Growing up in North Carolina, Donald Davis heard stories that came to America through Scots-Irish immigrants about a fellow named Jack who was so real that young Davis thought he was a distant relative or otherside-of-the-mountain neighbor. Now Davis knows that Jack is a universal legendary figure who, by various names, is found in nearly every culture.

Grandma's house was a magical place, and in this vivid memoir, Donald Davis makes it possible for each of us to go back to our own grandma's kitchen, clutter room, living room, and to that immeasurable bed that seemed to swallow us whole. This selection also contains a traditional story Davis learned from his grandmother, one handed down through his family from generations who once lived in Scotland before coming to the Appalachian mountains, about the time that fortune-seeker named Jack made the king mad.

There was a time during Donald Davis's college freshman year when he wasn't really sure he wanted to claim his hometown of Sulpher Springs, North Carolina. But a boy by the name of Stanley Easter changed Davis's mind.

Braces hurt. Braces look funny. Braces are downright embarrassing. And just about the time you think they're going to feel normal, it's time to tighten them up again. Worst of all, most of us get braces just at that time of life when the last thing we want to do is to look conspicuous, to call attention to ourselves in any way. This new coming-of-age story employs storyteller Donald Davis' trademark descriptions and humor to address the question: is this worth all the pain and embarrassment?

Four Jack Tales from the Appalachian oral tradition, recorded by a nationally accalimed storyteller. In this collection, Jack has a little trouble adjusting to the workaday world and to personal financial management. Eventually he works hard enough, but his fortunes do not seem to parallel his productivity. Jack finally has to go a bit out of his way to prove himself, meanwhile dealing with a prospective father-in-law who plays hard to get.

Sibling rivalry. Sometimes, a kid just isn't ready for some little squirt to come along and invade his space, his own room. So what if there's an extra bed in the room; isn't that where the stuffed animals are supposed to sleep? How could a couple of otherwise sensible parents just bring a new kid home without even consulting their very own son? Still, a younger sibling can be in need of a big brother's guidance.

An eccentric schoolteacher and a widow-lady babysitter are the heroines in these new digital studio recordings of Donald Davis' two all-time most-requested stories. "It was the 42nd year she had taught fourth grade", yet there was nothing routine about Miss Daisy or her methods. Rather than settle for textbook work (Miss Daisy left textbooks in the big closet) she took her class on a year-long imaginary world tour.

Storyteller Donald Davis had a very sensible mother. She had a pretty good idea of what boys would do, so she was always on the lookout. As Davis later learned, always being on the lookout is what mamas do. His vigilant but gentle mother gave her son multiple gifts in life and, as we learn in the end, gifts that do not end with her passing.

Joe Davis was in his mid-40s when he became a father, and the experience he was able to apply in raising his sons lent creativity to his parenting. The five stories here recall the wisdom of fathers with humor and rich detail: a visit to the Smithsonian inspires father's memory; father "cures" a boy's impulse to try cigarettes; Santa Claus learns an important lesson; and someone plays a trick on a visiting preacher.

Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day.

Two new Appalachian stories from the author of the award winning Listening for the Crack of Dawn; an ideal introduction to contemporary storytelling for adults. Both stories are based upon real people. In the first, a disastrous birthday enables a child to learn more than an adult possibly could. In the second, two unusual people live their conviction that people are more important than things.

From the heart of the Appalachian Mountains come these folktales and folk rhymes for young children. In this recording of timeless children's tales, Davis, one of our most gifted storytellers, weaves for a new generation the same tales his grandmother told him as he sat in her lap so many years ago.

In the hills of Appalachia, humor and wisdom are mixed up forever in funny, wise stories that seem to grow more lustrous with each telling. Here are two of the best: "Uncle Frank Invents the Electron Microphone", Appalachian folk wisdom rolled into one of Davis' funniest stories; "Uncle Frank and the Crown Feed Boys", Davis' legendary Uncle Frank teaches a couple of traveling salesmen the lesson of their lives.

Traditional values abound in these hilarious stories from Appalachia: friendship, family, orderliness, humor, and delight in an especially inventive practical joke. In "Rainy Weather", a hound dog with more heart than sense wins everyone's admiration. "Uncle Frank Learns to Speak Polish" finds Davis' famous Uncle Frank making the most of a little foreign language. And, in "Uncle Frank Clean Up the Post Office", cleanliness is next to godliness, and it's also next to hilarity.

The warmth of the Christmas season is condensed into this single collection that will rekindle your Christmas memories. Who doesn't remember Christmas at Grandma's? The living room aglow with family and friends, the kitchen like a factory of sweet aromas, the relatives everywhere! Donald Davis captures the spirit of Christmas as seen through the eyes of a child in these stories: "Christmas in Sulpher Springs", "The Children's Christmas Party", "The Year My Brother Almost Died", and "The Red Scooters."

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.