Henry IV, Part 2
Arkangel Shakespeare
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Narrated by:
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Jamie Glover
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Julian Glover
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Richard Griffiths
About this listen
Prince Hal parts from his past to fulfill his royal destiny in this essential conclusion to Henry IV, Part 1.
Rebellion still simmers in England and King Henry's health is failing. Prince Hal has proved his courage but the king still fears that his son's pleasure-loving nature will bring the realm to ruin. Meanwhile, Falstaff and his ribald companions waste the nights in revelry, anticipating the moment when Hal will ascend the throne. Falstaff is in Gloucestershire when news arrives that the king has died. Has the dissolute old knight's hour come at last?
Hal is played by Jamie Glover and King Henry by Julian Glover. Richard Griffiths is Falstaff.
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By: Kate Stewart
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He's Gone
- By: Rebecca Collomosse
- Narrated by: Victoria Blunt, Cicely Whitehead, Joe Eyre
- Length: 10 hrs and 21 mins
- Unabridged
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My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
- By TerriSweeta on 12-04-24
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Mary Jane
- By: Amy Herzog
- Narrated by: Rachel McAdams, April Matthis, Brenda Wehle, and others
- Length: 1 hr and 16 mins
- Original Recording
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Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.
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The storyline
- By Shanesha Duncan on 12-20-24
By: Amy Herzog
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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The Rose Arbor
- A Novel
- By: Rhys Bowen
- Narrated by: Nicola Barber
- Length: 10 hrs and 38 mins
- Unabridged
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London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Over two decades earlier, three girls disappeared while evacuating from London. One was found murdered in the woods near a train line. The other two were never seen again.
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Skip it.
- By 4Boxers!!!! on 12-14-24
By: Rhys Bowen
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The Answer Is No
- A Short Story
- By: Fredrik Backman, Elizabeth DeNoma - translator
- Narrated by: Stacy Gonzalez
- Length: 1 hr and 49 mins
- Unabridged
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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- By joey1603 on 12-01-24
By: Fredrik Backman, and others
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Starship Troopers
- By: Robert A. Heinlein
- Narrated by: R.C. Bray
- Length: 8 hrs and 15 mins
- Unabridged
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Home Is Where the Bodies Are
- By: Jeneva Rose
- Narrated by: January LaVoy, Cassandra Campbell, Brittany Pressley, and others
- Length: 8 hrs and 27 mins
- Unabridged
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After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.
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Perfect Audio.
- By Black Women Read Too on 05-19-24
By: Jeneva Rose
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The Art of War
- By: Sun Tzu
- Narrated by: Aidan Gillen
- Length: 1 hr and 7 mins
- Unabridged
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The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.
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The actual book The Art of War, not a commentary
- By Nemo71 on 12-31-19
By: Sun Tzu
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
- Unabridged
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Love ArkAngel's interpretation of Shakespeare
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Can't bother with a title
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The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.
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I wasted time, and now doth time waste me.
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O, while you live, tell truth, and shame the Devil
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Can't bother with a title
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A Snapper-Up of Unconsidered Trifles
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Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.
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This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.
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tragedy par excellence
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Julius Caesar: The Arkangel Shakespeare
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At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.
Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.
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Riveting!
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The Merry Wives of Windsor
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The dissolute Falstaff plans to seduce Mistress Ford and Mistress Page, two "Merry Wives of Windsor," there by gaining access to their husbands' wealth. The two women have the old rogue's measure, however, and Falstaff's plots lead only to his own humiliation. But the merry wives themselves fall prey to plotting as their plans to prevent Mistress Page's daughter Anne from marrying the young man she loves are frustrated in their turn.
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We have some salt of our youth in us.
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Antony and Cleopatra
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Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.
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Immortal Longings
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Romeo and Juliet
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In the world's most celebrated and lyrical love story, the sublime devotion of two young lovers transcends their earthly fate. The noble Veronese houses of Montague and Capulet are locked in a bitter feud. When Romeo (a Montague) and Juliet (a Capulet) fall in love, they are swept up in a series of violent events and cruel twists of fortune. Despite the passion and innocence of their love, they fall victim to the enmity between their families, and their story ends in tragedy.
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Well played!
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Measure for Measure: The Arkangel Shakespeare
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Telling his followers he is leaving the city on affairs of state, the Duke of Vienna appoints the puritanical Angelo to govern in his absence. Will Angelo prove as virtuous as he seems once power is in his hands? Roaming the city disguised as a friar, the duke looks on as Angelo's lust for the virtuous Isabella sweeps him into the corruption he has so sternly condemned in others. The duke's manipulation at last produces a happy ending for this dark comedy, with its brilliant exploration of the themes of justice and mercy.
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Seeking death, find life
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Coriolanus
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Story
Rome is a city divided, nobility and common-people locked in mutual suspicion. The patrician Caius Marcius, later called Coriolanus, is Rome's greatest soldier, but his proud refusal to accommodate himself to the demands of the plebeians leads to banishment and death. A Roman history as well as tragedy, Coriolanus is a complex and subtle exploration of the themes of absolution and compromise, both in the political world and in the life of the individual.
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Let it be virtuous to be obsinate
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Much Ado about Nothing
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Young Claudio has fallen for the lovely heiress Hero, who also loves him. Their path to the altar looks smooth, until the evil Don John intervenes. All ends happily, thanks to his incompetent assassins and the lucky discoveries of the bungling constable Dogberry. Central to the play, one of Shakespeare's best-loved comedies, are Beatrice and Benedick, masters of wit and sworn foes to marriage - until a plot is hatched to bring them together.
