Breasts & Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the 30-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent.

On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses - until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards.

On the day of the historic 1945 Jewel Voice Broadcast - in which Emperor Hirohito announced Japan’s surrender to the Allied forces, bringing an end to World War II - three men, flush with jubilation, made a pact. After their deaths, each year on the anniversary of the broadcast, their souls would return to the Chinese village of their younger days. Now, seventy years later, the pledge is being fulfilled by American missionary Pastor Billy, brash gunner’s mate Ian Ferguson, and local soldier Liu Zhaohu. All that’s missing is Ah Yan - also known as Swallow.

In Tokyo, 16-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox - possibly debris from the devastating 2011 tsunami.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

Tokyo resident Keiko Furukara has never fit in - neither in her family, nor in school - but when at the age of 18 she begins working at the Hiiromachi branch of national convenience store chain Smile Mart, she realizes instantly that she has found her purpose in life. Delighted to be able to exist in a place where the rules of social interaction are crystal clear (many are laid out line-by-line in the store's manual), Keiko does her best to copy the dress, mannerisms, and mode of speech of her colleagues, playing the part of a "normal" person excellently, more or less.

Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men.

Mikage is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend, Yoichi, and his mother (who is really his cross-dressing father), Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart.

From the creator of the beloved and universally acclaimed television series BoJack Horseman, a fabulously off-beat collection of short stories about love - the best and worst thing in the universe. Equally at home with the surreal and the painfully relatable (and both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.

To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot.

The Hartes and the Golds have been neighbors for 18 years and are very close. So when Chris and Emily's friendship reaches the next level, nobody is surprised. Then one night, the hospital calls. Seventeen-year-old Emily is dead - shot in the head by a gun Chris took from his father's cabinet. One bullet remains in the chamber, and Chris tells of his suicide pact with Emily. But the police have questions, and soon Chris is on trial for murder.

Tsukiko, 38, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei", in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is 30 years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy, which tilts awkwardly and poignantly into love.

One conversation is all it takes to break a world wide open. Seventeen-year-old Macy Lyons has been through something no one should ever have to experience. And she's dealt with it entirely alone. On the outside, she's got it pretty good. Her family's well off, she's dating the cute boy next door, she has plenty of friends, and although she long ago wrote her mother off as a superficial gym rat, she's thankful to have allies in her loving, laid-back dad and her younger brother.

As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house until one night her stargazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold.

Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker, his classmate and crush, who committed suicide two weeks earlier. Hannah's voice explains that there are 13 reasons she decided to end her life. Clay is one of them. If he listens, he'll find out why.

When Danny discovers a taped-up box in his father's closet filled with old letters and a file on a powerful Silicon Valley family, he realizes there's much more to his family's past than he ever imagined. Danny has been an artist for as long as he can remember, and it seems his path is set, with a scholarship to RISD and his family's blessing to pursue the career he's always dreamed of. Still, contemplating a future without his best friend, Harry Wong, by his side makes Danny feel a panic he can barely put into words.

In her first weeks at Hawthorne College, Malin is swept up into a tight-knit circle that will stick together through all four years. There’s Gemma, an insecure theater major from London; John, a tall, handsome, wealthy New Englander; Max, John’s cousin, a shy pre-med major; Khaled, a wisecracking prince from Abu Dhabi; and Ruby, a beautiful art history major. But Malin isn’t like the rest of her friends. She’s an expert at hiding her troubled past - all while using her extraordinary insight to detect their deepest vulnerabilities and weaknesses.

Eighteen-year-old Eliza Mirk is the anonymous creator of the wildly popular webcomic Monstrous Sea, but when a new boy at school tempts her to live a life offline, everything she’s worked for begins to crumble. In the real world, Eliza Mirk is shy, weird, and friendless. Online, Eliza is LadyConstellation, anonymous creator of a popular webcomic called Monstrous Sea. With millions of followers and fans throughout the world, Eliza’s persona is popular. Eliza can’t imagine enjoying the real world as much as she loves her digital community.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize - a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.

