When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Berlin, 1939. Tears pouring down her cheeks, Rosa pushes through the crowds and thrusts the basket containing her darling newborn twins at the woman closing the door to the carriage. All she can say is please take them. Then she runs, praying the train will reach England safely…

1922. Twenty-year-old Eleanor Mackridge is horrified by the future mapped out for her – to serve the upper classes or find a man to marry (preferably kind). She ‘proved useful’ working in a munitions factory during the war – handling explosives – but now, society is returning to normal and women are being put back in their place.

Northern New England, summer, 1688. Perched on the brink of disaster, Resolve Hammond and her mother, Deliverance, struggle to survive in their isolated coastal village. They're known as healers taught by the local tribes—and suspected of witchcraft by the local villagers. Their precarious existence becomes even more chaotic when summoned to tend to a poisoned woman. As they uncover a web of dark secrets, rumors of war engulf the village, forcing the Hammonds to choose between loyalty to their native friends or the increasingly terrified settler community.

Ruth-Ann Baker is a college dropout, a bartender—and an amateur detective who just can’t stay away from true crime. Nineteen years ago, her childhood friend was murdered by suspected serial killer Ethan Oswald. Still tormented by the case, Ruth can’t help but think of the long-dead Oswald when another young girl goes missing from the same town. And when she uncovers startling new evidence that suggests Oswald did not act alone, she is determined to find his deadly partner in crime.

Hallie, a young and successful fashion blogger, recently married to a station owner, is having trouble adjusting to the flies, dust, snakes and isolation in the Flinders Ranges. Left alone with her baby while her husband, Alex is often out on long bore runs during the day, she also has to contend with her father-in-law, Rod, who insists on making himself at home in their house. Alex is out on a bore run, and as Hallie and their daughter, Ruby, watch him in real time on the camera from the homestead, Alex suddenly disappears from view. He is found later, dead at the bottom of a windmill.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

In 2019, while sifting through University of Pittsburgh Library’s System’s George A. Romero Archival Collection, novelist Daniel Kraus turned up a surprise: a half-finished novel called Pay the Piper, a project few had ever heard of. In the years since, Kraus has worked with Romero’s estate to bring this unfinished masterwork to light.

Detroit, 1960. Lila Pereira is two years old when her angry, abusive father has her mother committed to an asylum. Lila never sees her mother again. Three decades later, having mustered everything she has—brains, charm, talent, blond hair—Lila rises to the pinnacle of American media as the powerful, brilliant executive editor of The Washington Globe. Lila unapologetically prioritizes her career, leaving the rearing of her daughters to her generous husband, Joe. He doesn’t mind—until he does.

When Demi Rao, a young woman, is at her wits' end and on the run from escaping her captor, she comes across an employment ad from the Ivory family, looking for someone to help maintain their elaborate estate. Although the ad is strange with meticulous directions to wear all white, no makeup, and speak quietly, Demi applies. With no choices, Demi gets and accepts the job, and when she does, she quickly realizes she's not there to clean; she's there for a purpose.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.