Liz Dawson weaves through a crowd with the ease of a tropical breeze; she’s clever, smooth, and confident—qualities that make her a brilliant serial con artist. Isabelle Beresford is strikingly beautiful, obscenely wealthy, and the new owner of Casa Esmerelda, a fabulous villa on the Mexican coast—attributes that make her the perfect mark. When she offers Liz a job handling the installation of a piece of art in her otherwise vacant home, Liz can’t resist the allure of a beach retreat. But when Liz is mistaken for Isabelle herself, Liz can’t help slipping into the socialite’s identity.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

Maddie Sanderson would be proud to honor her older brother’s dying wish, that she scatters his ashes over eight destinations that the adventurous 29-year-old never got to visit before he died from cancer. But in his will, Josh assigned her an impossible partner to help complete the mission—Dominic Perry. Seriously, if Maddie weren’t already at her brother's funeral, she would have killed him for this.

Sienna Naples's family has taken care of their wild Idaho land for generations and Sienna can't imagine any other life. But at Christmastime, with her parents gone and her painful marriage finally over, it's full of memories… and incredibly lonely. Until a tall, handsome stranger and a little girl walk into her life and suddenly the holidays are alive again.

What if you were lost at sea…with your one-night stand? Zeke and Lexi thought it would just be a night of fun. They had no intentions of seeing each other again. Zeke is only in town for the weekend to buy back his late father’s houseboat. Lexi has no time for dating when she needs to help take care of her best friend's daughter.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.

Sawyer Greene knows romance. She’s a bestselling author of the genre—or she was, until her ex left her with nothing but writer’s block and a broken heart. But when she gets stuck in the elevator with a handsome stranger, she sees their meet cute for what it is: just a one-night stand. It might have worked, too, if they could stop running into each other. Actor Mason West sees Sawyer’s reappearance in his life as a sign. Obviously, they’re meant to cure each other. Him of the hopeless romanticism that only ends in heartbreak—and tabloid trainwrecks—and Sawyer of her writer’s block.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years.

Florence Grimes is a thirty-one-year-old party girl who always takes the easy way out. Single, broke and unfulfilled after the humiliating end to her girl band career, she has only one reason to get out of bed each day: her ten-year-old son Dylan. But then Alfie Risby, her son’s bully and the heir to a vast frozen food empire, mysteriously vanishes during a class trip, and Dylan becomes the prime suspect. Florence, for once, is faced with a task she can’t quit: She’s got to find Alfie and clear her son’s name, or risk losing Dylan forever.

Ada’s little sister is getting married. Which should be a happy thought, right? But the once close sisters have been in a year long fight, the wedding is all the way in Ireland, and Ada is so broke that she just barely managed to get a ticket on a budget airline. And as if things couldn’t get worse, said airline just cancelled her connection. Which means Ada is stuck in London with no way to make it to the wedding.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

When Kyle McCray gets word his father has suffered a debilitating stroke, he returns to his hometown of Potsdam, New York, where he doesn’t expect a warm welcome. Kyle left suddenly two and a half years ago, abandoning people who depended on him: his father, his employees, his friends—not to mention Casey, his wife of sixteen years and a beloved teacher in town. He plans to lie low and help his dad recuperate until he can leave again, especially after Casey makes it clear she wants him gone.

On paper, Gemma's life is just like any other successful, single thirtysomething. Her students adore her. She lives in a cute beachside cottage next door to the world's sweetest neighbor, Margie. And she's definitely caught the eye of Karim, the resident hot PE teacher at her school. But every day of her life, she can't get one thing out of her mind: the baby she gave up for adoption when Gemma was just sixteen years old. This is the year that Baby--the only name Gemma has for her little girl--will turn eighteen. And it might be the year she actually meets her daughter face-to-face.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Life’s not going well for forty-year-old Abby. When her beautiful and charismatic best friend dies suddenly, she’s left reeling. Hetty’s always been such a dominant force in her life; now Abby must figure out who she is – and who she wants to be – without Hetty by her side. Abby has always been the odd one out in Hetty’s wealthy, privileged friendship group. Despite their differences, Abby has managed to carve out a place for herself. But Hetty isn’t an easy friend to have. She blows hot and cold, alternating between fierce loyalty and unwarranted cruelty.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

"Your daughter is dead." When Kat Cavanaugh hears the words every mother dreads, her perfect world shatters. She takes in the beautiful long blonde hair, torn yellow dress, and chipped blue nail-varnish. It can’t be real. And then the police add the word "suicide". But Kat refuses to believe them. Even when they show her the familiar looping handwriting and smudged ink on the note her little girl left behind. She knows her bubbly, vivacious daughter would never take her own life.