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Live in thy heart, die in thy lap
- By Darwin8u on 06-29-17
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Henry VIII
- Arkangel Shakespeare
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Story
King Henry is married to Katherine of Aragon, but he has been smitten by the charms of the queen's maid of honor, Anne Bullen, and is tempted to divorce his dignified and noble wife. Meanwhile, the lords of England resent the influence of Henry's trusted advisor, Cardinal Wolsey, who is gradually drawing power into his own hands. As Katherine and Wolsey suffer their tragic falls, new figures rise to fill their places, but they, too, will be brought low by the inexorable sweep of time and fortune.
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Virtues written in Water
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Henry VI, Part 1
- Arkangel Shakespeare
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- Original Recording
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Story
The all-conquering King Henry V is dead, and the throne is occupied by his infant son, Henry VI. The good Duke Humphrey of Gloucester has been appointed protector, but a struggle for power soon develops between the young king's Lancastrian relatives and the powerful house of York under Richard Plantagenet. Meanwhile the French, led by Joan of Arc, the maid of Orleans, threaten to win back the territories lost to Henry V.
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Good Lord, what madness rules in brainsick men
- By Darwin8u on 01-22-17
What listeners say about Henry IV, Part 2
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 07-13-16
Another hit
After you've listened to Henry IV Part One, get the other half of the story here. Although Part One can sort of stand on its own, with a great battle scene at the climax, skipping Part Two would deprive you of one of the best plays about aging ever written - and also one of the great father/son scenes of all time.
There's not so much sturm and drang in Part Two. There's another batch of rebels to bring to heel, but they're defeated by a trick, by Hal's brother John - a serious, devious young man who cares about as much for Falstaff as Falstaff does for him - which is to say, not much. (Falstaff's speech about the virtues of sack is a miniature masterpiece.) Meanwhile Falstaff is feeling the effects of age. There's a poignancy about his scenes with the prostitute Doll Tearsheet, or the country bumpkin Justice Shallow, that's unlike anything in the first play. And it leads up to one of the most painful scenes of rejection in all of Shakespeare.
Prince Hal has much to do to convince his father, the dying Henry Bolingbroke, that he's not a wastrel and good-for-nothing. He's playing a long game. When he ascends the throne, he plans to throw off all his old companions and let his true virtue show forth, arousing his subjects to wonder and admiration. In a long and moving scene, he and his father finally come to terms.
The cast of Part One continues here, with Julian and Jamie Glover as Hal 4 and Hal 5; Richard Griffiths as Falstaff; and introducing the energetic Edward de Souza as the crazy Marlowe-quoting Ancient Pistol ("What? Shall we have incision? Shall we imbrue? Then death rock me asleep, abridge my doleful days! Why then let grievous, ghastly, gaping wounds untwind the Sisters Three!").
Is Hal a cynical jerk, or is he making a painful but necessary decision to reform? Some of the scenes in this play really hurt, up close and personal. Falstaff is a bloated scoundrel, but he's also - as Pistol later says of King Henry V himself - "a lad of life, an imp of fame, of parents good, of fist most valiant. I kiss his dirty shoe, and from heart-string I love the lovely bully."
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4 people found this helpful
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- Diana S. Long
- 01-28-18
Excellent and entertaining
I listened to the Arkangel full cast production of the play while reading the text from the Delphi Complete Works of Shakespeare. This is the second of King Henry and the third of the plays in the group. I found it just as witty as the other plays of Shakespeare and combined with the bawdy songs and capers pulled off with some of the characters like Folstaff a totally delightful play. In this play the Prince of Wales is confronted by his father the dying King and as the crown passes the Prince finally makes the choice to take his new role seriously and cast aside his frivolous youth...and friends. The confrontation that starts the play ends on an odd note...a truce, a peace and a somewhat underhanded maneuver by the Crown, thinking of that saying “all's fair in love and war”, I would suppose this would be a good example. The final speech, an epilogue at the end of the play, seems almost an apology to the patrons that they would not be getting their money's worth.
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- Anonymous User
- 12-18-19
Listen to Part I first.
I was told Part II stands alone, so I listen to it the first time and was frustrated. Then I listened to Part I and afterwards Part II again and appreciated the latter much more. Specifically, Act I made more sense.
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- Darwin8u
- 07-06-17
Virtue is chok'd with foul ambition
I was recently at a book signing for Don Winslow's new book The Force and he brought up his life-long fascination with Shakespeare and how the Godfather books/movies (at least the first two) are basically a retelling of Shakespeare's Henry IV with the moral poles flipped (with Al Pacino playing Hal and Diane Keaton as a gender-bent Falstaff). I can run with that.
Anyway, Henry IV, Part 2 is fantastic. It is less playful than Henry IV, Part 1 and the comic role of Falstaff drops an octave into tragicomedy. Falstaff still possesses a comedic greatness to him, but he has suddenly seen his relationship with Hal changed at the end as Hal puts away childish things and takes up the mantle (and crown) of his father. One of my favorite of Shakespeare's Histories (right there with Richard III). It is a mature and serious play. Youth's sandbox has been replaced with the battlefield and folly has been replaced with responsibility.
Favorite lines:
“Rumour is a pipe
Blown by surmises, jealousies, conjectures
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wavering multitude,
Can play upon it.” (Prologue, Scene 1)
"I am not only witty in myself, but the cause that wit is in other men." (Act I, Scene 2)
"I were better to be eaten to death with a rust, than to be scoured to nothing with perpetual motion." (Act I, Scene 2)
"A good wit will make use of anything; I will turn diseases to commodity." (Act I, Scene 2)
“By my troth, I care not; a man can die but once; we owe God a death and let it go which way it will he that dies this year is quit for the next” (Act 3, Scene 2)
"Commit
The oldest sins the newest kind of ways." (Act 4, Scene 4)
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