By acclaimed writer Nora Raleigh Baskin, this is the eye-opening depiction of an autistic boy's daily and lifelong struggles to exist in a "neurotypical" world. The only place sixth grader Jason Blake can be himself is online, where he posts the short stories he writes. It's there that Jason finds Rebecca. Though the two have common ground, Jason can't face the consequences that meeting Rebecca might bring - but if he doesn't meet her, there's no chance to have a real relationship.

Ever come across a situation that simply wasn't right - where someone was getting the dirty end of the stick and you wished you could make things right but didn't know how? Fourteen-year-old Jack knows how. Or rather he's learning how. He's discovering that he has a knack for fixing things. Not bikes or toys or appliances - situations...It all starts when Jack and his best friends, Weezy and Eddie, discover a rotting corpse - the victim of ritual murder - in the fabled New Jersey Pine Barrens. Beside the body is an ancient artifact carved with strange designs.

Following her father's death, Jane North-Robinson and her mom move from sunny California to the dreary, dilapidated old house in Maine where her mother grew up. All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone...and more tormented.

No world is like the other. Within this masterful collection, each setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, for all the advances in these futuristic lands, the people still must confront deeply human problems. In these six stories, Veronica Roth reaches into the unknown and draws forth something startlingly familiar and profoundly beautiful.

When the crows gather over a remote Navajo Reservation in the deep Southwest, it is a sign that the thin veil that separates our world from the one beyond is about to open. Without a barrier between life and death, things pass between both worlds. Some of them are good. Most of them are not.

Things never seem to go as easily for 13-year-old Frankie as they do for her sister, Tess. Unlike Tess, Frankie is neurodivergent. In her case, that means she can't stand to be touched, loud noises bother her, she's easily distracted, she hates changes in her routine, and she has to go see a therapist while other kids get to hang out at the beach. It also means Frankie has trouble making friends. She did have one - Colette - but they're not friends anymore. It's complicated. Then, just weeks before the end of seventh grade, Colette unexpectedly shows up at Frankie's door.

Breasts & Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the 30-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent.

Fuyuko Irie is a freelance copyeditor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it.

Tsukiko, 38, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei", in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is 30 years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy, which tilts awkwardly and poignantly into love.

Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them—a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the listener a new window into the mind of one of the greatest Japanese authors of the 20th century.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.

Tokyo resident Keiko Furukara has never fit in - neither in her family, nor in school - but when at the age of 18 she begins working at the Hiiromachi branch of national convenience store chain Smile Mart, she realizes instantly that she has found her purpose in life. Delighted to be able to exist in a place where the rules of social interaction are crystal clear (many are laid out line-by-line in the store's manual), Keiko does her best to copy the dress, mannerisms, and mode of speech of her colleagues, playing the part of a "normal" person excellently, more or less.

In the title story of Souvankham Thammavongsa's debut collection, a young girl brings a book home from school and asks her father to help her pronounce a tricky word, a simple exchange with unforgettable consequences. Thammavongsa is a master at homing in on moments like this—moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.

Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.

The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

It is spring. A young woman, left by her husband, starts a new life in a Tokyo apartment. Territory of Light follows her over the course of a year as she struggles to bring up her two-year-old daughter alone. Her new home is filled with light streaming through the windows, so bright she has to squint, but she finds herself plummeting deeper into darkness, becoming unstable, untethered. As the months come and go and the seasons turn, she must confront what she has lost and what she will become.

Yunjae was born with a brain condition called alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends - the two almond-shaped neurons located deep in his brain have seen to that - but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you", and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.

Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses - until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards.

The Flowers of Buffoonery opens in a seaside sanitarium where Yozo Oba—the narrator of No Longer Human at a younger age—is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a lighthearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes, and trying to make each other laugh.