How does a man whose only experience with plumbing is turning on the faucet end up as the new Water Commissioner? These 16 digitally restored and remastered episodes feature Walter Tetley as Leroy, Lurene Tuttle as Marjorie, Lillian Randolph as Birdie, Earle Ross as Judge Hooker, Dick LeGrand as Mr. Peavey, Shirley Mitchell as Leila Ransom…and Harold Peary as Gildy.

A hilarious collection of episodes from the beloved radio show Fibber McGee & Molly Excitable and loose-lipped Fibber means well enough, but it's not always easy for even-tempered Molly to keep him in check and out of trouble. Of course, the long suffering Mrs. McGee's penchant for patience makes it all the funnier when she's finally pushed to the point of exasperation. What both McGees have in common is that they're fabulously friendly, opening their door at 79 Wistful Vista to welcome all sorts of interesting guests, including Mayor LaTrivia, Doc Gamble, and neighborly nemesis Throckmorton P. Gildersleeve.

Stand back! The closet door swings open once again and out tumble Fibber McGee and Molly! Join Jim and Marian Jordan and their regulars, Gale Gordon, Bill Thompson, Isabel Randolph, Billy Mills, the King's Men, and Harlow Wilcox for 20 laugh-filled half-hours from the very peak of their radio popularity!

Throckmorton P. Gildersleeve was a popular character appearing each week on the Fibber McGee and Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy, The Great Gildersleeve, becoming radio's first spin-off. Gildersleeve moved from the town of Wistful Vista, where Fibber McGee and Molly lived, to Summerfield, where he oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie and Leroy Forrester.

The war's over, and Wistful Vista's back to normal - or as normal as it can get with Fibber McGee around! "Himself" is waging campaigns against his finance company, a millionaire, and the United States Postal Service. Plus Doctor Gamble and Mayor LaTrivia are battling over Fifi Tremayne - who has troubles with prowlers...and a pair of suitors.

Is Throckmorton P. Gildersleeve (Harold Peary), Summerfield's most notorious "bachelor on the prowl," about to adopt a third child? That's how it seems when he finds an abandoned baby girl in the backseat of his car. Informed that the child could be taken away from him because of his bachelor status, The Great Man proposes to Adeline…and her cousin…Gildy's old flame, Leila Ransom!

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Throckmorton P. Gildersleeve requests the honor of your presence at the marriage of his niece, Marjorie Forrester, to Bronco Thompson, son of Mr. and Mrs. Edward Thompson at Summerfield Church on May 10, 1950. Harold Peary, starring as Uncle Mort, finds himself at odds with Bronco's parents, at loose ends with love interest Kathy Milford, and at a loss on how to deal with Marjorie's impending departure. But he's got trusted and treasured friends in Summerfield to help him through.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.