It’s 1980s California, and everyone’s dreaming of the endless summer: sun-drenched beaches, infinite waves, and most of all, beautiful, beautiful freedom. For the Merrick siblings, this idyllic vision is their reality, as they travel up and down the coast with their parents in a van year-round, surfing and swimming their days away. But when a photographer secretly snaps a stunning photo of the family with their boards in the sand, and the image ripples across the country, the only life they’ve ever known is put at risk.

If your twenties are supposed to be the best years of your life, Bennet Taylor is failing miserably . . . with a big emphasis on the miserable. Where’s that zest she keeps hearing about? She’s a temp worker in New York City with no direction, no future, and no social life. And at the painful center of this listlessness is grief over the death of her first love.

Linda is doing her best to lead a life that would appear normal to the casual observer. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless garage she rents on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true passion, taking BART to SFO for a round-trip flight to a regional hub. The destination is irrelevant, because each trip means a new date with a handsome stranger—a stranger with intelligent windscreens, sleek fuselages, and powerful engines.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

Morocco, 1928. Marie-Madeleine Méric is not the kind of woman who stays quietly at her husband’s side. Polyglot, pianist, and pilot, she is a woman of many skills, with unconventional interests—like driving in car rallies—that earn her a daredevil reputation. But dabbling in intelligence work to assist her military officer husband and the French government helps her recognize who she is at heart: an adventurer.

Emma Page grew up the black sheep in a bookish household, raised to believe that fine literature is the only worthy type of fiction. Her parents, self-proclaimed “serious” authors who run their own vanity press, The Mighty Pages, mingle in highbrow social circles that look down on anything too popular or mainstream, while her sister, Jess, is a powerful social media influencer whose stylish reviews can make or break a novel.

Zahra Starling and her younger half sister, Aurora, have nothing in common. Not their childhoods or their personalities. And certainly not their outlooks. After a terrible loss, Zahra prefers the solitude of her LA kitchen to people, especially family. Bubbly Aurora, a rising Hollywood starlet, has everything she’s ever dreamed of, except a relationship with her sister. Then comes a plea from their dying father, who wants both daughters by his side. He has a secret to share that’s been a long time coming.

Katie seems to have the perfect life—a great husband, a precocious and winning ten-year-old son; and a glamorous job as writer for the long-running TV series, Spy Guys, based on her own surprisingly successful novel. But for Katie, writing about the spy business isn’t as satisfying as working in it.

For fans of Megan Collins with the taut character study of Angie Kim comes a searing mystery that follows three siblings as they reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads the obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again.

Duc Tran, the eccentric founder of the Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. No one has heard from his wife, Evelyn, in two decades. She abandoned the family without a trace, and clearly doesn’t want anything to do with Duc, the business, or their kids. But the money has to go to someone. With the help of the shady family lawyer, Duc informs his five estranged adult children that to receive their inheritance, his four daughters must revitalize run-down shops in old-school Little Saigon locations across America: Houston, San Jose, New Orleans, and Philadelphia.

The newly nameless narrator of Make Sure You Die Screaming has rejected the gender binary, has flamed out with a vengeance at their corporate gig, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is on a bender to end all benders. A call from their mother with the news that their MAGA-friendly, conspiracy-theorist father has gone missing launches the narrator from Chicago to deep red Arkansas in a stolen car.

Business has never been better for Nura Khan, a third-generation matchmaker in Atlanta. Her exclusive clientele benefits from her impeccable track record. And while a single thirty-one-year-old matchmaker would normally raise some perfectly threaded eyebrows in the community, Nura’s childhood best friend, Azar, is willing to double as her pretend fiancé at her clients’ weddings—even though Nura’s feelings for him might not be so pretend.